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John Everett Millais

63 works

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Armored knight embracing two girls in medieval dress, surrounded by bearded men, a page and a dog before a tapestry.

The Ransom

1860-1862

Two girls sit in a sunlit meadow under a double rainbow, one in a red shawl holding a wooden box, the other leaning against h

The Blind Girl

1856

Two young women sit in a green meadow under a double rainbow, with grazing sheep, crows, and a village behind them.

John Everett Millais - The Blind Girl, 1854-56

1854

Painting of a carpenter's workshop with a family gathered around a workbench, wood shavings on the floor, and sheep in a land

Christ in the House of His Parents or The Carpenter's Shop

1849

Woman in black seated beside a standing young girl in white dress holding a doll, in a dark room with framed prints.

Mrs James Wyatt Jr and her Daughter Sarah

1850

Misty woodland painting with dew-covered undergrowth, tall grasses, and soft light glowing through autumn trees toward a clea

Dew-Drenched Furze

1889

Woman in patterned dress floats on a stream among flowers, reeds and overhanging trees.

Ophelia

1851

Three women in lilac dresses playing cards at a green table beside flowering azaleas and a dark lacquered screen.

Hearts are Trumps

1872

Elderly bearded man in armchair holds hands with young woman reading a book beside a table with a map and nautical flags.

The North-West Passage / Die Überfahrt nach Nord-West / Le Passage du Nord-Ouest

1874

Firefighter carrying a child from a burning room while a woman in a pale dress reaches toward them.

The Rescue

1855

Painting of a banquet with richly dressed diners, a greyhound and a standing servant beside an arched window.

Isabella

1849

Two fair-haired boys in black velvet stand on stone steps in a dark interior, one resting a hand on the other's shoulder.

The Princes in the Tower

1878

Family group in an interior: a couple reading a newspaper, two girls, puppies, and mounted animal heads on the wall.

Peace Concluded

1856

Oil painting of an officer in black uniform embracing a woman in white satin by a red door, with a black dog at their feet.

The Black Brunswicker

1860

Woman in gold dress glancing back while a man hides behind a gnarled tree in a forest.

The Proscribed Royalist, 1651

1853

Woman in blue velvet gown turns from a window with stained glass angels, beside a red stool and a candlelit altar.

Mariana

1851

Oil painting of a young girl in a red and pink ruffled dress standing in a wood-paneled room beside a tea set.

The Minuet

1866

Winter landscape with a windblown pine, stone wall, a seated woman in a shawl, a dog on a snowy path, and grey sky.

Blow Blow Thou Winter Wind

1892

Painting of a sleeping boy in a navy coat draped over a stone tomb beside a carved knight effigy.

L'Enfant du Regiment

1854

Painting of a red-haired woman in a torn pink blouse, chained at the waist, standing before a stormy sea.

The Martyr of the Solway

1871

Painting of a seated woman in a green and red costume and dark hat, set against a dusky landscape at sunset.

Diana Vernon

1880

The captive

1882

Painting of a conquistador seizing a seated Inca ruler on a striped throne as armed men and kneeling figures surround him at

Pizarro Seizing the Inca of Peru

1846

Painting of a curly-haired girl in a pale green dress standing beside ducklings and an adult duck against a dark forest.

あひるの子

1889

Oil portrait of an elderly bearded man with white hair seated in a wooden chair, hands resting on a cane, dark background.

Thomas Carlyle

1896

Portrait of a standing woman in a dark embroidered dress with red flowers, against a brown background.

Louise Jane Jopling (née Goode, later Rowe)

1879

Seated elderly cardinal in red vestments and skullcap, holding a red hat, against a dark background.

John Newman

1881

Lithographic portrait of a man with a full mustache and dark coat, with a handwritten signature below.

Sir Henry Thompson. Lithograph, 1887, after J. E. Millais

Etched portrait of a standing older man in a dark double-breasted coat, hands clasped, with a hat at lower right.

Luther Holden. Etching by J. Linnell after J. E. Millais, 1880

Pen drawing of armored warriors and mourners around a fallen figure, after Virgil's Aeneid, by John Everett Millais.

Aeneas Shown the Body of Pallas from Virgil's "Aeneid"

1843

Pencil study of a bearded man carrying a woman through a crowd, with a small sketch of a robed figure above.

A Study for "The Ransom"

1853-1854

Etching of a woman in a long dress walking past an ivy-covered arbor and a wooden bench in a garden.

