Voyons Théodore nous ne sommes donc plus la Bichette à… by Paul Gavarni

Hand-colored print of a woman in a lilac gown with hands on a man's lapel, beside a sofa and curtain.

Standard HD

1,991 × 2,500 px · JPG

This file is 2,500 pixels on the long side, with no account and no watermark. The page also names the museum that holds the work and gives its medium.

Download

Master Pro

2,727 × 3,424 px · full resolution

Get master with Pro

Print sizes ProA5 to 30 × 40 cm · up to 300 dpi

Paper size	Orientation	Quality	File
A5	Portrait	300 dpi	Get with Pro
A4	Portrait	200+ dpi	Get with Pro
A3	Portrait	200+ dpi	Get with Pro
5 × 7 in	Portrait	300 dpi	Get with Pro
8 × 10 in	Portrait	300 dpi	Get with Pro
11 × 14 in	Portrait	200+ dpi	Get with Pro
16 × 20 in	Portrait	150 dpi, acceptable	Get with Pro
30 × 40 cm	Portrait	200+ dpi	Get with Pro

A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.

PaletteShow the 5 main colors of this work

Select a color to copy its hex code

All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.

Palette file

Credit this image

Voyons Théodore nous ne sommes donc plus la Bichette à notre petite maman, Paul Gavarni (1840). Via artnap.com

Free to use. A link back is appreciated.

Why is this public domain? Paul Gavarni died in 1866; this work is in the public domain.

About this work

A hand-colored print shows a man with a cane standing beside a seated-to-standing woman in a lilac gown, who rests her hands on his lapel while leaning toward his face. A gold patterned sofa and draped curtain frame the domestic interior.

Date

1840

Medium

License

Public domain