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Paul Sandby

164 works

Featured

Sepia print of a cart fording a river toward an ivy-covered ruined castle tower, with a large tree and a standing woman.

The Entrance to Chepstow Castle, plate three from Twelve Views in Wales

1777

Sepia print of Chepstow Castle ruins on a cliff above a river, framed by large trees with figures, cattle and a sailboat.

Chepstow Castle, plate four from Twelve Views in Wales

1777

Sepia print of Chepstow Castle courtyard with a stone tower, ruined walls, horses, cattle, a cart and figures.

Inside View of Chepstow Castle Looking East, plate five from Twelve Views in Wales

1777

Sepia etching of Traeth Mawr estuary with a gnarled tree, a figure with a dog, cattle on a road, and mountains beyond.

Traeth Mawr in the Road to Caernarvan from Fistiniog, plate six from Twelve Views in Wales

1777

Sepia print of a rocky Welsh valley with a stone bridge over a stream and travelers on horseback on a path.

Pont-Aber-Glassin, plate seven from Twelve Views in Wales

1777

Sepia print of Carew Castle across water, with a cow and a seated figure in the foreground under a cloudy sky.

Carew Castle, plate eight from Twelve Views in Wales

1777

Sepia print of a wooded river valley with travelers and a horse on a path, and distant mountains under clouds.

View of the River Dee 3 Miles Short of Bala, with Cadar-Idris Mountain near Dolgelli 30 Miles Distant, plate nine fro…

1777

Sepia engraving of a lake with tall trees on the right, cattle at the shore, small boats, and mountains in the distance.

Pimble Meer, plate ten from Twelve Views in Wales

1777

Sepia print of rolling Welsh hills with a distant castle, large trees, a horseback rider, grazing cattle and dogs.

Denefawr Castle, plate eleven from Twelve Views in Wales

1777

Sepia print of a waterfall cascading through a wooded gorge with small figures on the left bank, by Paul Sandby, 1777.

Rhaidr-y Wennel near Llanrwst in the Country of Denbigh, plate twelve from Twelve Views in Wales

1777

Red chalk drawing of a young woman in a bonnet and ruffled sleeves, gazing upward, on pale paper.

Lady Amelia D'Arcy

early 1760s

Brown wash drawing of a family group in 18th-century dress: a seated woman, a standing boy, a girl, and two standing adults.

Thomas Sandby and His Family

mid-1760s

Watercolor of travelers on a dirt road entering a town past a ruined stone building and large trees under a blue sky.

Travelers Entering a Town

1751-1809

Red chalk and wash drawing of a young woman in a bonnet and apron, standing with one arm outstretched.

A Young Woman, Full Length, with Her Left Arm Outstretched

ca. 1770

Sepia drawing of three seated girls, a standing boy by a tree, and two small dogs on open ground.

A Group of Four Children, with Dogs

1798-99

Sepia night scene of a crowd celebrating by a bonfire and fireworks in front of Windsor Castle towers.

Windsor Castle from the Lower Court on the Fifth of November - Fireworks

1776

Sepia print of a two-arched stone bridge over a river, flanked by large trees, a winding road, and travelers in the foregroun

Overton Bridge Over the River Dee, on the confines of Denbigh and Flintshire, plate one from Twelve Views in North Wales

1776

Sepia engraving of a river valley with a stone bridge, grazing sheep, tall trees and rolling hills under a cloudy sky.

Wynnstay, Seat of Sir Watkin Williams Wynn Bart, from a Cottage above the New Bridge over the River Dee, Denbigh Shir…

1776

Sepia print of a valley with an abbey ruin, a hilltop castle, trees, cattle and figures in the foreground.

The Abbey of Llan Egnerst or Vale Crucis, and Castle Dinas Bran, plate five from Twelve Views in North Wales

1776

Sepia print of an iron forge with a water wheel, waterfall, smoking chimney and hills in Merioneth, Wales.

The Iron Forge between Dolgelli and Barmouth in Merioneth Shire, plate six from Twelve Views in North Wales

1776

Sepia print of Harlech Castle on a cliff above the sea, with a shepherd and sheep in the foreground and mountains in the dist

Harlech Castle in Merioneth Shire with Snowdon at a Distance, plate seven from Twelve Views in North Wales

1776

Sepia aquatint of Caernarvon Castle by moonlight, with a river, boats, a large tree, and figures on the shore.

Caernarvon Castle, plate eight from Twelve Views in North Wales

1776

Sepia print of Conway Castle towers beside an estuary, with trees and figures on a path at left and sailing boats on the wate

Conway in the County of Caernarvon, plate eleven from Twelve Views in North Wales

1776

Sepia print of a stone arched bridge over rushing rapids of the River Conway, with a carriage and steep cliffs behind.

Pont y Pair over the River Conway above Llanrwst in the County of Denbigh, plate twelve from Twelve Views in North Wales

1776

Mustard cloth portfolio cover with dark leather spine and corners, worn and mottled surface.

Portfolio Cover for Twelve Views in Wales

1776

Tan cloth portfolio cover with dark olive leather spine and corners, worn at the edges.

Portfolio Cover for Twelve Views in North Wales

1776

Watercolor landscape of trees across a grey-skied open field, mounted in layered tan borders.

Landscape

c. 1751-1809

Pen and wash drawing of a street vendor in a feathered hat holding a cane and broom, with figures in a doorway behind him.

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your…

1759

Pen and watercolor drawing of a muffin seller with a basket on a street, while women watch from a window above.

London Cries: A Muffin Man

1759

Watercolor of a woman with a basket and a man smoking a pipe holding a pewter pot on a street.

London Cries:

1759

Watercolor street scene of a fishmonger with a red cap, a woman in a black cloak, a child with a greyhound, and fish on a tab

London Cries: A Fishmonger

1759

Brown wash drawing of a woman in an apron pointing with a stick, with a handwritten caption about ha'pennies below.

London Cries: Throws for a Ha'penny Have You a Ha'penny