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Joseph Mallord William Turner

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Sepia print of a river valley with an arched stone bridge, tall trees framing the view, and figures seated in the foreground.

The Bridge in Middle Distance, part III, plate 13 from "Liber Studiorum"

June 10, 1808

Sepia etching of Dunstanborough Castle ruins on a cliff above a rocky shore with waves and a cottage in the foreground.

Dunstanborough Castle, part III, plate 14 from "Liber Studiorum"

June 10, 1808

Sepia print of a stormy Egyptian landscape with lightning over pyramids, a city, a fallen animal and two figures.

The Fifth Plague of Egypt, part III, plate 16 from "Liber Studiorum"

June 10, 1808

Sepia etching of a farmyard with a rooster, chickens, pigs, a wooden cart, and two men leaning on a fence.

The Farm-Yard with the Cock, part IV, plate 17 from "Liber Studiorum"

March 29, 1809

Sepia print of a stone arch bridge over a deep rocky gorge, with bare trees in the foreground and cliffs under a stormy sky.

Little Devil's Bridge over the Russ, above Altdorft, Switzerland, part IV, plate 19 from "Liber Studiorum"

March 29, 1809

Sepia print of a three-masted ship and small sailboat on rough seas under a stormy sky, with seagulls.

The Leader Sea Piece, part IV, plate 20 from "Liber Studiorum"

March 29, 1809

Sepia engraving of umbrella pines, a domed ruin and a walking figure on a path beside carved stone fragments.

The Temple of Minerva Medica, part V, plate 23 from "Liber Studiorum"

January 1, 1811

Sepia print of a hill under a stormy sky, with sheep and a reclining figure in the foreground and a winding road.

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

January 1, 1811

Sepia engraving of a windmill beside a canal lock with a donkey, cattle, figures and a cloudy sky.

Windmill and Lock, part VI, plate 27 from "Liber Studiorum"

June 1, 1811

Sepia etching of a river valley with a winding river, ruined tower, large trees on the right, and a reclining figure in the f

Junction of Severn and Wye, part VI, plate 28 from "Liber Studiorum"

June 1811

Sepia print of three boys fishing by a river with willow trees and pale buildings across the water.

Young Anglers, part VII from "Liber Studiorum"

June 1, 1811

Sepia engraving of a vaulted Gothic crypt with cows resting in light from an archway, by J.M.W. Turner, 1812.

Crypt of Kirkstall Abbey, part VIII, plate 39 from "Liber Studiorum"

February 11, 1812

Sepia print of a sunset over choppy sea with two sailing boats, figures on a sandy beach, and wreckage in the foreground.

The Mildmay Sea-Piece, part VIII, plate 40 from "Liber Studiorum"

February 11, 1812

Sepia print of a dense forest with tall trees, where two figures and a dog rest on a path in the foreground.

Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum"

February 14, 1812

Sepia etching of a ruined tower on a wooded hill with travelers in the foreground and a distant coast under clouds.

Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum"

April 23, 1812

Sepia etching of an arched aqueduct, goats and a shepherd on a road, tall trees and a full moon over a distant valley.

The Bridge and Goats, part IX, plate 43 from "Liber Studiorum"

April 23, 1812

Sepia print of sailing boats on calm water under a hazy sky, with seagulls and a rowing boat with figures in the foreground.

Calm, part IX, plate 44 from "Liber Studiorum"

April 23, 1812

Sepia print of Alpine peaks over a valley town, with vineyards and resting figures in the foreground under sunbeams.

Chain of Alps from Grenoble to Chamberi, part X, plate 49 from "Liber Studiorum"

May 23, 1812

Sepia etching of a glacier winding between jagged mountain peaks, with broken ice and boulders in the foreground under a clou

Mêr de Glace, Valley of Chamouni-Savoy, part X, plate 50 from "Liber Studiorum"

May 23, 1812

Sepia print of a storm over a marshy plain, with a herdsman leading cattle near water beneath dark clouds and distant hills.

