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Louis Auguste Lepère

394 works

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Painting of snowy Seine riverbank with moored barges, figures in winter coats, stacked timber and smoking factory chimneys in

La Seine, au quai d'Austerlitz, effet de neige

1900

Oil painting of moored barges and masts on the Seine, with riverside buildings and smoking chimneys behind them.

La Seine, au quai de la Rapée

1884

Painting of a sunlit Paris street with stone houses, a blue gate, a guard with a rifle, and figures in red trousers.

Épisode de la Commune, rue des Rosiers, à Montmartre

1875

Painting of a calm bay with small sailboats, a windswept autumn tree on the right, and distant headlands under a cloudy sky.

Au bord de la mer

Woodcut print of breaking waves on a beach with figures in a dark rowboat at left, in brown and cream tones.

The Breaking Waves, Tide of September 1901

1901

Etching of a large stone windmill with a horse and workers, two seated men in the foreground, and distant windmills on hills.

The Chapelles Mill

1908

Etching of riverbank houses and tall trees beside the Somme, with rowing boats and figures in the foreground water.

Banks of the Somme at Amiens

1907

Etching of a country road lined with large trees, two walking figures, grazing animals and a wooden fence on the right.

The Road to St. Gilles

1911

Tonal print of women, a man in a hat, grazing cows and trees in a countryside meadow.

Modern Bucolic

1901

Woodcut-style seascape of breaking waves on a sandy beach with a dark rowboat and three figures at left.

Breaking Waves, September Tide

1901

Colored print of a woman in a patterned gown beside a pier, with a ferry and masted ships in harbor behind her.

Pier on the Garonne, Bordeaux (Embarcadère sur la Garonne, Bordeaux)

1897

Etching of a canal, arched stone bridge, gabled houses and a spire behind bare trees in Bruges, 1901.

The Béguinage Bridge in Bruges (La Pont du Beguinage à Bruges)

1901

Etching of villagers pushing carts down a road past tall trees and a farmhouse toward a distant church spire.

Return from the Market

1911

Black and white print of grape clusters, leaves and curling vine tendrils forming a decorative tailpiece design.

Tailpiece to La Forêt de Fontainebleu

published 1908

Woodcut of an elderly man with a cane and a family with children gathered before a rural cottage on a village road.

The Beggars at the Last House

1905

Black-and-white tail-piece of two girls beside a large blossom, with a bird, a butterfly and falling petals.

Paris Almanac, 1897: Tail-piece, Spring

1897

Black-and-white woodcut of sunflowers and leaves with small reclining children beneath, signed in the lower right.

Paris Almanac, 1897: Tail-piece, Summer

1897

Black-and-white tail-piece with two women among flowers and grapes, and a seated figure at right, signed in pencil.

Paris Almanac, 1897: Tail-piece, Autumn

1897

Etching of leaning trees beside a farmhouse, with cattle and a herder on a path under a sky of diagonal hatching.

Farm with Poplar Trees of Holland

1914

Etching of riverside houses and tall trees along the Somme, with rowboats and figures in the foreground and a church spire be

Amiens, the Banks of the Somme

1907

Etching of a riverbank with tall trees, a seated fisherman, and cattle grazing beside the water.

Bords de la Vie

1908

Etching of a rural house behind a large tree and stone wall, with a seated woman in the foreground and a man walking at left.

The House of Madame B.

1915

Black and white etching of a Seine riverbank with seated figures, a ferry boat, a rowboat, and city buildings beyond a bridge

Bercy Wharf, plate two from Le Long de la Seine et des Boulevards

1890, published 1910

Black-and-white print of workers at a canal lock under a stone arch, with factory chimneys and smoke in the background.

Woodblock for Lock of the Canal Saint-Martin

1890, published 1910

Charcoal study of two figures writing and reading at a table beneath a lamp in a dim room.

Study for the lithograph "Around the Lamp"

1888

Black and white print of workers unloading at a riverside wharf beside tall city buildings and a chimney.

Plaster Unloaders, plate three from Le Long de la Seine et des Boulevards

1890, published 1910

Black and white print of barges and moored boats at a dock, with an arched bridge and buildings in the background.

Villette Dock, plate five from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of workmen operating a canal lock beneath a stone arch, with factory chimneys and smoke in the background.

Lock of the Canal Saint-Martin

1890, published 1910

Etching of horses and figures bathing in a river at dusk, with an arched stone bridge in the background.

The Horse Pond at the Pont Marie, plate ten from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of a rainy panoramic view of Paris over the Seine, with bridges, spires, domes and barges on the river.

Paris, Viewed from the Pavillon de Flore, plate eleven from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of the Louvre palace seen across the Seine, with a bridge, small boats, a tree and figures on an embankment.

The Louvre, Viewed from the Pont-Neuf, plate thirteen from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of a Paris street corner with a columned building, a woman in a feathered hat, carriages, and an advertising kiosk.

