New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Francisco Goya

1,220 works

Featured

Filters

Shape

Century

Clear all

Etching of a powdered-wig nobleman standing over two bent men beside a shelf of bottles, titled Al Conde Palatino.

The Caprices pl. 33 : Al Conde Palatino (Delteil 70 ; Gassier-Wilson 517 ; Harris 68 III 1 ; Lefort 33)

1799

Brown etching of a seated man being attended by two women in an interior, with a jug on a table beside them.

The Caprices pl. 35 : Le descanona (Delteil 72 ; Gassier-Wilson 520 ; Harris 70 III 1 ; Lefort 35)

1799

Etching of an old man grinning beside a burning wooden chair, with smoke rising in a dark interior.

The Caprices pl. 18 : Y se le quema la Casa (Delteil 55 ; Gassier-Wilson 487 ; Harris 53 III 1 ; Lefort 18)

1799

Ink and wash drawing of a stooped elderly figure in a dark cloak leaning on two canes, with a Spanish inscription below.

He can no longer at the age of ninety-eight

about 1819-1823

Grey ink wash drawing of a seated man repairing a shoe, with a woman and child beside him on cream paper.

The Blind Worker, c. 1815-1820

1815

Etching of a seated man in a wide hat and fur-trimmed coat, leaning on a rolled paper beside an inkwell.

Un enano (A Dwarf)

1778

Etching of an elderly bearded man in a wide-brimmed hat and cloak, with a jug and shoes on the floor beside him.

Moenippus

1778

Brown wash drawing of a hooded woman beside two men and a two-wheeled cart in front of a stone arch.

Frau mit Umhang, dahinter zwei Männer mit einem zweirädrigen Wagen (Una mujer y dos hombres cerca de un carro)

1761

Etching of a laughing old man on a swing, gripping the ropes, with bare feet extended and a faint face behind him.

Viejo columpiándose / Alter Mann auf der Schaukel

1761

Etching of a seated woman clutching two frightened children as a tall white-hooded figure looms beside them in darkness.

Que viene el Coco. / Da kommt der Kinderschreck. (Caprichos 3)

1761

Etching of a seated man in lace collar and cloak, hands on knees, against a densely hatched dark background.

Un Enano (Sebastian de Morra)

1761

Sepia etching of a man and woman embracing against a dark wall, with a helmet and sword on the ground below.

Love and death

1799

Etching of a donkey-headed teacher with magnifier instructing a donkey-headed pupil who writes letters, with other animals wa

Might not the pupil knows more?

1799

Etching of a startled man beside a pot, with a figure carrying a woman on his back in a dark interior.

Nanny's Boy

1799

Etching of a donkey watching a monkey paint at an easel, with a donkey portrait on the canvas.

Neither more nor less

1799

Brown etching of men drinking around a barrel, one laughing with a raised glass, with a caption reading Nadie nos ha visto.

No one has seen us

1799

Etching of a woman in a striped cone hat riding a donkey, surrounded by a jeering crowd. Goya, 1799.

Nothing could be done about it

1799

Etching of an animal-headed figure in a lesson scene with a donkey-headed pupil and letters on a page, by Goya.

Might Not the Pupil Know More? (Si sabrá mas el discipulo?) from the series Los Caprichos

Etching of two women, one holding a fan and one stooped with a shawl and walking stick, against a shaded background.

For Heaven’s Sake: And It Was Her Mother (Dios la perdone: y era su madre) from the series Los Caprichos

1797

Etching of two women at night, one standing with flowing cloth and one crouching, with the caption Mala noche below.

A bad night (Mala noche), plate 36 from "Los Caprichos"

1799

Etching of a woman and a barefoot man on a stone ledge, the man reaching toward his mouth, against a dark background.

Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"

1799

Etching of a reclining woman and a man clutching his face before a rocky landscape, titled Tantalo.

Tantalus (Tantalo), plate 9 from "Los Caprichos"

1799

Etching of a woman stretching her leg beside a seated older woman in a dim bedroom, with a caption below.

It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"

1799

Etching of two women in black mantillas seated on wooden chairs, one leaning toward the other in conversation against a dark

A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"

1799

Etching of a man leaning toward a woman in a dark dress, with a seated woman fanning herself behind them.

Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"

1799

Etching of two old women in a dim room, one sweeping with a broom and one leaning over a table with a plate.

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)

1799

Etching of two gaunt old men seated, one washing his feet while a donkey stands upright above them, from Goya's Caprices.

The Caprices (Los Caprichos), plates 1-80

1799

Etching of a crouching, chained prisoner with shackled ankles and wrists against a dark hatched background.

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)

ca. 1815 (published after 1867)

Etching of a bound man bent forward, arms tied behind him, ankles shackled, against a dark hatched background.

'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)

ca. 1815 (published 1859)

Grey wash drawing of an old woman bent under two grotesque figures riding on her back, labeled 'Pesadilla'.

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)

ca. 1819-23

Etching of a garroted man seated against a post, with a lit candle at left and hatched dark background.

Garroted Man

ca. 1775-78

Etching of a woman in a ruff collar riding a decorated horse across a landscape, after Velázquez.

Margaret of Austria on horseback, after Velázquez

1778