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Jacques Callot

1,572 works

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Engraving of a triumphal procession with a chariot, robed attendants, banners, winged figures in clouds, and a city by the se

The Triumph of the Virgin

1624

Etching of a plumed-hat soldier with a ruff collar and sword, with cavalry fighting in the background landscape.

The Soldier with a Plumed Hat, plate three from La Noblesse

c. 1625

Etching of a gentleman in a fur-trimmed cloak saluting, with a town and figures in the background.

The Genleman who Salutes While Holding his Hat Beneath his Arm, plate two from La Noblesse

c. 1625

Etching of an elderly bearded man in a long cloak and cap standing before a crowded Italian town street with stone buildings.

Pantalone, from Three Italian Comedians

1618-20

Etching of a bearded gentleman in a fur-trimmed mantle and plumed hat, with a street scene of buildings and figures behind hi

The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse

c. 1625

Etching of a fashionably dressed gentleman with clasped hands, standing before a busy city street with a bridge and tower.

The Gentleman with Clasped Hands, plate eleven from La Noblesse

c. 1625

Brown ink wash drawing of a drummer in a plumed hat and ruffled collar, one arm raised, a drum at his side.

The Drummer

1600s

Brown ink drawing of a rearing horse seen from behind, with flowing mane and tail and small sketches in the corners.

Study of a Rearing Horse

about 1616

Etching of twenty-three crucified friars on crosses along a road, with soldiers below and angels in the clouds above.

The Martyrs of Japan

1627

Engraving of a naval and land siege: warships fire from the sea while soldiers and carts crowd a fortified coastline.

The Siege of La Rochelle: Plate 10

1628-1630

Engraving of a naval battle with sailing warships and smoke, beside a fortified city with numbered keys.

The Siege of La Rochelle: Plate 11

1628-1630

Etching of a siege: warships fight in a bay while troops, cannons and tents surround a walled coastal town.

The Siege of La Rochelle: Plate 12

1628-1630

Etched panoramic view of a coastal siege with massed troops, cavalry, burning town, and ships offshore.

The Siege of La Rochelle: Plate 5

1628-1630

Etched aerial view of a walled port city under siege, with bastions, troops, cannon smoke and ships in the harbor.

The Siege of La Rochelle: Plate 6

1628-1630

Etched panoramic view of a siege with fortified walls, cannon smoke, marching soldiers, and windmills across open land.

The Siege of La Rochelle: Plate 7

1628-1630

Etched frontispiece with Latin title, Virgin Mary in oval medallion at top, two angels flanking the text panel.

Frontispiece for "The Life of the Virgin"

c. 1633/1634

Etching of the Birth of the Virgin with attendants around an infant, a canopied bed, and angels in clouds above.

The Birth of the Virgin

c. 1633/1634

Etching of the young Virgin climbing temple steps toward a priest, with onlookers and columns around her.

The Presentation of the Virgin

c. 1633/1634

Etching of the Marriage of the Virgin: a priest joins Mary and Joseph in a columned temple with a crowd watching.

The Marriage of the Virgin

c. 1633/1634

Etching of the Virgin Mary seated reading as the angel Gabriel kneels on clouds with rays of light, cherubs above.

The Annunciation

c. 1633/1634

Etching of two haloed women greeting on a city street beside an arched portico, with onlookers and a small dog.

The Visitation

c. 1633/1634

Etching of the Nativity: infant Christ in a manger lit by rays, Mary and Joseph beside him, shepherds kneeling and angels abo

The Nativity

c. 1633/1634

Etching of the Adoration of the Magi: a kneeling king offers gifts to the Christ child and Virgin beneath an arcade, with a p

The Adoration of the Magi

c. 1633/1634

Etching of the Virgin presenting Jesus at a temple, a priest receiving the child at a table amid a crowd and columns.

The Virgin Presents Jesus at the Temple

c. 1633/1634

Etching of the Virgin Mary riding a donkey with the Christ Child, led by a man past trees, with angels overhead.

The Flight into Egypt

c. 1633/1634

Etching of the Virgin Mary's death, she lies on a bed surrounded by haloed apostles while angels gather in clouds above.

The Death of the Virgin

c. 1633/1634

Etching of the Virgin's burial: bearers lift a shrouded body as haloed mourners stand around, with angels in clouds above.

The Burial of the Virgin

c. 1633/1634

Etching of the Virgin ascending on clouds toward Christ, with apostles gathered around an open tomb below.

The Assumption of the Virgin

c. 1633/1634

Etching of the Virgin Mary ascending on clouds, surrounded by angels and cherubs, with a small walking figure in a landscape

Attributes of the Virgin

c. 1633/1634

Etching of a fashionable woman with a mirror and peacock, with a winged figure above, captioned Superbia.

Pride (Vanity)

probably after 1621

Etching of a seated woman beside a goat, with a winged demon on a rock and a flying devil above, labeled Pigritia.

Sloth

probably after 1621

Etching of a nude allegorical woman holding a bird, with a goat and a flying creature beside her, labeled Luxuria.

