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William Hogarth

455 works

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Wood engraving bust portrait of a man in a curled wig, white cravat and buttoned coat, signed W. J. Linton.

Thomas Coram. Wood engraving by W. J. Linton after W. Hogarth

Etched crowd of caricatured scholars in caps and gowns around a lecturer reading from an open book at a pulpit.

Scholars at a Lecture

1736-37

Engraving of a crowded London street with a church spire, a well-dressed couple, a beggar on the ground, and a tavern sign.

Noon, Plate Two from The Four Times of Day

1738

Engraved night street scene with a lantern-bearing couple, a fire, an overturned cart, and hanging signs under a moonlit sky.

Night, Plate Four from The Four Times of Day

1738

Engraving of a chaotic night street scene with a bonfire, lantern-bearing figures, a barber's window and an overturned cart.

Night, plate four from The Four Times of the Day

May 1738

Oval line engraving of Daniel Lock, a seated man in a powdered wig holding a sheet, with a harbour view at right.

Daniel Lock. Line engraving by T. Cook & Son, 1808, after W. Hogarth

Oval line engraving of a man in a powdered wig and white cravat, captioned Thomas Pellet M.D., President of the College of Ph

Thomas Pellet. Line engraving by C. Hall after W. Hogarth

Engraving of a night murder scene with a dead woman on the ground, a standing man, alarmed onlookers, and a lantern under a c

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751

Engraving of William Hogarth seated at an easel, palette in hand, painting a sketch of the Comic Muse beside a column.

Hogarth Painting the Comic Muse

1764

Engraving of a London street where a coachman whips a fallen horse beside a carriage, sheep and onlookers.

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751

Engraving of boys torturing animals in a city street, with a crowd watching and a church spire behind the buildings.

The First Stage of Cruelty: Children Torturing Animals

1751

Engraving of a public dissection with surgeons, spectators, skeletons, a dog and a corpse on a round table.

The Fourth Stage of Cruelty: The Reward of Cruelty

1751

Sketch of a seated man in a tricorn hat beside a table with a wine bottle and glass, in brown wash.

Gabriel Hunt

Pencil and red chalk sketch of a street scene with boys tormenting a dog and rooster, a gibbet in the background, and onlooke

The First Stage of Cruelty

1750

Line engraving of seated Captain Thomas Coram with a globe, charts and ships in the background, after Hogarth.

Thomas Coram. Line engraving by B. Holl after W. Hogarth

Engraved self-portrait of a man in a fur hat with a pug dog, a palette inscribed The Line of Beauty, and stacked books.

Gulielmus Hogarth

1748/1749

Engraved print of a busy 18th-century London street at dawn with vendors, a fire, and a coffeehouse sign.

Morning

1738

Engraved street scene with a church spire, a tavern sign, a crowd, a beggar on the ground, and a well-dressed couple.

Noon

1738

Engraving of three judges in wigs seated on the bench, one dozing, with explanatory text printed below.

The Bench

1758

Characters and Caricaturas

1743

Engraving of a church where a preacher reads from a pulpit while many congregants, including a woman with a fan, sleep.

The Sleeping Congregation

1736

Hogarth engraving of a mock coat of arms filled with grotesque wigged physician caricatures, crossed bones, and a Latin motto

The Company of Undertakers

1736/1737

The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically

1761

Engraving of heaped crowns, mitres, maces and books under a radiant crown, with printed text panels below.

Crowns, Mitres, Maces, Etc

1754

Engraving of winged Time smoking a pipe over a dark seascape painting on an easel, with a varnish jar beside it.

Time Smoking a Picture

1761

Oval line engraving of James Gibbs, a man with curled hair and dark coat, before a classical architectural background.

James Gibbs. Line engraving by A. Bannerman, 1762, after J. McArdell after W. Hogarth

Engraving of a kneeling man in a hooded robe holding a reclining figure, with a skull, book, rosary and fruit in a rocky land

Sir Francis Dashwood at his devotions. Engraving attributed to W. Platt after W. Hogarth

Engraving of a church where a preacher reads in a pulpit while congregants sleep in pews and a woman dozes with a fan.

Gemeente in een kerk slaapt terwijl het Evangelie wordt voorgelezen

1736

Engraving of a crowded church with a preacher in a pulpit, an agitated congregation, a fainting woman and devil figures.

Spreekgestoelte met prediker en toehoorders

1762

Etched portrait of a heavyset seated man in a buttoned coat and boots, beside a desk with a book and quill, 1746.

Portret van Simon Fraser

1746

Engraved print of a Greek patriarchal tiara with winged cherub heads, a central ornamental band, and a cross on top.

Tiara met serafijnen

1723

Engraved sheet showing an allegorical medallion with two female figures above a printed text about Hogarth's gold admission t

Medaillon met personificaties van Moed (Virtus) en Wellust (Voluptas)

1823