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Joseph Mallord William Turner

330 works

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Sepia print of figures gathered by a wooden trough beneath large trees, with a distant mansion in the background.

Juvenile Tricks, plate 22 from Liber Studiorum

published January 1, 1811

Sepia print of a stormy Yorkshire coast with a shipwreck, rescuers on rocks, and a lighthouse on the cliffs.

Coast of Yorkshire, plate 24 from Liber Studiorum

published January 1, 1811

Sepia print of a hill landscape with grazing sheep in the foreground and a figure on a ridge under streaked clouds.

Hind Head Hill, plate 25 from Liber Studiorum

published January 1, 1811

Sepia print of a river valley with a ruined castle, large trees on the right, and a seated figure in the foreground.

Junction of Severn and Wye, plate 28 from Liber Studiorum

published June 1811

Sepia print of boys on a beach beside a large ship, with small boats and wading figures in the surf.

Marine Dabblers, plate 29 from Liber Studiorum

published June 1811

Sepia print of a wooded river with rocky banks and a man wading in the water holding a long pole.

Near Blair Athol, plate 30 from Liber Studiorum

published June 1, 1811

Sepia print of a river town with a long bridge over rapids, figures on rocks in the foreground, and houses on a hillside.

Lauffenbourgh on the Rhine, plate 31 from Liber Studiorum

published January 1, 1811

Sepia print of three boys fishing by a river with willow trees, reeds, a resting dog, and a building in the distance.

Young Anglers, plate 32 from Liber Studiorum

published June 1, 1811

Sepia print of a country road with horses, cattle and figures below a hilltop ruined abbey with sheep.

St. Catherine's Hill near Guilford

published June 1811

Sepia print of two Martello towers near a chalk cliff, with figures and boats on the beach under stormy clouds.

Martello Towers near Bexhill, Sussex

published June 1811

Sepia print of Inverary Pier on Loch Fyne at morning, with a sailboat, figures on the shore and misty mountains.

Inverary Pier Loch Fyne, Morning

published June 1, 1811

Sepia print of a rocky mountain landscape with a dead tree, fallen armor on a path, and birds flying over distant cliffs.

From Spenser's Fairy Queene

published June 1811

Sepia print of a water mill beside a stream, with a woman on a wall, horses drinking at right, and a dog on the path.

Water Mill, plate 37 from Liber Studiorum

published February 1, 1812

Sepia landscape print with a tall umbrella pine, a kneeling figure at a stone basin, and classical ruins in the distance.

Scene in the Compagna, plate 38 from Liber Studiorum

published February 1, 1812

Sepia print of a vaulted stone crypt with columns, arches, and cattle resting on the floor in patches of light.

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum

published February 11, 1812

Sepia print of a sunset seascape with two sailboats, figures on a sandy beach, and a beached rowboat.

The Midmay Sea-Piece, plate 40 from LIber Studiorum

published February 11, 1812

Sepia etching of a forest path with gnarled trees, two reclining figures and a dog in the foreground.

Procris and Cephalus, plate 41 from Liber Studiorum

published February 14, 1812

Sepia print of a ruined tower on a wooded hill with trees, travelers on a path, and a distant coastline.

Winchelsea, Sussex, plate 42 from LIber Studiorum

published April 23, 1812

Sepia etching of a stone aqueduct, grazing goats, tall trees and figures in a hilly landscape under a glowing sky.

The Bridge and Goats, plate 43 from LIber Studiorum

published April 23, 1812

Sepia print of sailing barges and a rowing boat with sailors on calm water beneath a hazy sky.

Calm, plate 44 from Liber Studiorum

published April 23, 1812

Sepia etching of a Scottish peat bog with figures and a horse, under a stormy sky with a rainbow over distant mountains.

Peat Bog, Scotland, plate 45 from Liber Studiorum

published April 23, 1812

Sepia print of a seated woman holding a torch beside a sleeping figure under a crescent moon, with trees and a stream.

Rispah, plate 46 from Liber Studiorum

published April 23, 1812

Sepia print of workmen hedging and ditching beside a large tree, with grazing sheep and a cloudy sky in the background.

