New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Francisco Goya

1,147 works

Featured

Filters

Shape

Century

Etching of a seated blind singer in a wide-brimmed hat playing guitar, head tilted back, against a dark hatched background.

Blind Singer

Ca. 1824-28 (published second half of the 19th century)

Etching of a laughing old man in a swing, legs stretched out, gripping two ropes against a dark background.

Old man on a swing

1825/27

Etching of a man carrying a limp body while another corpse lies on the ground and a bound figure stands behind a tree.

Suuri sankariteko! Kuolleilla! (Grande hazaña! Con muertos!)

Etching of a man clutching his head beside a reclining woman in a pale dress, with a handwritten caption reading Tantalo.

Plate 9: Tantalus (Tantalo), from "Los Caprichos"

ca. 1798-99

Etching of an elderly man in a robe recoiling at a table with two shadowy figures behind him, from Goya's Los Caprichos.

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

ca. 1798

Etching of two women in dark mantillas seated on wooden chairs against a shaded background, with a handwritten caption below.

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

1799

Etching of a woman embracing a kneeling man beside a broken pot, with laundry hanging behind them and a wicker basket at left

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

ca. 1797-98

Etching of a mounted soldier with raised saber amid smoke, with fallen and kneeling figures on the ground below.

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

ca. 1810

Etching of a woman in a dark gown and ruff riding a grey horse across a landscape, with an inscription beneath.

Isabel de Bourbon on horseback, after Velázquez

1778

Etching of Philip IV on a rearing horse in a hilly landscape, after Velázquez, by Goya, 1778.

Philip IV on horseback, after Velázquez

1778

Etching of a seated court dwarf in a lace-collared cloak, after Velázquez, with an inscription beneath, 1778.

Portrait of the court dwarf known as el Primo, after Velázquez

1778

Etching of a nobleman on a rearing horse holding a baton, with a tree and hills in the background, after Velázquez.

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

1778

Etching of an elderly man in a cloak holding a book, labeled Aesopus, after Velázquez, by Goya, 1778.

Aesop, after Velázquez

1778

Etching of an elderly bearded man in a wide hat and cloak beside a jug on a ledge, after Velázquez, by Goya, 1778.

Menippus, after Velázquez

1778

Etching of a seated man in a fur-trimmed cloak and wide hat, resting on a large open book beside a candle.

Portrait of the court dwarf El Primo, after Velázquez

1778

Dark etching of hooded mourners beside a shrouded body on the ground in a shadowy landscape.

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Etching of nude women and armed men on a dark rocky hill, with a child held aloft and a body lying in the distance.

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)

1810

Etching of soldiers pointing at a kneeling woman and child, with a fleeing crowd and a hill with ruins behind.

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

1810

Etching of several bodies lying sprawled on rocky ground beneath a dark, heavily hatched sky, from Goya's Disasters of War.

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

ca. 1810

Etching of wounded figures lying in a crowded ward while caregivers tend them, with dense dark hatching behind.

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)

1810

Etching of tumbling and prostrate figures among broken wooden debris and an overturned chair in a dark interior.

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

1810

Etching of people fleeing through flames and smoke, a man carrying a woman across a street, from Goya's Disasters of War.

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre la…

1810

Etching of figures tending wounded men beside a stream with a broken tree, from Goya's Disasters of War series.

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á…

1810

Etching of figures in a dark landscape: a man carries a limp body while a woman covers her face beside fallen bodies.

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)

ca. 1810

Etching of several dead men sprawled on barren ground with a broken sword and ruined building behind them.

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)

1810

Etching of men among fallen figures and scattered rifles on rocky ground, with a distant tower behind, by Goya.

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)

1810

Etching of a pile of naked corpses on a hill, with two clothed men standing above them under an open sky.

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

1810

Etching of a standing man over sprawled bodies on a battlefield, with a dark smoke cloud rising behind them.

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis…

1810

Etching of men restraining a woman on a floor in a vaulted room, with a figure standing beside a column at left.

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

1810

Etching of men struggling up a ladder beside a wooden frame, with a robed figure pointing and onlookers in the distance.

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)

ca. 1810

Etching of a bound, blindfolded man at a post above a fallen body, with figures in the dark background.

