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William Hogarth

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Engraving of a night cellar: a watchman with a lantern, a pointing woman, and card players by a fireplace.

The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice (Industry and Idleness, plat…

September 30, 1747

Engraving of a crowded courtroom with a seated alderman holding his head beside a writing clerk and standing witnesses.

The Industrious 'Prentice Alderman of London, The Idle One Brought Before Him and Impeached by his Accomplices (Indus…

September 30, 1747

Engraving of soldiers and sailors feasting at a tavern with a Duke of Cumberland sign, a Frenchman at a window, and marching

The Invasion, Plate 2: England

March 8, 1756

Hogarth satirical etching of armed men storming a tavern by the coast, with a monk, ships and a banner reading Vengence.

The Invasion, Plate 1: France

March 8, 1756

Engraving of a seated woman in a bedroom with a tea-pouring servant, a wigged gentleman and soldiers entering at right.

A Harlot's Progress, Plate 3

before April 1732

Engraving of a crowded fairground street with booths, flags, a church tower, acrobats, and a collapsing stage.

Southwark Fair

1734

Engraving of a mounted knight with a pistol facing a crowd of villagers with staves and pipes, a chained bear in front.

Hudibras's First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3)

1725-68

Engraving of a crowd burning effigies at Temple Bar, with a skeleton figure, bonfire, balcony onlookers and verse below.

Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11)

1725-68

Engraving of men in period dress arguing around a table in a room with hanging hats and a clock.

The Committee (Twelve Large Illustrations for Samuel Butler's Hudbras, Plate 10)

1725-68

Engraved interior: a woman gestures to a wigged man with a teacup, a turbaned servant boy, a monkey, and broken crockery on t

A Harlot's Progress, Plate 2

before April 1732

Engraving of a street scene with two women in foreground, a horse-drawn coach at left, and a doorway with men at right.

A Harlot's Progress, Plate 1

before April 1732

Engraving of a noisy village procession with riders, horn players, and a crowd beside a brick house and tavern sign.

Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 7)

1725-68

Engraved interior with a young man, a tailor measuring him, an older woman, a maid, a cat, and scattered papers and money.

A Rake's Progress, Plate 1

June 25, 1735

Engraving of a fashionable interior with a harpsichordist, a crowd of gentlemen and ladies, and a long unrolling score.

A Rake's Progress, Plate 2

June 25, 1735

Engraving of an 18th-century London street with a sedan chair, a woman in white, a beggar, and a figure pouring from a window

A Rake's Progress, Plate 4

June 25, 1735

Engraving of revelers drinking and gambling in a crowded interior, with a seated woman in the foreground amid scattered cloth

A Rake's Progress, Plate 3

June 25, 1735

Engraving of a workhouse interior with a gentleman and two fashionable women at left and working women and children at right.

A Harlot's Progress, Plate 4

before April 1732

Engraving of a cluttered bedchamber with a canopied bed, fireplace, seated woman, two wigged men and a kneeling woman at a tr

A Harlot's Progress, Plate 5

before April 1732

Etching of a crowded tavern-like room with women at a card table, a small child on the floor, and a bottle in the foreground.

A Harlot's Progress, Plate 6

before April 1732

Engraved interior with a woman and gentleman before a clerk at a desk, a kneeling servant, two dogs, and children.

A Rake's Progress, Plate 5

June 25, 1735

Engraved asylum interior with a chained man tended by figures, a violinist, and visitors; verses below.

A Rake's Progress, Plate 8

June 25, 1735

Engraved prison interior with barred windows, a jailer with keys, and figures gathered around a table and bed.

A Rake's Progress, Plate 7

June 25, 1735

Engraving of a crowded tavern with men gambling at tables, a dog, a fallen wig, and smoke filling the room.

A Rake's Progress, Plate 6

June 25, 1735

Engraving of a cluttered garret with a poet at his desk, two women working by the fireplace, a cat and dog on the floor.

The Distrest Poet

March 3, 1737

Engraved print of an actor in Richard III costume gesturing from a draped bed, with armor and a crown beside him.

Mr. Garrick in the Character of Richard III

June 20, 1746

Engraved scene of a stone city gate with soldiers, a friar, beggars, and a woman carrying a basket in the foreground.

O the Roast Beef of Old England--The Gate of Caiais

March 6, 1749

Engraving of a crowded city gate with a soldier, a friar, a stout man, beggars and a cooking pot under heraldic shields.

O the Roast Beef of Old England--The Gate of Calais

March 6, 1749

Engraving of Pharaoh's daughter seated on a dais receiving a young boy brought by a woman and an older man in a palace.

Moses Brought to Pharaoh's Daughter

February 5, 1752

Engraving of a seated princess receiving a child from a woman and bearded man, with attendants and an Egyptian-style landscap

Moses Brought to Pharaoh's Daughter (Exodus 2:10)

February 5, 1752

Engraving of an artist's studio with statues, anatomy figures, and a border of ornaments, heads, and plants by Hogarth.

Analysis of Beauty, Plate 1

March 5, 1753

Engraving of a crowded ballroom with dancing couples and chandelier, framed by numbered studies of faces and ornamental curve

Analysis of Beauty, Plate 2

March 5, 1753

Engraved crowd scene of an election at a wooden platform, with a carriage crossing a stone bridge and a church in the distanc

The Polling, Plate III: Four Prints of an Election

February 20, 1758