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James McNeill Whistler

1,442 works

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Sketch of a seated nude woman with bowed head on a draped platform, with a chair at the left edge of the sheet.

Little Nude Model, Reading

1889-90

Pale grey lithograph of a dancing female figure with arms outstretched, holding a billowing veil of drapery.

Dancing Girl

1889

Grey lithograph sketch of a busy market square with figures, awnings, arched windows and buildings.

The Market Place, Vitré

1893

Monochrome sketch of stone steps in a park with walking figures, a sculpted pedestal at right, and tall trees behind.

The Steps, Luxembourg Gardens

1893

Loose pencil sketch of a reclining female nude on a draped couch in a sparse studio interior, by James McNeill Whistler.

Nude Model, Reclining (Nude Model Resting)

1893

Sketch of a vaulted gallery with framed paintings on the wall and visitors walking across the floor.

The Long Gallery, Louvre, from "The Studio"

1894

Pencil sketch of a classical stone archway framing a dim workshop with two figures working at a bench.

The Whitesmiths: Impasse de Carmélites

1894

Loose pencil-style sketch of steep gabled roofs, a chimney and a tower above a stone house with an arched doorway.

Gabled Roofs, Vitré

1893

Loose sketch of a seated mustached man with hatched strokes for his jacket and trousers on white paper.

The Doctor, from "The Pageant"

1894

Loose sketch of a standing woman in a headscarf and flowing dress, leaning on a bowl, drawn in dark lines on cream paper.

Girl with a Bowl

1895

Sketch of two children standing at a doorway beside a house with bay windows, drawn in loose grey lines on cream paper.

Little Doorway, Lyme Regis

1895

Lithograph of two figures beside horses in a stable yard, drawn in loose dark strokes on cream paper.

The Smith's Yard, from "The International Studio"

1895

Lithograph of a seated woman with dark hair, face lightly modeled and body rendered in loose tonal strokes.

Firelight (Mrs. Joseph Pennell)

1896

Pencil sketch of townhouses and trees along a street, drawn lightly on cream paper with the number 146 in the corner.

Trial Sketch: Grande Rue Dieppe

probably 1891

Etching of a woman in a long dress and bonnet at a ship railing, looking out to sea with gulls and rigging beside her.

The Major's Daughter (from "Once a Week")

June 21, 1862

The Nun in "Count Burckhardt" (from "Once a Week")

September 27, 1862

Etching of a woman with long windblown hair leaning against a wall, with a stormy sky and sea behind her.

The Relief Fund in Lancashire (for "Once a Week")

July 26, 1862

The Morning before the Massacre of St. Bartholomew (from "Once a Week")

August 16, 1862

Lithograph of a draped woman seated on a bench, head bowed, rendered in soft grey tones on cream paper.

The Draped Figure Seated, from "L'Estampe Originale"

October-December 1893

Sketch of a dancing girl with billowing drapery and an outstretched arm, drawn in soft grey strokes on cream paper.

Dancing Girl

1890

Loose pencil sketch of a standing female figure partly draped in vertical folds of cloth, with one arm raised.

Model Draping

1890

Sketch of two seated women chatting in a garden, with a statue on a pedestal and trees behind them.

Conversations under the Statue, Luxembourg Gardens

1893

Monochrome sketch of a city building with a crowded balcony of figures and umbrellas, chimneys above, by Whistler.

The Long Balcony (Paris Windows, The Long Balcony)

1894

Loose sketch of two men seated at a table in an interior, with a standing woman in a gown at the right.

Late Picquet

1890

The Old Smith's Story

1896

Loose pencil sketch of a young woman in a hat and long coat, standing with her head bowed, on cream paper.

Portrait of a Young Woman Wearing a Hat (Miss Seaton) (Dorothy Seaton in a Hat)

1902

Loose sketch of a seated young woman in a chair, face lit within dense diagonal shading, by James McNeill Whistler.

Portrait of a Young Woman (Miss Seaton) (Dorothy Seaton)

1897, only printed posthumously

Loose lithograph sketch of a young girl in a long dress standing before a shaded background, by James McNeill Whistler.

Little Evelyn, from "The Art Journal," opposite p. 88

March 1896

Lithograph of a seated shoemaker at a cluttered worktable with a standing woman behind him in a dim interior.

The Shoemaker (The Shoemaker, Dieppe)

1896

Pen sketch of a hooded woman leaning on a wall beside a stormy, swirling sky and dark ground.

The Relief Fund in Lancashire (for "Once a Week," July 26, 1862)

1862

Black-and-white print of a woman in a long dress leaning on a ship railing, looking toward the sea and distant shore.

The Major's Daughter (for "Once a Week," June 21, 1862)

1862

Pen-and-ink print of a woman in a long gown seated at a window, looking out over a city with rooftops and clouds.

The Morning Before the Massacre of St. Bartholomew (for "Once a Week," August 16, 1862)

1862