La Grande Loge : estampe. Numérisation de RESERVE DC-364 (3)-FT 4 < Identifiant : ESTNUM 2022-3023 / Henri de Toulouse-Lautrec Alternative title: Box in the grand tier
Henri de Toulouse-Lautrec · French, 1864-1901
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Prepare file |
| A4 | Portrait | 300 dpi | Prepare file |
| A3 | Portrait | 300 dpi | Prepare file |
| A2 | Portrait | 300 dpi | Prepare file |
| 5 × 7 in | Portrait | 300 dpi | Prepare file |
| 8 × 10 in | Portrait | 300 dpi | Prepare file |
| 11 × 14 in | Portrait | 300 dpi | Prepare file |
| 16 × 20 in | Portrait | 300 dpi | Prepare file |
| 18 × 24 in | Portrait | 300 dpi | Prepare file |
| 24 × 36 in | Portrait | 200+ dpi | Prepare file |
| 30 × 40 cm | Portrait | 300 dpi | Prepare file |
| 50 × 70 cm | Portrait | 300 dpi | Prepare file |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 4 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
La Grande Loge : estampe. Numérisation de RESERVE DC-364 (3)-FT 4 < Identifiant : ESTNUM 2022-3023 / Henri de Toulouse-Lautrec Alternative title: Box in the grand tier, Henri de Toulouse-Lautrec, Wikimedia Commons. Via artnap.com
La Grande Loge : estampe. Numérisation de RESERVE DC-364 (3)-FT 4 < Identifiant : ESTNUM 2022-3023 / Henri de Toulouse-Lautrec Alternative title: Box in the grand tier, Henri de Toulouse-Lautrec, Wikimedia Commons. Via artnap.comLa Grande Loge : estampe. Numérisation de RESERVE DC-364 (3)-FT 4 < Identifiant : ESTNUM 2022-3023 / Henri de Toulouse-Lautrec Alternative title: Box in the grand tier, Henri de Toulouse-Lautrec, Wikimedia Commons. Via <a href="https://artnap.com/artwork/cmsab-161252481">artnap.com</a>
Why is this public domain? Wikimedia Commons lists this work as public domain.
About this work
The image shows a lithograph-style print in red ink on cream paper, with bold curved brushstrokes at the top and a broad angular stroke sweeping across the bottom. The composition is largely open and empty, with the red marks framing a central void.
