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Francisco Goya

1,220 works

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Etching of a mounted rider on a horse facing a charging bull in an arena, with spectators in the stands behind.

A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 from The Art of B…

1814/16, published 1816

Etching of a bullfighter in a cape turning a bull in an arena, with spectators along the top edge.

The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, plate 14 from The…

1814/16, published 1816

Etching of a man grappling a bull by the horns in a bullring, with spectators along the wall behind.

The Famous Martincho Places the Banderillas, Playing the Bull with the Movement of his Body, plate 15 from The Art of…

1814/16, published 1816

Etching of a man grappling with a charging bull in a bullring while two spectators in capes watch from the right.

The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting

1814/16, published 1816

Etching of a bull in an arena among fallen animals and men holding long lances, from Goya's The Art of Bullfighting.

The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, pla…

1814/16, published 1816

Etching of a bull charging toward a man seated on a chair holding a cape, with spectators watching from behind a barrier.

The daring of Martincho in the ring at Saragossa, plate 18 from The Art of Bullfighting

1814/16, published 1816

Etching of a bull charging toward a man leaping onto a draped table in a bullring, with spectators watching nearby.

Another madness of his in the same ring, plate 19 from The Art of Bullfighting

1815, published 1816

Etching of a bullfighter vaulting over a charging bull with a pole, watched by spectators in a stone bullring.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting

1814/16, published 1816

Etching of a bull on top of fleeing spectators at a wooden barrier in a bullring, with an open arena behind.

Dreadful events in the front rows of the ring at Madrid, and death of the mayor of Torrejón, plate 21 from The Art of…

1814/16, published 1816

Etching of a mounted bullfighter with a lance facing a charging bull in an arena, with spectators along the wall.

Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of Bullfighting

1814/16, published 1816

Etching of a mounted bullfighter striking a falling bull in an arena while spectators watch from the stands.

Mariano Ceballos, alias the Indian, kills the bull from his horse, plate 23 from The Art of Bullfighting

1814/16, published 1816

Etching of a mounted rider on a dark bull driving spears while another bull charges from the left in a bullring.

The Same Ceballos, Mounted on Another Bull, Breaks Short Spears in the Ring at Madrid, plate 24 from The Art of Bullf…

1814/16, published 1816

Etching of a bull attacked by several dogs in an arena, with a mounted rider at right beside a barrier.

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting

1814/16, published 1816

Etching of a picador on horseback confronting a bull in an arena, with another horse and fallen figure at left.

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from The Art of Bullfig…

1814/16, published 1816

Etching of a bull goring a fallen picador and an overturned horse in a bullring, with spectators watching from the stands.

A Picador is Unhorsed and Falls under the Bull, plate 26 from The Art of Bullfighting

1814/16, published 1816

Etching of a bull charging at a mounted picador in an arena, with a cape-wielding figure and spectators in the background.

The Forceful Rendón Stabs a Bull with the Pique, from which Pass He Died in the Ring at Madrid, plate 28 from The Art…

1814/16, published 1816

Etching of a bull charging a bent matador in an arena, with mounted picadors and spectators in the background.

Pepe Illo making the pass of the 'recorte', plate 29 from The Art of Bullfighting

1815, published 1816

Etching of a bullfighter with cape and sword facing a bull in an arena, with spectators in the stands behind.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting

1814/16, published 1816

Etching of a bullfight with a bull, a man holding firecrackers, mounted picadors with lances, and spectators in an arena.

Banderillas with firecrackers, plate 31 from The Art of Bullfighting

1814/16, published 1816

Etching of a bull goring a fallen man in a bullring while a matador with a cape attempts to distract it.

The Unlucky Death of Pepe Illo in the Ring at Madrid, plate 33 from The Art of Bullfighting

1814/16, published 1816

Etching of a bull charging through a bullring, overturning horses and picadors while spectators watch from the stands.

Two teams of picadors thrown one after the other by a single bull, plate 32 from The Art of Bullfighting

1814/16, published 1816

Etching of dogs attacking a bull in a bullring, with cloaked men on foot and a mounted rider watching from the side.

The dogs unleashed on the bull - Plate C (H : 239)

1816

Etching of a mounted horseman in a plumed hat facing a charging bull in a bullring, with spectators in the stands above.

A Spanish gentleman in the plaza breaking small lances without the help of the chulos, n°13. (H : 216)

1816

Etching of a bull in an arena with a fallen donkey, a tossed figure, and lancers at the edges, by Goya.

Palisade of bulls made with donkeys to defend themselves from the bull with torches, n°17. (H : 220)

1816

Etching of a tall shrouded ghostly figure at left, with a swordsman and fallen men at night beside a tree at right.

Disparate of fear. For fear do not lose honor, pl. 2 (H : 249)

1823

Etching of women in striped shawls gathered on a large dark tree branch against a grey background.

Walking around the branches. Ridiculous Disparate, pl. 3 (H : 250)

1823

Etching of a grinning grotesque man towering over a small cloaked woman, with floating distorted heads around them.

After vice comes fornication. Simpleton. Disparate of a fool, pl. 4 (H : 251)

1823

Etching of a rider on a white horse flying with large wings beside a two-headed winged monster against a dark background.

I renounce the friend who covers with wings and kills with the beak. Flying Disparate, pl. 5 (H : 252)

1823

Etching of an armed man with a pole driving forward while hunched figures stand before a dark stone wall.

God made us and we marvel. Furious Disparate, pl. 6 (H : 253)

1823

Etching of a grotesque shirtless man pointing while embracing a woman, with a crowd of caricatured figures watching in shadow

She who marries badly never lacks a fault to find. Disordered Disparate, pl. 7 (H : 254)

1823

Etching of hooded figures wrapped in sackcloth standing and bending in a row against a dark background.

Under the sackcloth, there is a soul. The bagged ones. Disparate of bagged ones, pl. 8 (H : 255)

1823

Etching of hooded figures and cats in a dark crowded scene, with a seated bearded man and a figure holding cats.

Cat's paws and a pious habit. General Disparate, pl. 9 (H : 256)

1823