
Los Desastres de la guerra. 40, Algun partido saca : estampe / Goya Alternative title: Il en tire quelque chose Alternative title: He gets something out of it
Francisco Goya · Spanish, 1746-1828
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Prepare file |
| A4 | Landscape | 300 dpi | Prepare file |
| A3 | Landscape | 300 dpi | Prepare file |
| A2 | Landscape | 200+ dpi | Prepare file |
| 5 × 7 in | Landscape | 300 dpi | Prepare file |
| 8 × 10 in | Landscape | 300 dpi | Prepare file |
| 11 × 14 in | Landscape | 300 dpi | Prepare file |
| 16 × 20 in | Landscape | 200+ dpi | Prepare file |
| 18 × 24 in | Landscape | 200+ dpi | Prepare file |
| 24 × 36 in | Landscape | 150 dpi, acceptable | Prepare file |
| 30 × 40 cm | Landscape | 300 dpi | Prepare file |
| 50 × 70 cm | Landscape | 150 dpi, acceptable | Prepare file |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 4 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Los Desastres de la guerra. 40, Algun partido saca : estampe / Goya Alternative title: Il en tire quelque chose Alternative title: He gets something out of it, Francisco Goya, Wikimedia Commons. Via artnap.com
Los Desastres de la guerra. 40, Algun partido saca : estampe / Goya Alternative title: Il en tire quelque chose Alternative title: He gets something out of it, Francisco Goya, Wikimedia Commons. Via artnap.comLos Desastres de la guerra. 40, Algun partido saca : estampe / Goya Alternative title: Il en tire quelque chose Alternative title: He gets something out of it, Francisco Goya, Wikimedia Commons. Via <a href="https://artnap.com/artwork/cmsab-162483057">artnap.com</a>
Why is this public domain? Wikimedia Commons lists this work as public domain.
About this work
This etching shows a man sprawled on the ground, his legs and bare feet extended, while a dog with an open mouth and snarling face lunges at him from above. The composition uses dense hatched lines and dark shading to set the scene against a shadowed background. The work is catalogued as plate 40 of Francisco Goya's series Los Desastres de la guerra.



























