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Frederic Remington

70 works

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Painting of cavalry riders in a desert canyon, one raising a rifle, with a dropped rifle on rocky ground.

The Advance-Guard, or The Military Sacrifice (The Ambush)

1890

Painting of a mounted Mexican officer in a sombrero beside a bugler on a black horse, with cavalry troops in a desert.

The Mexican Major

1889

Night scene of a mounted rider and horses on a snowy slope, with two distant figures on a ridge under a teal sky.

A Reconnaissance

1902

Grayscale painting of a birchbark canoe on a river with three figures, a rock and forest behind them.

Pitched It Sheer into the River . . . Where It Still Is Seen in the Summer

1889

Soldiers in blue trousers and campaign hats duck and fall on a sunlit dirt road beside a grassy slope and green trees.

The Scream of Shrapnel at San Juan Hill

1898

Painting of cavalry soldiers leading riderless horses at full gallop across a dusty desert landscape under blue sky.

Dismounted: The Fourth Troopers Moving the Led Horses

1890

Painting of a pale horse and mounted riders drinking at a pool at night, with dark figures in shadow behind.

Fired On

1907

Night scene of a pale horse drinking at a pool while mounted riders, one with a raised arm, stand in shadow behind it.

Fired On

1900

Painting of a Native American man in fringed buckskin and feathered headdress standing on an open plain with a distant rider.

The Last of His Race (The Vanishing American)

1908

Sailors of a battleship band play brass and drums on a gun turret, with warships and a mountainous coast behind them.

The Storming of San Juan

1890

Grisaille painting of frontiersmen and blanketed Native figures trading near a loaded wagon on an open plain.

The Interpreter Waved at the Youth

c. 1900

Grayscale painting of two riders galloping across a rocky plain on a piebald and a white horse, by Frederic Remington.

Ceremony of the Fastest Horse

c. 1900

Painting of a seated council inside a tipi, with a standing figure at center and men in feathered headdresses around a fireli

I Will Tell the White Man

c. 1900

Monochrome painting of a shirtless man with a feather in his hair crossing a sunlit plaza of adobe buildings, with a wagon an

Nothing But Cheerful Looks Followed the Bat

c. 1900

Monochrome painting of a birch canoe with a rifle-holding man and paddlers on a calm lake under an overcast sky.

This Was a Fatal Embarkation

1898

Grayscale painting of a feathered warrior leading mounted riders charging past fallen men on a dusty plain.

Rushing Red Lodges Passed through the Line

c. 1900

Grey monochrome painting of a bare-chested man raising his arms on a hilltop while blanketed figures look up below.

The Fire Eater Raised His Arms to the Thunder Bird

c. 1900

Night camp by a bright campfire with men, a dog, cooking pots and canvas tents among dark trees.

First and Best Camp of the Trip

1895

Monochrome painting of a birch canoe with a paddler and two seated men on dark water beside rocky, forested shore.

Paddling the Wounded British Officer

1897

Monochrome painting of dead horses and fallen gear on a dusty field, with an officer and advancing soldiers near trees.

How the Horses Died for Their Country at Santiago

1899

Grey-toned painting of a dusty street with robed men and bare-chested figures standing before mud-brick buildings.

Slave Market

1893

Seated men inside a tipi around a fire, with pictographs on the hide walls, painted by Frederic Remington.

Historians of the Tribe

1890-99

Painting of cavalry soldiers charging on horseback across golden plains, with raised rifles and dust clouds under a pale sky.

On the Southern Plains

1907

Painting of a long-haired rider on a white horse crossing grassland, with tipis and a grazing horse in the distance.

Mounted Indian Scout

1891

Painting of a snowy log cabin in a dense winter forest, with a woman holding a rifle standing in the doorway.

Antoine's Cabin

1890

Painting of a mounted rider on a dark horse gazing across a snowy plain under a starry twilight sky.

Friends or Foes? (The Scout)

1902

Night forest painting: a horseback rider faces distant glowing fires among tree trunks, in muted green tones.

Apache Fire Signal

1904

Painting of a wolf standing on a moonlit pebbled shore beside dark water, with green hills behind it.

Moonlight, Wolf

1904

Painting of mounted riders galloping across dusty plain, firing guns toward pursuers, with bare trees at left.

A Dash for the Timber

Painting of a mounted scout with a rifle on a piebald horse, with riders and sagebrush hills behind him.

The Scout

1902

Painting of four men firing rifles from prairie earthworks while a companion carries a wounded man, with horsemen in the dist

The Last Stand

1896

Night scene of a seated man by a wagon, a cloaked figure in front, and two blanketed figures by a campfire.

Shotgun Hospitality

1908

Painting of a line of pack mules with loaded saddles crossing a snowy mountain trail beside steep rocky cliffs.

The Mule Pack

1901

Painting of figures, horses and a dog in a brick courtyard, rendered in cool blue-green tones.

Pueblo Indian Village

1889

Dark painting of a lodge ritual: a seated man by a fire, robed men standing, and a suspended horse figure above.

Indian Fire God (The Going of the Medicine-Horse)

1895

Dark painting of infantry soldiers in shakos firing rifles over a rise, with fallen men and smoke in the grey sky.