Hedging and Ditching, plate 47 from Liber Studiorum

published May 23, 1812

Sepia print of ruined castle towers above a river, with cattle on the bank, bathers in the water and a boat.

River Wye, plate 48 from Liber Studiorum

published May 23, 1812

Sepia print of an Alpine valley with mountains, a distant town, vineyards and resting figures in the foreground.

Chain of Alps from Grenoble to Chamberi, plate 40 from Liber Studiorum

published May 23, 1812

Sepia engraving of a glacier flowing between jagged mountain peaks under a cloudy sky, by J.M.W. Turner, 1812.

Mer de Glace, plate 50 from Liber Studiorum

published May 23, 1812

Sepia engraving of a ruined Gothic abbey with pointed arches, a seated figure, and a windblown tree under a cloudy sky.

Rivaux Abbey, plate 51 from Liber Studiorum

published May 23, 1812

Sepia print of cattle and a herdsman on moorland under a dark storm with rain falling over distant hills.

Solway Moss, plate 52 from Liber Studiorum

published January 1, 1816

Sepia print of a wooded landscape with a reclining figure, a grazing cow, and a distant castle tower under a pale sky.

Solitute, plate 53 from Liber Studiorum

published May 12, 1814

Sepia print of sailing boats battling rough waves at a harbour entrance, with a city skyline and church spire behind.

Entrance of Calais Harbour, plate 55 from Liber Studiorum

published January 1, 1816

Sepia print of Dunblane Abbey ruins above a wooded riverbank, with washerwomen by the water and a distant bridge.

Dumblain Abbey, plate 56 from Liber Studiorum

published January 1, 1816

Sepia print of Norham Castle ruins above a river, with cattle wading, a rowboat and sunlight breaking through clouds.

Norham Castle, plate 57 from Liber Studiorum

published January 1, 1816

Sepia print of a wooded river with a footbridge and a ruined castle on the right, by J. M. W. Turner, 1816.

Berry Pomeroy Castle, plate 58 from Liber Studiorum

published January 1, 1816

Sepia print of a hilltop castle tower above a river town, with trees on the left and rowing boats and figures in the foregrou

Ville de Thun, plate 59 from Liber Studiorum

published January 1, 1816

Sepia print of jagged alpine peaks, fir trees and a valley below, after J.M.W. Turner's Source of the Arveron.

The Source of the Arveron, plate 60 from Liber Studiorum

published January 1, 1816

Sepia print of women and children gathering watercress by a stone bridge and river under a stormy sky, with a boat and cart.

Watercress Gatherers, plate 62 from Liber Studiorum

published January 1, 1819

Sepia print of a river landscape with tall trees, a columned rotunda by the water, and buildings under a pale sky.

Isleworth, plate 63 from Liber Studiorum

published January 1, 1819

Sepia engraving of a mountain valley with a river, stone bridge, white church, and two figures resting on rocks in the foregr

Bonneville, plate 64 from Liber Studiorum

published January 1, 1816

Sepia engraving of fishermen in boats on rough water, with windswept trees, a sailing ship, and distant castle and hills.

Inverary Castle and Town, plate 65 from Liber Studiorum

published January 1, 1816

Sepia print of a stone arch bridge, ruined tower, and shepherd with sheep and cow among trees.

East Gate, Winchelsea, plate 67 from Liber Studiorum

published January 1, 1819

Sepia print of a river landscape with a weeping willow, classical temple, stone bridge, and a white bird on a pedestal.

Isis, plate 68 from Liber Studiorum

published January 1, 1819

Sepia print of a rugged Scottish mountain glen with rocky slopes, stormy clouds, boulders, and a stream in the foreground.

Ben Arthur, plate 69 from Liber Studiorum

published January 1, 1819

Sepia print of a Gothic church interior with arches, a pulpit, seated congregation, and an ornate memorial monument.

Interior of a Church, plate 70 from Liber Studiorum

published January 1, 1816

Sepia print of Christ and the Woman of Samaria beside a tomb, with a classical arch and ruins in a wooded landscape.

