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William Blake

320 works

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Engraving of Satan descending before God, with Job seated on a bench, his wife, angels, and a dog in a landscape.

Then went Satan forth from the presence of the Lord. From: The Book of Job

1825

Pencil sketch of a muscular hybrid figure with a human face, curly hair, scaled legs, tail, and clawed hands.

Study of the Figure of Agnello Brunelleschi

c. 1826

Engraving with printed poem text on the left, a seated draped man at lower right, and small winged figures floating in clouds

Zes kleine vliegende figuren bij een zittende man met banderol

1796

Engraved book page with verse above a scene of two figures, one pointing, beside an overturned goblet.

Gewaarschuwd man gooit een glas wijn om

1796

Engraving of Satan falling from God's presence, with angels, flames, and a seated family with a dog below.

Satan Going Forth fron the Presence of the Lord

1825-26

Engraved title page with Hebrew heading and ornate lettering for Blake's Book of Job, framed by reclining winged angels and c

Title Page: Illustrations of the Book of Job

1825-26

Engraving of a winged figure above a collapsing house with falling pillars, flames, and dead nude figures, by William Blake.

The Destruction of Job's Sons

1825-26

Engraving of a muscular figure grasping lightning bolts above churning waves, with a serpent coiled around its body amid stor

Tornado-Zeus Battling Typhon, from Erasmus Darwin's "The Botanic Garden"

August 1, 1795

Engraving of a nude man seen from behind, arms raised toward a star, with a river and pyramids in an Egyptian landscape.

Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden"

1791

Etching of a robed, haloed figure holding two keys, standing on steps between columns with flames below.

Christ Descending into the Grave, from "The Grave," a Poem by Robert Blair

March 1, 1813

Engraving of a family embracing in heaven, framed by two large winged angels above clouds.

The Meeting of a Family in Heaven, from "The Grave," a Poem by Robert Blair

March 1, 1813

Engraving of figures descending through rocky caverns toward a light-filled opening, with mourners in the foreground.

The Descent of Man into the Vale of Death, from "The Grave," a Poem by Robert Blair

March 1, 1813

Engraving of a Last Judgment scene with an enthroned Christ, angels with books, rising nude souls and falling damned figures

The Day of Judgment, from "The Grave," a Poem by Robert Blair

March 1, 1813

Engraving of a robed soul with a torch entering a cave of flames, while a muscular figure strides across a hilltop under a cr

The Soul Exploring the Recesses of the Grave, from "The Grave," a Poem by Robert Blair

March 1, 1813

Engraving of a nude figure embracing a floating draped figure above a tomb, with flames and smoke around them.

The Reunion of the Soul & the Body, from "The Grave," a Poem by Robert Blair

March 1, 1813

Engraving of a nude figure seated atop a stone tomb gazing upward, while an old man with a cane approaches an open door below

Death's Door, from "The Grave," a Poem by Robert Blair

19th century

Engraving of a winged angel above a kneeling woman, with pale spectral figures rising through a dark sky.

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4)

1774

Engraving of The Death of Lucretia: a standing man raises a dagger while a kneeling woman slumps before onlookers behind a cu

The Death of Lucretia, from Allen's "New and Impartial Roman History"

1797

Engraving of a nude man seated on a tomb gazing at light while an old man with a cane enters a stone doorway below.

Mourir C'est Renaitre (Death and Immortality)

19th century

Engraved page by William Blake showing seated figures in conversation beside a printed poem and a reclining winged figure.

Zittende mannen en vrouwen in overleg

1796

Engraving of a reclining man attended by three flowing figures, with a block of poetry printed above the scene.

Liggende man omringd door drie vliegende figuren

1796

Engraved illustration of a kneeling man beside a reclining man, a grazing horse and a willow, below a page of verse.

Man hurkt bij een liggende man naast een boom met paard

1796

Engraving of winged angelic figures beside a block of printed poetry on a cream page.

Vier engelen

1796

Engraved title page with a large coiled serpent framing the words NIGHT THE THIRD, NARCISSA and a rising female figure.

Slang en allegorie op de nacht

1796

Engraving of a nude woman with raised arms beneath a billowing cloak on a hill, with a printed poem beside her.

Man houdt een mantel boven een naakte vrouw

1796

Engraving by William Blake with a reclining nude figure, a flowering plant, a winged head in clouds, and a printed poem page.

Man en vrouw kijken op naar een paard en figuren in een landschap

1796

Engraving of figures in a rushing stream below tall hatched trees, with a poem printed across the center of the image.

Figuren in een stroom

1796

Engraved page with a verse above; a kneeling mourning figure sits by a tomb while a flaming arm rises at right.

Wenend persoon bij graftombes

1796

Engraved page with a poem and an illustration of a bearded old man above four reclining figures passing a bowl.

Vier wenende mannen bekeken door Vadertje Tijd

1796

Engraved page showing a reclining bearded old man holding a Hebrew-inscribed scroll, with printed verse beside him.

Bebaarde man met banderol met Hebreeuwse tekst

1796

Engraving of a nude bearded figure with arms outstretched amid radiating light, with two kneeling figures below.

Christus verschijnt en engelen buigen

1796

Engraving of a grinning devil with a spear over a nude figure and a hound, with a verse text panel beside them.

Man aangevallen door honden en een duivel

1796