Solway Moss, part XI, plate 52 from "Liber Studiorum"

January 1, 1816

Sepia print of a mill and wooden bridge above a rushing rocky stream, framed by tall trees and steep mountain slopes.

Mill Near the Grand Chartreuse, Dauphiny, part XI, plate 54 from "Liber Studiorum"

January 1, 1816

Sepia engraving of sailing boats in rough waves at a harbour entrance, with a large ship and distant church spires.

Entrance of Calais Harbour, part XI, plate 55 from "Liber Studiorum"

January 1, 1816

Sepia etching of ruined Dumblain Abbey on a wooded hill, with women washing clothes by a river in the foreground.

Dumblain Abbey, Scotland, part XI, plate 56 from "Liber Studiorum"

January 1, 1816

Sepia print of a ruined castle on a hill above a river, with cattle wading in the water and a boat on the left.

Norham Castle on the Tweed, part XII, plate 57 from "Liber Studiorum"

January 1, 1816

Sepia etching of a riverside wood with a wooden footbridge and a ruined castle on the right under cloudy skies.

Berry Pomeroy Castle, part XII, plate 58 from "Liber Studiorum"

January 1, 1816

Sepia etching of a hilltop castle above a lakeside town, with trees on the left, a rowing boat and figures on the shore.

Ville de Thun, Switzerland, part XII, plate 59 from "Liber Studiorum"

January 1, 1816

Sepia engraving of jagged Alpine peaks above a valley, with tall pine trees and rocks in the foreground under dramatic clouds

The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"

January 1, 1816

Sepia print of a stormy sky with lightning over an Egyptian-style city, with mourning figures in the foreground.

The Tenth Plague of Egypt, part XII, plate 61 from "Liber Studiorum"

January 1, 1816

Sepia print of water cress gatherers by a stone bridge beside a river under a dramatic storm sky, by J.M.W. Turner.

Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham, part XIII, plate 62 from "Liber Studiorum"

January 1, 1819

Sepia engraving of a mountain valley with a stone bridge, a church, trees, and two seated figures on rocks.

Bonneville, Savoy, part XIII, plate 64 from "Liber Studiorum"

January 1, 1819

Sepia print of men unloading boats on a rough Scottish shore, with a sailing ship and distant castle under stormy clouds.

Inverary Castle and Town, Scotland, part XIII, plate 65 from "Liber Studiorum"

January 1, 1816

Sepia engraving of a shaded forest stream with arching trees, a seated woman by the water and a kneeling figure among ferns.

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI, part XIII, plate 66 from "Liber Studiorum"

January 1, 1819

Sepia print of a ruined tower, stone arch bridge, sheep flock and shepherd among trees beneath a cloudy sky.

East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum"

January 1, 1819

Sepia engraving of a river landscape with a willow, classical column, stone bridge, hills, and a reclining figure in the fore

Isis, part XIV, plate 68 from "Liber Studiorum"

January 1, 1819

Sepia engraving of a Gothic church interior with pointed arches, pews filled with worshippers, and a carved monument at right

Interior of a Church, part XIV, plate 70 from "Liber Studiorum"

January 1, 1819

Sepia print of a wooded landscape with ruined arches, fallen tombs, and figures near a well, by J. M. W. Turner.

Christ and the Woman of Samaria, part XIV, plate 71 from "Liber Studiorum"

January 1, 1819

Sepia etching of beached sailing boats, horse carts and figures on a tidal shore with a distant castle under clouds.

Scene on the French Coast (Liber Studiorum, part I, plate 4)

June 11, 1807

Etched landscape of a dirt road between trees, with cattle resting and a ruined castle on a hill in the distance.

The Castle above the Meadows, plate 8 from "Liber Studiorum, part II"

1808

Sepia print of a castle on a rocky hill with cattle on a path and trees framing the scene.

The Castle above the Meadows, part II, plate 8 from "Liber Studiorum"

1808

Sepia etching of Pembury Mill in Kent with a water wheel, a worker among grain sacks, a sleeping dog and a horse and cart.

