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George Hayter

71 works

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Half-length oil portrait of a man with tousled light hair in a dark coat and white cravat against a brown background.

Thomas Francis Kennedy, 1788 - 1879. Liberal politician

1838

Oval miniature portrait of a woman with grey curls, white dress and lace collar, against a pale blue background.

Portrait of Mary Worge

Early 19th century

Oil portrait of a young woman with dark hair in a white blouse and lace collar, set in an oval vignette against a dark backgr

Amy Emily Sarah Fitzroy

1858

Painting of a preacher in an open-air pulpit with a gilded cross, addressing a large crowd before a Gothic cathedral.

Latimer Preaching at Paul's Cross

Painting of two men embracing at a stake with kindling, surrounded by a crowd, soldiers and a castle under a stormy sky.

The Martyrdom of Ridley and Latimer

1855

William Lamb, 2nd Viscount Melbourne (1779-1848)

1837

Full-length seated portrait of a young woman in a jewelled crown and gold robes, holding a sceptre before a canopied throne.

Queen Victoria (1819-1901)

1838

Loose painted scene of a seated figure in white gown surrounded by courtiers in a Gothic interior.

The Coronation of Queen Victoria, 28 June 1838

1838

Painting of a crowned queen on a gilded throne in a gothic abbey, surrounded by nobles in red robes and ermine.

The Coronation of Queen Victoria in Westminster Abbey, 28 June 1838

1838

Oil portrait of a man in a dark military uniform with a red sash, against a brown background.

Leopold I, King of the Belgians (1790-1865)

1837

Half-length portrait of a man in a red military coat with silver epaulettes and decorations against a grey cloudy sky.

Frederick William IV, King of Prussia (1795-1861)

1843

Painting of two men in traditional dress outdoors, one seated and gesturing, one standing in a turban, with palm trees and a

Two Arab Servants

Oil portrait of a young woman in a white gown beside red drapery, a spaniel, a globe and books, with a castle in view.

Queen Victoria (1819-1901), when Princess

1866

Oil sketch of a young woman in a white gown beside red drapery, a small dog, and a gilt table under a blue sky.

Queen Victoria (1819-1901) when Princess

1832

Large painting of a Gothic chapel wedding ceremony with a couple joining hands, clergy, uniformed officers and gowned onlooke

The Marriage of Queen Victoria, 10 February 1840

1840

Oil portrait of a man with curly dark hair and whiskers in a dark coat and white cravat against a dark background.

Ernest I, Duke of Saxe-Coburg-Gotha (1784-1844)

1840

Full-length portrait of a woman in a red velvet gown and feathered hat, with a spaniel, under trees beside a fountain.

Victoria, Duchess of Kent (1786-1861)

1835

Painting of a Gothic chapel with courtiers in uniform gathered around a gilded font and an infant in white christening robes.

The Christening of the Prince of Wales, 25 January 1842

1842

Grey-toned sketch of a crowned figure on a throne with a kneeling figure and courtiers in a Gothic hall.

The Homage at the Coronation of Queen Victoria (oil sketch)

1838

Framed watercolour of guests dancing and gathering at an outdoor fête beside an ornate fountain with a Neptune statue.

A Fête at Sanssouci

1844

Painted interior of a crowded Gothic chapel with richly dressed figures gathered around an ornate christening font.

The Christening of Albert Edward, Prince of Wales, later Edward VII (1841-1910) at St George's Chapel, Windsor, 25 Ja…

1842

Painted portrait of a woman in red velvet holding a young girl in a white dress against a gilded wall.

Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide

1840

Two young women in period dress play harp and piano together before a landscape with a river and dramatic clouds.

Portrait of the Hon. Charlotte Stuart (1817-1861) and the Hon. Louisa Stuart (1818-1891)

1830

Seated woman in a jewelled crown and ermine-trimmed red robe on a throne, with a crown on a table at left.

Queen Victoria enthroned in the House of Lords

1838

Full-length seated portrait of a woman in a jeweled crown, gold robe and white gown, holding a sceptre before red drapery.

Queen Victoria (1819-1901). Reigned 1837-1901

1863

Full-length portrait of a young woman in a white satin gown beside a red curtain, with a spaniel and a globe.

Portrait of Queen Victoria of England when Princess

1833

Painted officer in red coat on chestnut horse, surrounded by brown ink sketches of figures and horses on tan paper.

Studies for the Duke of Wellington

1820

Large painting of a crowded red-and-gold chamber with a canopied throne, judges in wigs and spectators in galleries.

The Trial of Queen Caroline 1820

1871

Standing woman in a gold embroidered coronation mantle beside an open book, crown and sceptre, before red drapery.

Queen Victoria Taking the Coronation Oath, June 28, 1838

1850

Portrait of Caroline Amelia Elizabeth of Brunswick

1820

Oil portrait of a young man in a red cloak holding brushes and a palette, turning over his shoulder against a dark background

Sir George Hayter

1820

Full-length portrait of a standing man in a dark blue coat and grey trousers, holding a cane before red drapery.

Henry Richard Vassall Fox, 3rd Baron Holland

1871

Oil portrait of a white-haired man in a black coat and white cravat against a dark red background.

