
A monsieur Anatole qui attends dans un cabinet de la Poissonnerie
Paul Gavarni · 1804-1866
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 200+ dpi | Get with Pro |
| A3 | Portrait | 200+ dpi | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 200+ dpi | Get with Pro |
| 16 × 20 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
A monsieur Anatole qui attends dans un cabinet de la Poissonnerie, Paul Gavarni (1840). Via artnap.com
A monsieur Anatole qui attends dans un cabinet de la Poissonnerie, Paul Gavarni (1840). Via artnap.comA monsieur Anatole qui attends dans un cabinet de la Poissonnerie, Paul Gavarni (1840). Via <a href="https://artnap.com/artwork/pdx-1055916">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1055916"><img src="https://img.artnap.com/artworks/pdx/pdx-1055916/web.jpg" alt="A monsieur Anatole qui attends dans un cabinet de la Poissonnerie, Paul Gavarni (1840)" width="1256" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>A monsieur Anatole qui attends dans un cabinet de la Poissonnerie, Paul Gavarni (1840). Via <a href="https://artnap.com/artwork/pdx-1055916">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Paul Gavarni died in 1866; this work is in the public domain.
About this work
A hand-colored lithograph titled "A monsieur Anatole qui attends dans un cabinet de la Poissonnerie" by Paul Gavarni, dated 1840. A seated man in a dark coat reads a note at a table set with plates and glasses, while another man in a green waistcoat and red trousers stands beside a top hat near the open door.