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

1810

Etching of a violent struggle among figures, with several bodies lying motionless on the ground under a dark, hatched sky.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)

1810

Etching of soldiers attacking civilians, with a fallen figure and a crouching child in the foreground.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)

ca. 1810

Etching of women in long dresses tossing a man in the air from a blanket, with an animal lying on the cloth.

'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (printed ca.1848-54)

Etching of a man riding a large winged creature through a dark sky, wings spread wide, rider with arm raised.

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Drawing of a man with curly hair and a lace cravat, shaded in graphite on cream paper, with a stern direct gaze.

Self-Portrait

ca. 1796

Grey wash drawing of a woman on a swing held by ropes, with a man in a long coat raising his arms beside her.

Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"

1795-97

Grey wash drawing of a weeping young woman in a full skirt, embraced by two men beside a doorway.

Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B"

1795-97

Grey wash drawing of a woman in a mantilla seated on a chair, with a companion partly seen behind her.

Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B"

1795-97

Etching of a rearing horse throwing a man backward, with a crouching animal on rocky ground at left.

The Horse Abductor (El caballo raptor), from the series Los Disparates

1816

Grey wash drawing of a seated man in a jacket beside a woman draped in a dark shawl, resting on a rock.

Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B"

1796-97

Grey wash drawing of a woman dancing with raised arms beside a bull behind a stone wall.

A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"

1796-97

Grey wash drawing of a wigged charlatan extracting a tooth from a seated patient, with a bent figure and bottles nearby.

A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the M…

1796-98

Grey wash drawing of two men drinking together, a white-robed woman raising an arm, and a hooded figure watching at left.

They are getting drunk; folio 67 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of a veiled woman, a bent man, and seated figures at a table in a doorway interior, captioned below.

Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madr…

1796-98 (possibly later)

Grey wash drawing of a young man in a sword bowing before an older man in a cloak, with onlookers behind them.

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from…

1796-98 (possibly later)

Grey wash drawing of a man with a raised sword confronting a seated woman as another man stands behind her.

Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of two veiled women helping a cloaked figure climb through a window, with a handwritten Spanish caption bel

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"

1796-98

Grey wash drawing of a woman in a white dress pulling at her hair, with a shadowed man behind her and Spanish inscriptions.

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"

1796-98

Grey wash drawing of a man in period dress whipping donkey-headed figures in coats, with handwritten Spanish captions above a

Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of a woman in a headscarf restraining a man who leans back drinking from a cup, within a ruled black border

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)

ca. 1816-20

Brown wash drawing of a dense crowd of people in hats and cloaks in a park, with strollers and trees behind.

Crowd in a Park; page 31 from the "Images of Spain" album (F)

ca. 1812-20

Brown wash drawing of three hooded monks in a dim room, one seated old man in front, with a barred window behind.

Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a rider in a wide-brimmed hat seated on a mule against a dark, loosely brushed background.

A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a hunter with a staff and dead rabbit beside a retriever dog, under a dark tree.

Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F)

ca. 1812-20

Sepia wash drawing of two men hunting, one aiming a rifle while a flock of birds flies across the sky above.

Men hunting; page 105 from the "Images of Spain" Album (F)

ca. 1812-20

Grey wash drawing of two hooded old women in a Gothic archway, one reading a sheet while the other sings.

Nothing is Known of This; two figures picking up a body in front of a church, a monk singing next to them and another…

ca. 1819-23

Brown wash drawing of a partly naked woman seated on cloth in a dark forest, head bowed, light through trees.

A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F)

ca. 1812-20

Grey wash drawing of a man lying on the ground kicking one leg high, with a Spanish caption below.

He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and…

ca. 1819-23

Brown wash drawing of an old man delousing a boy in a dim interior, with three figures behind and a cat in the foreground.

An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the "Images of Spain"…

ca. 1812-20

Brown wash drawing of figures in a church, a white-robed man before a statue in a niche while cloaked worshippers kneel nearb

Figures inside a church; page 41 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a crowd of people gathered in a circle, with a bearded man and figures in cloaks in the foreground.

A crowd forming a circle; page 42 from the "Images of Spain" album (F)

ca. 1812-20

Brown wash drawing of a glowing female figure with clasped hands, surrounded by dark shadowy spirits under radiating light be

A radiant female figure beset by dark spirits; page 45 from the "Images of Spain" Album (F)

ca. 1812-20

Ink and wash drawing of workers hauling ropes beside a wooden construction scaffold, with a man in a hat standing at left.