Robert Jenkinson, 2nd Earl of Liverpool

1871

Oil portrait of an elderly man with grey hair in a dark coat with fur collar, resting his hand on a sword hilt.

Thomas Graham, Baron Lynedoch (replica of an original of c.1822 by the artist)

1823

Large painting of a crowded wood-paneled parliamentary chamber with men seated on benches and spectators in galleries.

The House of Commons, 1833

1871

Sir Robert Harry Inglis, 2nd Bt

1871

Oil portrait of a man with tousled brown hair in a dark jacket, black cravat and light waistcoat against an olive background.

Francis Thornhill Baring, 1st Baron Northbrook

1871

Oil sketch of a man in a brown coat and black high collar, head turned, hand resting on a ledge, warm brown background.

Charles Wood, 1st Viscount Halifax

1871

John Campbell, 2nd Marquess of Breadalbane

1871

Oil sketch portrait of a man with dark hair, white cravat and dark coat against a warm brown background.

Sir George Elliot

1834

Edward John Littleton, 1st Baron Hatherton

1834

Daniel O'Connell

1834

Portrait of a man with curly hair in a dark coat and cravat, leaning on a ledge against a brown background.

Philip Stanhope, 5th Earl Stanhope

1871

Oil portrait of a seated man in a dark suit holding a letter, beside a desk with papers and books, in a gilded frame.

Thomas Brunton, 1774-1833

1832

Oil portrait of a young man with curly hair and a beard, in a dark coat, resting his hand on a walking cane.

Alfred, Count D'Orsay

1839

Oil portrait of a dark-haired man in a black coat and white collar against a dark background.

Thomas Waghorn (engraved c.1847)

1871

Fitzstephen French, M.P.

Oil portrait of a man in a tall top hat, dark coat and green waistcoat against a dark brown background.

Henry Winston Barron, M.P.

Brown wash portrait study of a seated woman resting her head on her hand, with white highlights, dated 1863.

Portrait Study of Martha, Lady Hayter

1863

Rams' Skulls

n.d.

Black chalk and white highlight drawing of a seated male nude with a small sketch of an archer in the lower left.

Seated Male Nude with Sketch of Nude Archer

1808

Stipple engraving portrait of a bald man in a dark coat and white cravat, with printed signature Henry Warburton below.

Henry Warburton. Stipple engraving by W. H. Mote, 1840, after Sir G. Hayter

Sir Richard Croft. Stipple engraving by W. Holl after Sir G. Hayter, 1801

Sepia drawing of an armored man with a spear beside a tree, looking over a distant plain and mountain.

Bandits on the Lookout

1839

Watercolor and pencil sketch of a chalk path above a calm sea, with grazing cows and a tall cliff on the right.

Freshwater Bay, Isle of Wight

1839

Loose ink and wash sketch of robed figures tending a body in a stone interior, mourners in the background.

The Laying Out of Christ

Brown ink drawing of a seated bearded magician in a robe and headdress pointing upward, with a faint winged spirit beside him

A Magician

1826

Ink and wash drawing of a maiden embraced by an armored knight, with a winged creature and sword below.

A Maiden Embraced by a Knight in Armor

1838

Pencil sketch of a crowned seated woman holding a sceptre on a stepped dais, with curtains behind her.

Study for "Queen Victoria"

1838

Pencil sketch of two seated men in oriental dress, one bearded in a turban, engaged in conversation.

Two Men in Oriental Dress

1827

Ink sketch of a cloaked man with a tall hat and staff, with smaller figure studies and a handwritten Dante note beside him.

Studies for a Scene from Dante's "Inferno"

Pen and ink drawing of a bearded old man's head with curly hair and a flowing beard, by Sir George Hayter, 1849.

Head of a Bearded Old Man

1849

Pen and ink drawing of a bearded man in a pointed hood, shaded with fine cross-hatching, dated 1840.

Head of a Male Pilgrim

1840

Pen and ink drawing of a bare-legged armoured man in helmet holding an upright spear, with an 1824 inscription.

Standing Man in Armour Holding Lance

n.d.

Brown ink and wash drawing of an armored halberdier beside a tree, with a second figure and a distant hilltop castle.

Bandits on the Lookout

1839

Pencil and watercolour sketch of a coastal road with grazing cattle, cliffs, and the sea beyond under a pale sky.

Freshwater Bay, Isle of Wight

1839

Ink and wash sketch of a body laid on a platform with mourning figures around it in a dim interior.

The Laying Out of Christ

Brown ink and pencil sketch of a robed seated magician with a staff, pointing upward, beside a faint winged figure.

A Magician

c. 1826

Brown ink sketch of a knight in armor embracing a maiden with flowers in her hair, beside a winged creature and a lance.

A Maiden Embraced by a Knight in Armor

1838

Pencil sketch of a seated crowned woman holding a sceptre on a stepped dais, with curtains in the background.

Study for "Queen Victoria"

1838

Pen and ink study of a costumed man with a feathered hat and staff, with smaller sketches at right.

Studies for a Scene from Dante's "Inferno"