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Jacques Callot

1,572 works

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Etching of a haloed figure gesturing among seated and standing elders inside an arched temple with draped canopy.

Jesus Among the Doctors, from The New Testament

1635

Etching of Jesus gesturing to robed men beside a wheat field where haloed figures harvest, with hills and a ruined tower behi

Jesus with the Pharisees, from The New Testament

1635

Etching of Christ preaching to seated and standing disciples in a hilly landscape beside a large tree.

The Sermon on the Mount, from The New Testament

1635

Etching of Jesus and a kneeling woman in a colonnaded hall, surrounded by a crowd of robed men and soldiers.

Jesus and the Adulterous Woman, from The New Testament

1635

Etching of Lazarus rising from a tomb in a rocky cave while robed onlookers and a haloed figure gather around him.

The Resurrection of Lazarus, from The New Testament

1635

Etching of Christ riding a donkey into a city, surrounded by kneeling figures, followers and palm trees.

Christ's Entry into Jerusalem, from The New Testament

1635

Etching of robed figures exchanging a payment within a columned stone colonnade, with a seated elderly man with a staff in th

The Tribute to Caesar, from The New Testament

1635

Etching of armored soldiers in battle, with fallen men in the foreground and sailing ships on the water behind them.

The Re-embarkation of the Turks

c. 1614

Etching of a stage set with colonnades, plumed dancers in a choreographed battle, and cloud-borne figures above.

Third Intermezzo

1617

Etching of ships tossed by stormy waves, with a bearded sea god and a sea serpent in the foreground.

Storm off the Coast of Barcelona

1612

Etching of a bishop baptizing an infant at a font, surrounded by richly dressed courtiers and attendants in a columned hall.

Baptism of the Prince of Spain

1612

Etching of a formal court ceremony in an arched hall, with a priest, a seated couple, kneeling attendants and onlookers.

Marriage of Margaret of Austria and Philip III

1612

Etching of a seated queen on a throne receiving a bearded envoy holding a paper, with courtiers watching in a hall.

The Envoy of Tuscany Thanking the Queen

1612

Etching of horsemen in cloaks and plumed hats entering a city gate past a tower, with pikemen and onlookers.

Entry into Ferrara

1612

Etching of a bearded friar bowing to a richly dressed courtly couple in an arched hall with onlookers.

A Capucin Bringing Thanks of the King of Bavaria

1612

Etching of a seated ruler on a dais receiving a bowing envoy, with courtiers in ruffs and hats watching in a columned hall.

Reception of the Envoy of Poland

1612

Etching of a king and queen seated on a dais in conversation with courtiers, while a soldier-lined balustrade appears at righ

King and Queen in Consultation about the Turks

1612

Etching of a crowned couple holding hands before a canopied throne, flanked by courtiers in ruffled collars.

Meeting of Margaret of Austria and Philip III

1612

Etching of richly dressed figures, a horse and a crowd walking past city walls and an arch, with ships in the harbor behind.

Arrival at Valencia

1612

Etching of elegant figures in ruffs and cloaks boarding from a gangway, with a harbor city and ship in the distance.

Embarkation at Genoa

1612

Etching of courtiers in ruffled collars and gowns greeting each other outdoors, with a crowd and carriage behind.

Reception at Mantua

1612

Etching of a kneeling man before a seated dignitary under a canopy, surrounded by clergy, courtiers and soldiers.

Papal Audience

1612

Etched plan of underground burial chambers with a central hall, labeled passages, and drawings of domed tombs and sarcophagi.

Plan of the Spelunche Regee

1619

Etched plan and elevation of a church with stairs, arches, and a lettered key listing altars and the sepulchre.

Plan and Elevation of the Church of the Madonna's Sepulchre

1619

Etching of a brick arched gateway and walls with small figures, with Italian inscription above referencing the Via Dolorosa.

Second Part of the Via Dolorosa

1619

Engraved bird's-eye view of Jerusalem's walled city with domes, a central temple precinct, and a numbered key below.

Aerial View of the City of Jerusalem

1619

Engraved ground plan of the Holy Sepulchre and Mount Calvary with numbered sites, a lettered key, and a scale bar.

Plan of the Holy Sepulchre and Mount Calvary

1619

Engraved architectural elevations of the Holy Sepulchre with Gothic arches, a domed tower, a vaulted tomb interior and an exp

Elevation of the Church of the Holy Sepulchre

1619

Etched cross-section of the Church of the Holy Sepulchre showing domed rotunda, arcades and labeled chapels.

Cross-Section of the Church of the Holy Sepulchre

1619

Etching of a walled city gate and tower beside a hill with three crosses, with a scroll of Italian labels above.

Four Parts of the Via Dolorosa

1619

Engraved floor plan of the Church of the Holy Nativity with numbered rooms, courtyards, a key legend and compass rose.

Plan of the Church of the Holy Nativity

1619

Engraved architectural plan of a church, cloister, cells and cistern, with a lettered key in the upper left corner.

Plan of the Church near the House of Annas

1619