Lust

probably after 1621

Etching of an armed figure raising a sword beside a lion, with a winged creature above and the word Ira below.

Anger

probably after 1621

Etching of a woman holding a goblet and jug beside a pig, with a dragon above her head and the label Gula below.

Gluttony

probably after 1621

Etching of a gaunt allegorical figure of Envy gnawing a serpent, with a dog and a winged creature beside her.

Envy

probably after 1621

Etching of a thin elderly woman holding coins, with a dog, money sack and chest at her feet; title Auaritia below.

Greed

probably after 1621

Engraving of a standing man in ornate dress beside a young boy with a cane, framed by drapery with a city view behind.

Claude Deruet and his Son, Jean

1632

Etching of Judith holding a platter with the severed head of Holofernes beside a canopy bed, with a maidservant.

Judith with the Head of Holofernes

n.d.

Etching of a ragged man with a feathered hat carrying a banner inscribed Capitano de Baroni, with small figures and a church

Captain of the Barons, frontispiece to The Beggars

c. 1622

The Hurdy-Gurdy Player, plate two from The Beggars

c. 1622

Etching of two ragged pilgrims with tall staves and hats, with small townspeople and a church in the background.

The Two Pilgrims, plate three from The Beggars

c. 1622

Beggar on Crutches Wearing a Hat, plate four from The Beggars

c. 1622

Etching of a ragged beggar seen from behind, wearing a wide hat and leaning on a long staff.

Beggar on Crutches and Wearing a Hat, seen from Back, plate five from The Beggars

c. 1622

Etching of an elderly bearded beggar in a ragged cloak leaning on a staff and holding a footwarmer.

The Beggar with a Footwarmer, plate six from The Beggars

c. 1622

Etching of an elderly woman in a headscarf and long cloak, leaning on a staff and holding a rosary.

Woman Beggar with a Rosary, plate seven from The Beggars

c. 1622

Etching of two bearded beggars in tattered cloaks and hats, one leaning on a walking stick, standing together.

The Blind Man and his Companion, plate nine from The Beggars

c. 1622

Etching of a ragged beggar standing on two crutches, wearing a hat and tattered coat, with a wallet at his side.

The Beggar on Crutches and His Beggar's Wallet, plate ten from The Beggars

c. 1622

Etching of a bearded elderly beggar in tattered clothing, wearing a rosary and holding a hat, standing on a ground line.

The Beggar with a Rosary, plate eleven from The Beggars

c. 1622

Etching of a ragged barefoot beggar in a torn cloak extending one hand, numbered plate 12 in the lower right corner.

Beggar without Hat or Shoes, plate twelve from The Beggars

c. 1622

Etching of a bearded man in a cloak seated beside a reclining sick figure with bare feet and a jug.

The Sickly One, plate thirteen from The Beggars

c. 1622

Etching of a bearded beggar with a feathered hat leaning on two wooden crutches, in ragged clothing.

The Beggar with the Wooden Leg, plate fourteen from The Beggars

c. 1622

Etching of an elderly woman in a headscarf and long fur-trimmed coat, leaning on a walking stick, standing frontally.

The One-Eyed Woman, plate fifteen from The Beggars

c. 1622

Etching of an elderly bearded beggar in ragged clothes walking with a long staff, by Jacques Callot.

The Beggar on Crutches, plate sixteen from The Beggars

c. 1622

Etching of the Virgin Mary rising on clouds with a halo, surrounded by angels playing musical instruments and putti.

The Glorification of the Virgin, from The Life of the Virgin

n.d.

Brown ink drawing of the Virgin Mary ascending among angels above apostles gathered around an open tomb.

Assumption of Mary

1631

A beggar, holding his hat in his hand, in profile to the left

Pen and brown wash drawing of an ornate fireplace with a seated allegorical figure, standing figures, cherubs and a coat of a

Richly ornamented fireplace

Etching of a bearded beggar in a feathered hat leaning on two crutches, in ragged clothing.

The Beggars, The Beggar with the wooden leg. Fifteenth number of a series of 25 pieces (Lieure 493, Meaume 698)

Etching of a ragged blind beggar with a staff and cup, accompanied by a small shaggy dog on a leash.

The Beggars, The Blind Man and his Dog. Twenty-second number of a series of 25 pieces (Lieure 500, Meaume 706)

Pen and brown ink sketch of a gaunt bent man standing on two crutches, drawn in loose hatched lines on tan paper.

Beggars with two crutches

Pen and grey wash drawing of an elderly woman seen from behind, wearing a high collar, headdress and long cloak.

Old woman in rear view

Pen and ink drawing of a cavalier with a ruffled collar holding a hat, beside a woman in a long gown and veil.

A cavalier with his lady

Allegorical engraved title print with a seated central figure, winged horse, chariots, and a dense Latin text panel below.

Promotion print of Nicolas François of Lorraine

1625

Etching of a walled port city under siege, with troop formations, artillery smoke, and ships in the harbor below.