Christ and the Woman of Samaria, plate 71 from Liber Studiorum

published January 1, 1819

Sepia frontispiece print with a framed river landscape, boats, architectural fragments, plants and the title Liber Studiorum.

The Frontispiece to Liber Studiorum

Published May 23, 1812

Sepia print of a castle on a rocky hill above a meadow, with cattle and trees framing the foreground.

The Castle Above the Meadows, plate 8 from Liber Studiorum

published February 20, 1808

Sepia etching of a domed ruin among windswept pine trees, with a kneeling figure and carved stones on a path.

The Temple of Minerva Medica, plate 23 from Liber Studiorum

Publishd January 1, 1811

Sepia print of a stormy Yorkshire coast with cliffs, a wrecked ship in rough surf, a lighthouse, and seagulls.

Coast of Yorkshire, plate 24 from Liber Stuidorum

published January 1, 1811

Sepia print of a rocky landscape with a dead tree, a helmet and shield on the ground, and birds flying over distant mountains

From Spenser's Fairy Queen, plate 36 from Liber Studiorum

published June 1811

Sepia print of an umbrella pine over a kneeling figure, with classical ruins and an arched aqueduct in a hazy Campagna landsc

Scene in the Campagna, plate 38 from Liber Studiorum

Published February 1, 1812

Sepia print of a wooded landscape with large trees, a stream, grazing cattle and a distant tower under a pale sky.

Solitude, plate 53 from Liber Studiorum

published May 12, 1814

Watercolor of a paddle steamer with smoke trailing across choppy sea under a pale hazy sky.

A Packet Boat off Dover

c. 1836

Pen and ink sketch of a wide valley with clustered trees and rolling hills, with handwritten place notes below.

Scenes on the Kibble near Little Milton Hall, Lancashire

n.d.

Pencil sketches of tree branches and foliage on cream paper, with handwritten pencil grade notes along the bottom edge.

Sketches of Elm and Ash Trees

n.d.

Sepia frontispiece print with a framed harbour landscape, Gothic arches, a rolled scroll and architectural fragments.

Frontispiece from "Liber Studiorum"

May 1812

Sepia print of cows near a wooden footbridge over a river, with large trees and figures on the bank under a cloudy sky.

Bridge and Cows, part I, plate 2 from "Liber Studiorum"

June 11, 1807

Sepia print of a classical landscape with pine trees, a tambourine dancer, seated women, a river, and a stone arch.

The Woman and Tambourine, part I, plate 3 from "Liber Studiorum"

June 11, 1807

Sepia etching of Basle with a wooden bridge over a river, twin cathedral spires, rowing boats and a sunburst sky.

Basle, part I, plate 5 from "Liber Studiorum"

June 11, 1807

Sepia print of a woman on a fallen log with a coiled dragon in the bushes below a hillside and trees.

Jason, part I, plate 6 from "Liber Studiorum"

June 11, 1807

Sepia print of a thatched barn with horses, cattle, a farm cart and workers handling hay in a rural yard.

The Straw Yard, part II, plate 7 from "Liber Studiorum"

February 20, 1808

Sepia etching of a traveler with a pack on a rocky mountain path beneath a boulder, with snowy peaks and a valley beyond.

Mt. St. Gothard, part II, plate 9 from "Liber Studiorum"

February 20, 1808

Sepia print of sailing ships battling rough waves beside a wooden pier under a dramatic, cloudy sky.

Ships in a Breeze, part II, plate 10 from "Liber Studiorum"

February 20, 1808

Sepia etching of ruined Holy Island Cathedral showing rounded arches, carved columns, and overgrown rubble on the ground.

Holy Island Cathedral, part III, plate 11 from "Liber Studiorum"

February 20, 1808

Sepia etching of Pembury Mill, Kent, showing a waterwheel, a miller with sacks inside the mill, and a sleeping dog.

Pembury Mill, Kent, part III, plate 12 from "Liber Studiorum"

June 10, 1808