The Infantry Square

1893

Monochrome painting of uniformed soldiers with rifles gathered in a courtyard beside a whitewashed building and palm trees.

Disbanding Gomez' Army

1899

Painting of a standing man in white uniform with a sash, sword and rifle, wearing a tall plumed headdress against a tan backg

One of Gomez' Men

1899

Monochrome painting of two mounted riders in a sunlit colonnade, surrounded by a crowd of men raising their arms.

The Return of Gomez to Havana

1899

Painting of a standing U.S. soldier with a rifle, bedroll, canteen and campaign hat against a tan background.

U. S. Soldier, Spanish-American War

1899

Night painting of seated figures around a campfire facing two standing men in hats and boots, with a silhouette in the foregr

French Explorer's Council with the Indians

1901

Grey monochrome painting of soldiers firing rifles among snowy tipis, with a dead horse in the foreground.

The Defeat of Crazy Horse

1901

Painting of a seated woman by a campfire inside a dim tepee, with a cooking pot, blanket, and crow nearby.

The Dry Leaves Lasted Longer Than She

1899

Two riflemen crouch behind a sandy rim beside a waterhole and saddled horses, with distant riders on a plain below mountains.

Fight for the Waterhole

1903

Two cowboys on galloping horses reach toward a fallen rider on a dusty plain, with distant riders on the horizon.

Aiding a Comrade

1890

Painting of a rider on a brown horse crossing a snowy plain with sagebrush, a tipi camp and grazing horses behind.

The Herd Boy

1905

Painting of a courtyard where bearded prisoners and armed guards in white uniforms gather around a table by an adobe wall.

The Mier Expedition: The Drawing of the Black Bean (Prisoners Drawing Their Beans)

1896

Painting of mounted riders with spears and bows descending a grassy slope beside a river below pale bluffs.

Episode of the Buffalo Gun

1909

Painting of two mounted men meeting on a sunlit plain, one raising a hand, with distant riders and mesas behind them.

The Parley

1903

Painting of a mounted rider with a pipe on a chestnut horse, gazing over a rocky desert slope toward distant hills.

The Lookout

1887

Painting of a rider on a galloping horse waving a blanket, driving a stampede of horses across grassland toward distant mount

Change of Ownership (The Stampede; Horse Thieves)

1903

Painting of a mounted rider in feathered headdress raising a red blanket, with a rifle, on a grey horse on a sunlit slope.

The Blanket Signal

1896

Painting of a covered wagon and longhorn oxen crossing a river while mounted riders in feathered headdresses approach.

The Emigrants

1904

Painting of a feathered rider with a rifle on a brown horse crossing a sagebrush plain under a rising moon.

The Outlier

1909

Oil painting of a mounted hussar in blue uniform holding a lance on a chestnut horse, with distant riders on a plain.

The Hussar

1893

Two men in bison disguises graze on golden prairie grass before flat-topped mesas under a pale blue sky.

Indians Simulating Buffalo

1908

Painting of a nude man hanging head-down from a rope on a pale cliff, with small riders on horseback below in the desert.

The Transgressor

1891

Mounted scouts in heavy coats ascend a sunlit sandy slope, with two observers watching from the ridge above.

Scouts Climbing a Mountain

1891

Two men rest by a campfire on a sandy riverbank while horses graze behind them, with golden reflections in water.

A New Year on the Cimarron

1903

Painting of two dark horses at a snowy corral fence at night, with two dogs in the foreground on the snow.

The Call for Help

1906

Rider on a grey horse fleeing across a sandy plain, pistol raised, with pursuing horsemen in feathered headdresses behind.

The Flight

1895

Painting of four men gathered on sandy desert ground near saddled horses, with riders and mesas in the distance.

The Map in the Sand

1905

Painting of a standing gunman surrounded by dead cowboys and horses on an open plain, with mounted riders in the distance.

What an unbranded cow has cost

1895

Sepia watercolor of mounted riders and pack mules on grassland beside a winding river, with wooded hills in the distance.

On the Head-Waters--Burgess Finding a Ford

ca. 1893

Pen and ink drawing of a rider spurring a rearing horse toward a mountain lion in a tree, with a hound dog nearby.

Spurring His Horse in Pursuit

1878

Watercolor of a mounted soldier with a rifle galloping a brown horse across a sandy plain toward distant hills.

The Advance Guard

1880

Harper's Weekly cover illustration of sailors in a small boat at night near a smoking steamship under bursting shells.

U.S. Calvary at Port Tampa, Florida

1890

Ink and wash drawing of a turbaned rider on a rearing horse, holding a decorated spear, by Frederic Remington.

"As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Mo…

n.d.

Engraved metal printing block showing horses pulling a loaded sleigh with riders through a snowy landscape with bare trees.

The Portage Sleigh on a Lumber Road, for "Antoine's Moose-Yard," for "Harper's New Monthly Magazine," October 1890

1890

Printing block showing a mounted rider in a hat beside a fence with hounds gathering near the horse in a wooded scene.

A Southern Rider, from "Some American Riders," for "Harper's New Monthly Magazine," August 1891

1891