Pembury Mill, Kent (Liber Studiorum, part III, plate 12)

June 10, 1808

Sepia etching of a stormy mountain lake with lightning, sailboats, and figures struggling with a cart on the shore.

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15)

June 10, 1808

Etching of an Egyptian landscape with pyramids, a stone building, a waterway, palms, fallen trees and two robed figures.

Fifth Plague of Egypt (Liber Studiorum, part III, plate 16)

1808

Sepia print of pyramids and a city under a lightning-streaked storm, with a dead animal and figures in the foreground.

The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16)

June 10, 1808

Sepia print of a farmyard with a rooster, pigs, chickens, a wooden cart, and two men leaning on a fence.

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17)

March 29, 1809

Sepia etching of a stone arch bridge over a rocky gorge, with pine trees and a dead tree in the foreground.

Little Devil's Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19)

March 29, 1809

Sepia print of a waterfall cascading through a wooded gorge, with seated figures on rocks in the foreground.

Drawing of the Clyde (Liber Studiorum, part IV, plate 18)

March 29, 1809

Sepia print of figures gathered by a wooden trough in a wooded landscape with tall trees and distant buildings.

Juvenile Tricks (Liber Studiorum, part V, plate 22)

January 1, 1811

Sepia engraving of a stormy Yorkshire coast with cliffs, a lighthouse, a wrecked ship and figures on rocks.

Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24)

January 1, 1811

Sepia etching of sheep resting on a hillside below a steep ridge under a dramatic cloudy sky.

Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)

January 1, 1811

Sepia print of three boys fishing on a riverbank beside willow trees, with a white house and another angler in the distance.

Young Anglers (Liber Studiorum, part VII, plate 32)

June 1, 1811

Sepia etching of a country road with trees, cattle, horses, and a ruined abbey on a hill under a cloudy sky.

St. Catharine's Hill near Guilford (Liber Studiorum, part VII, plate 33)

June 1811

Etching of Martello towers along a coast, with beached boats, figures on the shore, and steep cliffs on the right.

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34)

1811

Sepia print of a rocky valley with a dead tree, a seated armored knight, cliffs, and birds under a dramatic sky.

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)

June 1811

Sepia print of a vaulted stone crypt with cattle resting on the floor beside columns and light from an arched opening.

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)

February 11, 1812

Sepia print of a sunset seascape with sailing boats, figures on a beach, an anchor and wooden barrels in the foreground.

The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40)

February 11, 1812

Sepia etching of a Scottish peat bog with figures, a horse and cart, under a stormy sky with a rainbow over mountains.

Peat Bog, Scotland (Liber Studiorum, part IX, plate 45)

April 23, 1812

Sepia print of a woman holding a torch on rocky ground at night, with trees, a crescent moon, and a figure lying nearby.

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46)

May 23, 1812

Sepia etching of a river with a ruined castle, resting cattle on the bank, bathers in the water and a small boat.

River Wye (Liber Studiorum, part X, plate 48)

May 23, 1812

Sepia etching of a glacier winding between jagged mountain peaks under a cloudy sky, by J. M. W. Turner, 1812.

Mêr de Glace, Valley of Chamouni-Savoy (Liber Studiorum, part X, plate 50)

May 23, 1812

Sepia etching of cattle driven across a flat moor under a stormy sky with falling rain and distant hills.

Solway Moss (Liber Studiorum, part XI, plate 52)

January 1, 1816

Sepia landscape print of trees, a waterfall, a reclining figure, a grazing animal, and a distant tower under a moon.

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53)

May 12, 1814

Sepia etching of a castle on a hill above a lakeside town, with trees, figures on a pier, and rowing boats on the water.

Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59)

January 1, 1816

Etching of a river scene with a stone bridge, women and a child, a figure wading in water, a rowboat, and a cart.

Water Cress Gatherers ( (Liber Studiorum, part XIII)

1819

Sepia print of a riverside scene with tall trees, a columned rotunda, distant buildings and reflections in still water.

Isleworth (Liber Studiorum, part XIII, plate 63)

January 1, 1819