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Mather Brown

16 works

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Full-length portrait of a military officer in red coat gesturing toward a smoky battle with burning ships and soldiers.

General George Eliott

1790

Portrait of a man in a powdered wig and blue coat, hand resting on a document, with a classical statue beside him.

Thomas Jefferson

1780

Half-length portrait of a man in a black coat and white cravat against a red drapery background.

William Vans Murray

1787

Oil portrait of an older man with powdered hair in a blue coat, seated by red drapery and a stack of books.

Thomas Dawson, Viscount Cremorne

c. 1788

Oil portrait of a man in a black coat and white cravat before a swirling red drapery, by Mather Brown, 1787.

Portrait of William Vans Murray (1760-1803)

1787

Portrait of Major John Norton as Mohawk Chief Teyoninhokarawen

1805

Portrait of a man in a white wig and dark blue coat, with a classical statue and red drapery behind him.

Thomas Jefferson

1786

Oval portrait of a man with grey powdered hair in a grey coat with red lining against red drapery.

John Howard

1789

Oil painting of a burning warship in battle, with sailors falling into churning sea and smoke filling the sky.

The Battle of the Nile: Destruction of 'L'Orient', 1 August 1798

1825

Oil portrait of a man with powdered grey hair in a white jacket and red neckerchief, holding a fencing foil.

Henry Angelo

1790

Black and white portrait of a seated man in a white wig and ermine robe, with Westminster Abbey towers in the background.

Sir Francis Buller, 1st Bt

1831

Engraved portrait of a man in a powdered wig holding a fencing sword, with a musical instrument behind him.

Monsieur de Saint-George Ward Brown Angelo Meyer Gallica-color

1788

Stipple engraving portrait of a man in a dark coat and cravat, with an oval hospital view and caption below.

Richard Baldwyn. Stipple engraving by N. Branwhite, 1802, after M. Brown

Pen and ink drawing of a robed bearded man beside a graphite sketch of a nude figure gesturing, with faint studies at right.

Three Figures [verso]

1780/1790

Brown ink drawing of four putti, one painting at an easel on a cloud and another drawing at a board, with a reclining figure

Allegory: Four Putti

1780/1790

Pen and ink drawing of a young woman with a feathered hat holding a pitcher beside a tree and distant church tower.

Girl with a Pitcher

c. 1805-1810