Happy Springtime

1860

Etching of a woman pushing a pram with a child, a girl with a fur muff walking beside them past iron railings and a lamppost.

Going to the Park

1872

Etching of a seated mother bending over an infant, with thatched cottages and a coastal landscape behind her.

The Young Mother

1857

Etching of a reclining woman and a seated child among tall grass, with trees and a fence in the background.

Summer Indolence

1861

Etching of a man in a coat leaning toward a woman in a long skirt before an ornate interior with a decorative cabinet.

Mr. Wray's Cash Box; or, The Mask and the Mystery

1852

Etching of two seated women in an interior, with a man painting at an easel on the right.

Saint Agnes of Intercession

1850

Etching of a woman in a ruffled bustle dress with a parasol beside a lake, a swan swimming nearby and a house in the distance

A Penny for Her Thoughts

1878

Sepia drawing of a plumed man and a woman in a long gown embracing before a dense woodland with rocks.

Lovers in Woods

1850/96

Pen and ink sketch of a church interior with a preacher at the pulpit and seated worshippers reading in the foreground.

Kirk

1853

Pencil sketch of a seated man and woman under a tree with a dog at their feet and a figure in the background.

Lovers under a Tree

1840

Watercolor study of an orange pottery jug with ivy leaves, set among grass and stones outdoors.

Study of a Pottery Jug [recto]

1842

Etching of a woman pushing a pram with a toddler, a girl in a hat walking beside them past railings and a street lamp.

Going to the Park

1863

Engraving of a kneeling young man embraced by a bending older woman, with cattle, a pond and a thatched cottage behind them.

The Prodigal Son (The Parables of Our Lord and Saviour Jesus Christ)

1864

Black and white print of a woman floating face up in a river among reeds, flowers and overhanging shrubs.

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7)

March 1, 1866

Engraving of a sower scattering seed over rocky ground, with birds in flight and feeding and pine trees at left.

The Sower (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a woman kneading at a table while a young girl holds a bowl by a fireplace in a dim kitchen.

The Parable of the Leaven (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a bearded man in a cloak carrying a bundle of stalks across a dark field at night, a wolf watching nearby.

The Tares (The Parables of Our Lord and Saviour Jesus Christ)

1864

Wood engraving of a bent farmer guiding a plow pulled by two oxen across a furrowed field under an open sky.

The Hidden Treasure (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a merchant offering a pouch to bearded men on a shore, with a donkey, a woman with a net, and seagulls overhead.

The Pearl of Great Price (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a kneeling servant before a robed king with a sword, watched by onlookers, with a domed building behind.

The Unmerciful Servant (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a robed bearded man in a crown speaking with a half-naked worker, with onlookers behind them.

The Labourers in the Vineyard (The Parables of Our Lord and Saviour Jesus Christ)

1864

Black and white print of a reclining figure among vines beside a stone wall and gate, with a tower in the distance.

The Wicked Husbandmen (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of ten women with lamps and jars in a field, one sleeping in the foreground beside a spilled vessel.

The Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a cloaked man with a loaf of bread at a door, a dog beside him, and a fence under a stormy sky.

The Importunate Friend (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a king at a feast watching a servant lead a disheveled guest toward a banquet table.

The Marriage Feast (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a shepherd carrying a sheep on his shoulders up a rocky hillside, with a soaring eagle above.

The Lost Sheep (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a stooped woman with a broom lighting a candle in a dark room, a crescent moon visible through a window.

The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a ragged bearded man with dogs in foreground, and feasting figures at a table in a dim hall behind.

The Rich Man and Lazarus (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of an enthroned judge being pleaded with by a kneeling woman as attendants watch in a courtroom interior.

The Unjust Judge and the Importunate Widow (The Parables of Our Lord and Saviour Jesus Christ)

1864

Wood engraving of a bowed, dark-robed figure in front of turbaned men gazing upward in a stone temple interior.

The Pharisee and the Publican (The Parables of Our Lord and Saviour Jesus Christ)

1864

Engraving of a lion watching a prone shepherd in thistle-covered grass while sheep flee across a hilly landscape.

The Good Shepherd (The Parables of Our Lord and Saviour Jesus Christ)

1864

Etching of a woman in a dark cloak glancing back at a night river with a lit arched bridge.

Bridge of Sighs

1858