Corner of the Rue Royale, plate sixteen from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of a busy Paris boulevard with horse carriages, pedestrians in long dresses, grand buildings, and a tall column in th

Place de l'Opéra, plate seventeen from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of a tree-lined Parisian avenue with strollers, horse riders, carriages and seated onlookers beneath large trees.

L'Avenue des Champs-Élysées, plate eighteen from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of the Arc de Triomphe in Paris with a large tree and crowds of people and carriages on the avenue below.

Retour du Bois, place de l'Etoile, plate nineteen from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of snowy Paris rooftops, the Seine with barges, a stone bridge, and Notre-Dame cathedral on the right.

Paris Under Snow, Viewed from the Tower of Saint-Gervais

1890

Graphite sketch of a calm canal with poplar trees, houses, reflections in the water, and a barge on the towpath at right.

Arrivee au Marche

Ink and wash sketch of a riverside town with an arched bridge, pointed spires, and a small boat on the bank.

The House of the King of Poland (Angers)

Etching of a woman and child on a dune under a stormy sky with rain streaks and pine trees at right.

Storm on the Dune, Vendee (L'orage sur la dune, Vendee)

Etching of a rural village with thatched cottages, a large tree, children playing in the foreground and a hill behind.

Pastime of Rest, Vendee (Le jeu du reposoir, Vendee)

Black and white print of workers unloading materials beside a Paris canal lined with tall buildings and wooden planks.

Unloading, Canal St. Martin (Les dechargeurs de platre, Canal Saint-Martin)

1890

Etching of pedestrians crossing an arched iron bridge over a river, with a rowboat below and a bearded man sketched at left.

Bridge of Arts (Le pont des Arts)

1890

Etching of figures on a riverbank beneath a bridge, with boats on the water and a distant bridge in the background.

Under the Bridge of Bercy (Sous le pont de Bercy)

1894

Etching of a reclined woman sleeping with her head on her arms, against dark hatched shadows.

Reclined Woman Sleeping (Femme couchee sommeillant)

1892

Etching of a rural village with thatched cottages, a church spire, trees, and figures on a dirt path.

View of St.-Jean-de-Mont, Vendee (Vue de St.-Jean-de-Mont, Vendee)

1892

Faint sketch of a seated woman in a carriage interior beside a window, with a standing man in a hat at right.

Departure for Greenwich (Depart pour Greenwich)

1891

Etching of a Seine-side pier with a passenger boat, rowboat, seated onlookers on the quay and buildings beyond.

Pier of Bercy (Embarcadere, quai de Bercy)

1891

Etching of a riverside wash-house with a wooden walkway, moored boats, and figures carrying sacks and washing near the water.

The Wash-house (Le lavoir)

1891

Etching of rooftops and a Gothic church seen from a window, with a crying child on a stair in the foreground.

Les toits de Saint-Severin

1889

Etching of a woman and a child leaning over a book together at a table, the woman pointing to the page.

Images (Les images)

1889

Etching of a man smoking on a bench beside a woman, with the Seine at night and the Eiffel Tower in the background.

Sur la Seine, la nuit

1888

Etching of barges and market figures along a river quay, with a Gothic cathedral and spire on the right bank.

The Great Apple Market (Le grand marche aux pommes)

1891

Etching of snowy Paris seen from above, with the Seine, a stone bridge, barges and Notre-Dame cathedral under a pale winter s

Paris under Snow, View from St.-Gervais (Paris sous la neige, vu du haut de St.-Gervaais)

1890

Night view of the Houses of Parliament and Big Ben in London, with crowds, carriages and gas lamps under dramatic clouds.

Parliament at 9 o'Clock in the Evening - London (Le parlement a 9 heures du soir - Londres)

1890

Etching of a busy village poultry market with wooden cages, villagers, and a church tower behind.

Poultry Market at St.-Jean-de-Mont (Marche a la volaille, a St.-Jean-de-Mont)

1892

Six ink and wash studies of soldiers firing rifles from behind a brick wall amid smoke, some finished, some sketched.

Défense d'un village après Charleroi

1914

Black-and-white print of fallen tree trunks in an open field, with a cart, small figures, and a dense tree line behind.

Carrefour de l'Epine

published 1908

Etching of a hunting scene with riders and hounds beneath bare trees, with a group gathered in the field beyond.

Ride to the Hounds, Mont-Gérard

published 1908

Etching of a moonlit landscape with bare trees, a glowing moon, and a dark sky with fine hatching.

Au Dormoir de Lantara

published 1908

Etching of two painters working outdoors in a forest, one seated sketching and another at an easel among trees.

Painters

1890, published 1908

Etching of two women gathering flowers in a shaded woodland clearing, one seated and one standing, with trees behind.

Gathering Lily-of-the-Valley

1890, published 1908

Etching of a wide river valley with figures in period dress gathered at tables on a terrace in the foreground.

