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Théodore Chassériau

86 works

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Etching of Othello addressing Desdemona in a dim bedchamber, she seated on the bed and he standing with a raised hand.

Have you pray'd tonight, Desdemona?, plate twelve fom Othello

1844

Lithograph of a nude woman wringing long hair on a rocky shore with shells, cliffs and sea behind her.

Venus Anadyomène

1839

Etching of two seated women in Moorish dress with a gazelle, against an ornamented wall, by Théodore Chassériau, 1851.

Femmes Mauresques de Constantine

1851

Lithograph of a nude woman wringing her long hair on a rocky seashore with shells and distant cliffs behind her.

Venus Anadyomene

c. 1841/1842

Lithograph of Apollo with a lyre kneeling and reaching toward nude Daphne raising her arms among trees.

Apollon et Daphne

1844

Etching of two cloaked men below a balcony where a bearded man in a nightcap appears, beside a winged lion column.

Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello

1844

Etching of Othello gesturing to a veiled woman beside him in an arched interior, with verse captions below.

She Thank'd Me, plate two from Othello

1844

Etching of Othello plate three: a turbaned figure stands before seated courtiers and a kneeling woman in an ornate interior.

She Lov'd Me for the Dangers, plate three from Othello

1844

Etching of Othello in a turban and patterned robe gesturing to a veiled Desdemona beside Iago in a columned interior.

Honest Iago, my Desdemona must I leave to thee, plate four from Othello

1844

Etching of a man in a cloak speaking to a woman gesturing, with a veiled woman behind and a castle by the sea.

Therefore be merry, Cassio, plate six from Othello

1844

Etching of Othello pushing away a kneeling woman in an ornate interior, with a veiled woman standing behind.

Away!, plate seven from Othello

1844

Etching of two women in a draped interior with arched columns and a bed, one leaning her head on the other's shoulder.

If I Do Die Before Thee, plate eight from Othello

1844

Etching of a seated woman with long hair beside a standing attendant in an arched interior with drapery and a column.

The Willow Song, plate nine from Othello

1844

Etching of Othello kneeling beside a bed where a woman lies, with onlookers and a torch-bearer in a dim chamber.

Oh! Oh! Oh!, plate fourteen from Othello

1844

Etching of a kneeling man with a sword beside a bed where a woman lies, watched by torch-bearing men in a dim chamber.

O Spartan dog, plate fifteen from Othello

1844

Etching of a winged female figure in draped robes holding up a long, twisting scroll against hatched shadows.

Frontispiece, from Othello

1844, printed 1900

Lithograph portrait of a seated man in a double-breasted coat and high collar, hands resting on a wooden armchair.

Alexis Charles Henry de Tocqueville

1848

Etching of Othello pushing away a kneeling woman in an interior, with a standing woman and draped curtain beside him.

"Away!": plate 7 from Othello (Act 3, Scene 4)

etched 1844, reprinted 1900

Etching of a sword duel between two men in armor before ruined stone architecture, with a fallen figure and printed dialogue

Villain, Thou Diest, plate ten from Othello

1844

Etching of a bearded man in a dark robe standing beside a sleeping woman on a bed in a lamp-lit chamber.

Yet She Must Die, plate eleven from Othello

1844

Etching of a turbaned man embracing a seated woman on a canopied bed in an ornate interior.

He Smothers Her, plate thirteen from Othello

1844

Etching of a warrior embracing a veiled woman on a rocky shore, with a banner-bearer and trumpeters behind them.

O My Fair Warrior!, plate five from Othello

1844

Etching of Othello's final scene: a kneeling man with a sword beside a dead woman on a bed, with cloaked men holding torches

"O Spartan dog": plate 15 from Othello (Act 5, Scene 2)

1844

Etching of two men on a night street looking up at a figure on a balcony beside a winged lion column.

Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello

1844, printed 1900

Etching of Othello seated in a turban, gesturing toward a veiled woman standing beside a balcony in an architectural setting.

She Thank’d Me, plate 2 (act 1, scene 3), from Othello

1844, printed 1900

Etching of Othello standing before seated nobles in a columned hall, with a kneeling figure and armed attendants nearby.

She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,

1844, printed 1900

Etching of Othello in a turban gesturing to Desdemona beside Iago in an interior with columns.

Honest Iago, Desdemona Must I Leave to Thee, plate 4 (act 1, scene 3), from Othello

1844, printed 1900

Etching of Othello embracing Desdemona on a rocky shore beside a flag bearer and soldiers, from Chassériau's Othello series.

O My Fair Warrior!, plate 5 (act 2, scene 1) from Othello

1844, printed 1900

Etching of Desdemona gesturing to Cassio beside a companion, with a castle by the sea behind them, from Othello plate 6.

Therefore be Merry Cassio, plate 6 (act 3, scene 3) from Othello

1844, printed 1900

Etching of Othello grasping a kneeling woman's arm in a richly furnished room while a veiled woman stands nearby.

Away!, plate 7 (act 3, scene 4) from Othello

1844, printed 1900

Etching of two cloaked men calling up to an old man at a stone balcony, with a winged lion column and city buildings behind.

"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1)

1844

Etching of a winged woman in classical drapery holding a scroll, with a skull and swirling ribbon of cloth around her.

Frontispiece, from Othello

1900