Plate Two from La Siège de la Rochelle

1631

Etching of a fortified town under siege, with soldiers, cavalry, cannon smoke and numbered keys across the landscape.

Plate Three from La Siège de la Rochelle

1631

Etched print of a coastal siege with warships firing, soldiers massed on the shore, and smoke rising over the sea.

Plate Four from La Siège de la Rochelle

1631

Etching of a naval battle with large sailing warships firing through smoke, a fortified town and crowded shoreline behind.

Plate Five from La Siège de la Rochelle

1631

Etching of the Holy Family at a candlelit table, figures with halos, a bowl of fruit, and a Latin inscription below.

The Holy Family at Table

c. 1628

Engraved allegorical composition with a winged horse, lion-drawn chariots, a central seated figure and an arcaded garden.

La Grande Thèse

1625

Etched print with a framed Florence view above and three landscape scenes of hills, buildings, figures and boats.

[L'embarquement des marchandises]

1630

Etched page with an ornamental cartouche and three landscape prints showing rivers, hills, buildings and boats.

[Le retour de la chasse]

1630

Engraving of a triumphal procession with a chariot, robed figures with scrolls, angels in clouds, and a crowned eagle below.

The Triumph of the Virgin

1625

Engraving of the Virgin and Child receiving kneeling kings bearing gifts, with a star above and a procession in the backgroun

The Adoration of the Magi

1623/1628

Etching of a mustached man in a plumed hat and doublet standing before a crowded city street with buildings.

Il Capitano, or L'Innamorato

1618/1620

Etching of Pantalone, a stooped elderly man in a long cloak with a hooked nose and beard, before a crowded city street.

Pantalone

1618/1620

Etching of a standing Zanni comic figure with a feathered hat and wooden sword, with a crowded town street behind him.

Zanni

1618/1620

Pen and brown ink drawing of a bearded haloed St. Paul holding a sword, with small figures and a town in the background.

St. Paul

early 17th century

Etching of Christ kneeling to wash an apostle's feet before a group of robed onlookers in a street with ruined columns.

Christ Washing the Feet of the Apostles

c. 1624/1625

Etching of the Last Supper with Christ at center table, apostles seated around, servants at edges, under a stone arch with a

The Last Supper

c. 1624/1625

Etching of Christ kneeling in a garden as an angel offers a chalice, with sleeping disciples and soldiers beyond a fence.

The Agony in the Garden

c. 1624/1625

Etching of soldiers with spears seizing a robed figure, a fallen man at right, a windblown tree and a walled city behind.

The Betrayal

c. 1624/1625

Etching of soldiers leading a haloed figure through a Roman street past classical buildings and a crowd of onlookers.

Christ Condemned to Death by Pilate

c. 1624/1625

Etching of a bound figure being whipped by guards in an arched stone portico, with a prison building behind.

The Flagellation

c. 1624/1625

Etching of a haloed figure led by soldiers through a city square before robed officials, with a tower and SPQR banner.

Christ before Caiaphas

c. 1624/1625

Etching of soldiers crowning a figure beneath a stone arcade, with onlookers and a tower behind, by Jacques Callot.

The Crowning with Thorns

c. 1624/1625

Etching of Christ carrying the cross past mounted soldiers, a banner, and a crowd before a city gate and ruined tower.

Christ Carrying the Cross

c. 1624/1625

Etching of Christ being raised on a cross on a rocky hill, with soldiers, a mounted rider, banner and mourners below.

Raising of the Cross

c. 1624/1625

Etching of the Crucifixion with Christ centered on a cross, two thieves at the sides, soldiers, and mourning women below.

The Crucifixion

c. 1624/1625

Etched interior of a funeral hall with a tall candle pyramid behind a catafalque, mourners below, columns and draped walls.

The Catafalque of the Emperor Mathias

1619

Etching of a haloed young Jesus holding a cross staff, with a dragon at his feet and a skull and books on a table.

The Young Jesus

1620

Etched title page with two seated women, a coat of arms, leafy garland, and a dedicatory inscription banner.

La belle jardinière

1619

Engraved frontispiece with Latin dedication in an oval, surrounded by religious scenes and putti, by Jacques Callot.

Frontispiece for "Gloriosissimae"

17th century

Etched frontispiece of a chapel altar with the Virgin Mary, kneeling worshippers, and an inscription naming Notre Dame de Bon

Frontispiece for the Miracles and Graces of Our Lady of "Bon-Secours-les-Nancy"

1630

Engraved portrait of a bearded man in an oval frame, flanked by two oxen, with books, a violin and an inkwell below.

Giovanni Domenico Peri

1619

Etching of a ragged man with a feathered hat carrying a banner that reads Capitano de Baroni, with beggars and a church behin

Captain of the Barons

c. 1622

Etching of a violent massacre in a grand classical city street, with soldiers attacking fleeing figures under an oval frame.

The Massacre of the Innocents

c. 1618/1620