Sole Valley

1890, published 1908

Etching of a sandstone quarry with workers moving stone blocks beneath a large rock face, a cottage and trees at left.

Sandstone Quarry

1890, published 1908

Etching of a stone enclosure and hut with a seated man in the foreground and figures working among stones and pots.

Quarryman's Hut

published 1908

Etching of a man with a rifle walking past conical huts and smoke in a forest clearing, with a seated figure by a fire.

The Charcoal Burners

published 1908

Etching of people gathered under a large tree at an outdoor canteen, a woman serving at a wooden stall, animals in foreground

Mother Pichard's Canteen, Near Gorge aux Loups

1888, published 1908

Etching of a coastal landscape with sandy dunes, dark rocks in the foreground, and clouds over a distant horizon.

Arbonne: Le Gros Sablon

published 1908

Black-and-white etching of workers making laths in a rustic shed, one man raising a tool overhead beside a long wooden frame.

Lath-Makers

1888, published 1908

Etching of a rocky landscape with large boulders, small figures among the stones, and a distant horizon under cloudy sky.

Le Cirque du Long-Rocher

published 1908

Etching of a river town with a stone arched bridge, a church spire, a wooden mill, a small boat, and fishermen.

Moret: the Wood-Mill

published 1908

Etching of a shaded forest clearing with large trees and a group of seated people in hats at lower left.

Noon, Under the Trees

1889, published 1908

Etching of two figures hunting in a sunlit forest, one standing with a walking stick beside a tree, one stooping in the under

Mushroom Hunters at the Rocher Bernard

published 1908

Stormy sea waves crash against dark rocky cliffs under a grey sky, painted in watercolor and gouache.

Storm on the Island of Yeu

1916

Five related sketches and prints of a soldier with a rifle above fallen figures, in pencil, ink and black and white print.

Soldat allemand

1914

Sheet of pencil and ink studies of a seated old man in a cap and long cloak holding a walking stick, with hand sketches.

Le roi Pierre de Serbie

1914

Three versions of a portrait of a French officer in kepi and uniform with a cross medal, two inked with 'Liège 1914'.

Général Leman

1914

Woodcut of a seated naval officer in peaked cap reading a dispatch on deck, paired with a pencil sketch of the same figure.

La Dépèche annoncant la mort de l'archiduc

1914

Three versions of a drawing of two soldiers operating a machine gun on a grassy bank with smoke in the distance.

Mitrailleurs anglais

1914

Von Kluck

1914

Three versions of a standing bearded man with a staff before a minaret, in ink and pencil.

Au Maroc

1914

Three ink and pencil studies of a muscular man raised on a plinth, arm lifted, with smoking city rooftops behind him.

Brado, Vainqueur du géants Antigoras

1914

Three panels of a wartime scene: two ink drawings and a pencil sketch of women tending wounded men under a wooden shelter.

Les Femmes receuillant les blesses

1914

Ink drawings of Brussels town hall with tall tower, smoke and crowd in foreground, shown in black ink and brown tinted versio

Hôtel de Ville de Bruxelles en feu

1914

Two ink drawings of a helmeted soldier seated in a gnarled tree with crows, over a flat landscape with a fence.

L'Oservateur boche

1914

Pencil study and finished ink drawing of a soldier standing beside an artillery gun with a crew member at the wheel.

Artillelurs belges

1914

Three versions of a drawing of Russian infantry soldiers advancing with bayonets across a barbed-wire battlefield.

Infanterie russe

1914

Two ink drawings of soldiers in a battlefield with smoke, barbed wire and a dark sky, one captioned Bataille de Rozelieures.

Bataille de Rozelieures en Lorraine

1914

Ink drawing of a night patrol of soldiers silhouetted against flares, beside a dark woodland scene.

Scène nocturne; patrouille à la lisière d'un bois

1914

Three studies of dead horses with legs raised on a battlefield, drawn in ink and wash with a distant horizon and smoke.

Après la bataille, chevaux morts

1914

Three panels showing a walking soldier with helmet and rifle, two printed black-and-white versions flanking a pen sketch of t

Le Permissionnaire

1914

Three versions of a seated man in embroidered robe and fur hat on a carved throne, two bold prints and one pencil study.

Le Tsar

1914

Three ink drawings of a seated soldier with rifle and knapsack writing a letter at the front, shown side by side.

La Correspondance au front

1914

Six sketches and an inked print of a cloaked figure protecting a child among fleeing people in a burning city.

L'Incendie de Louvain

1914

Eight studies of a violent street scene with soldiers, civilians, and burning buildings, in pen, ink and graphite on mounted

Vaillants Allemands!!

1914

Three panels showing a woodcut and sketch of soldiers tending dead and wounded men on a battlefield.

Les Morts après le combat

1914

Three studies of a seated man smoking a hookah with a city skyline of domes and boats behind him.

Constantinople

1914