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John Singer Sargent

263 works

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Bedouin Women

1890-1891

Charcoal and white chalk study of a hooded, draped standing figure on grey paper.

Study of Ezekiel for "Frieze of Prophets"

1890-1892

Charcoal study on cream paper of a figure with bowed head and draped arm, loose shading and sketched outlines.

Study for "The Crucifixion and Death of Our Lord"

1909-1916

Charcoal sketch of a muscular, partly nude man seated with one arm raised to his head and the other across his chest.

Study for "Hell"

1903-1916

Watercolor of twisted olive trees over a sunlit green slope with shrubs and a blue sky.

Olive Trees, Corfu

1909

Watercolor of weathered wooden woodsheds with stacked firewood and white geese grazing on green grass in a Tyrolean yard.

Woodsheds, Tyrol

1914

Loose watercolor of three men in wide-brimmed hats carrying coiled rope over their shoulders against a pale background.

Workmen at Carrara

1911

Watercolor of a columned stone terrace with a shadowed balustrade and green garden foliage beyond.

Tarragona Terrace and Garden

c. 1908

Watercolor of a man in a striped cap reading while reclining against a tree on a sunlit grassy bank.

Resting

c. 1880-1890

Watercolor of a dim church interior with a gilded altar in an arched niche, flowers, and a red light.

Spanish Church Interior

c. 1880

Watercolor of a man in a dark suit descending stone steps beside a carved balustrade and arched colonnade.

Sir Neville Wilkinson on the Steps of the Palladian Bridge at Wilton House

1904/1905

Watercolor study of classical column bases on stone pedestals, with trees and green lawn visible beyond the colonnade.

Frascati, Architectural Study

c. 1907

Watercolor of a shadowed Venetian street with sunlit facades and green canal water in the foreground.

The Calle della Rosa with the Monte di Pietà, Venice

c. 1904

Watercolor of a sunlit city wall with stone blocks, a street, and distant mosque minarets and dome under a pale sky.

Cairo

c. 1891

Watercolor of a sunlit tree-lined road with red and blue flags beside a stone wall and hedges.

A War Memorial

1918

Charcoal and chalk drawing of a male torso with raised arm gripping a diagonal pole, head turned upward, on blue-grey paper.

Male Torso with Pole

1890-1900

Watercolor of a Venetian campo with a brick church, a standing woman in blue, and a child seated on stone steps.

Campo dei Frari, Venice

c. 1880

Two Heads

1875-1880

Pencil sketch of broken bare trees, a horse-drawn cart with soldiers, and a ruined village in a flat landscape.

Soldiers in a Devastated Landscape [recto]

1918

Charcoal studies of reclining soldiers in uniform, with a helmet, rifle and gas mask case, on warm toned paper.

Studies for "Gassed"

1918-1919

Charcoal study of a standing male nude with head tilted back and arms raised, by John Singer Sargent, c. 1921.

Study of Orpheus for "Classic and Romantic Art"

c. 1921

Charcoal sketch of several nude male figures with raised arms and turned heads, studies for a larger composition.

Studies for "Heaven" and "Hell"

1903-1916

Charcoal study of three standing officers in military uniforms, one cropped to legs and boots, on pale paper.

Studies for "General Officers of World War I"

1920-1922

Pencil study in an oval: a central nude figure on a pedestal, a satyr at left, draped women at right.

Study for "Classic and Romantic Art"

c. 1921

Charcoal study of a muscular male nude with raised and outstretched arms, drawn on cream paper.

Studies of Achilles for "Chiron and Achilles"

1922-1925

Charcoal and white chalk drawing on green paper of a standing figure wrapped in billowing drapery, head covered.

Study for "Frieze of Prophets"

1890-1892

Graphite drawing of a nude male figure seen from behind with both arms raised overhead on cream paper.

Study for "Apollo and Daphne"

c. 1918

Charcoal study of a kneeling nude figure seen from behind with raised arms, beside a sketch of curly hair.

Studies for "The Unveiling of Truth"

1922-1925

Pencil study on tan paper of Apollo with a halo surrounded by dancing draped female figures in an oval composition.

Study for "Apollo and the Muses"

c. 1921

Graphite study of an inverted nude male figure with raised legs and arms on tan paper.

Study for "Phaethon"

1922-1925

Charcoal studies of a male nude figure carrying a large sphere, with smaller sketches of hands holding spheres on tan paper.

Studies of Notus for "The Winds"

1922-1925

Charcoal study of a shirtless standing male figure with one arm raised, draped in cloth, on aged paper.

Study of Apollo for "Apollo and the Muses"

c. 1921