Construction; page 46, from "Images of Spain" Album (F)

ca. 1812-20

Brown wash sketch of three men digging on rocky ground, one raising a pickaxe overhead.

Three men digging; folio 51 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a man kneeling over a fallen figure with raised arm, smoke and ruins behind them.

A man stabbing another; folio 53 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a kneeling woman looking up at a white-robed old man beside a lattice window, with a shadowy figure beh

A woman kneeling before an old man; page 55 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a woman in a headscarf speaking closely with a cloaked man beneath a dark archway.

A woman talking to a priest in a covered archway; folio 59 from the "Images of Spain" Album (F)

ca. 1812-20

Sepia drawing of a man seated on the ground lifting a wineskin high to drink, with a cloth spread beneath him.

A man on the ground drinking from a wine skin; folio 63 from the "Images of Spain" Album (F)

ca. 1812-20

Sepia wash drawing of a frightened hooded woman seated as a gaunt figure behind her plays a guitar.

A nun frightened by a ghost playing a guitar; page 65 from the "Images of Spain" Album (F)

ca. 1812-20

Brown ink wash drawing of two acrobats balancing on their hands and a tall-hatted clown standing behind them.

Three acrobats; page 67 from the "Images of Spain" Album (F)

ca. 1812-20

Brown ink drawing of a hunched elderly beggar with a staff, extending a bowl, on a pale sheet.

Beggar with a staff in his right hand; folio 69 from the "Images of Spain" Album (F)

ca. 1812-20

Brown ink wash drawing of an elderly beggar leaning on a staff and holding out a bowl, with a dark cast shadow.

Beggar with a staff in his left hand; folio 70 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a reclining woman in draped cloth and a standing man holding his head, under dark clouds.

Figures waking from sleep (?); page 71 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a woman pulling at her hair beside a group of figures, with a distant hill and ruined tower.

A woman pulling at her hair accompanied by a group of figures; page 76 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of two women and children gathered by a wooden cross on steps, one woman holding a swaddled infant.

Women and children near a cross; folio 78 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of two shackled prisoners in a stone cell beneath a barred window, with an iron ring on the wall.

Prisoners in irons; page 80 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a man raising a sword to break up a fight while a figure lies on the ground beside him.

A man breaking up a fight; page 82 from the "Images of Spain" Album (F)

ca. 1812-20

Sepia drawing of a cloaked woman raising an axe above a sleeping man lying on the ground beside a basket.

A woman attacking a sleeping man; page 87 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a man and woman dancing with flags while a guitarist sits behind them.

A country dance; page 89 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a woman in a headscarf offering a mug to a small figure peering from the right.

A woman giving a mug to an old man; folio 93 from the "Images of Spain" Album (F)

ca. 1812-20

Brown ink wash drawing of a huddled group of figures with a bowl, under a handwritten Spanish caption at the top.

Revenge on Constable Lampiños; page 86 from the "Images of Spain" Album (F)

ca. 1812-20

Ink wash drawing of a bandit with a knife threatening a woman and a kneeling child under a dark sky.

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black B…

ca. 1816-20

Sepia etching of a bull charging at a man seated on a chair in a bullring, spectators watching from the barrier.

Martincho's Recklessness in the Ring at Zaragoza (Temeridad de Martincho en la plaza de Zaragoza), from the series Ta…

1815

Lithograph of a rider on a bull lunging in a bullring, with a second bull, spectators in the stands, and capes on the sand.

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux'

1825

Etching of a large winged creature perched on a slumped human figure, with bats flying in a dark sky above.

Seuraukset (Las resultas)

Self-Portrait; Plate 1 from "Los Caprichos"

1799

Etching of a bearded man seated against a post, head slumped, hands clasped, with a lit candle at left.

The garroted man (El agarrotado)

ca. 1775-78 (published 1868)

Etching of a young woman with a fan beside an older woman in a shawl with a cane, against a dark hilly landscape.

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

1797-98

Etching of figures on the ground and standing near a wall, with a woman in a white shawl at center, from Goya's Disasters of

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)

1811-12

Etching of two men carrying a limp body past kneeling mourners beside a brick wall.

Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)

1810-11

Etching of a grinning flame-haired figure standing atop a heavy beast while a second figure falls beside it.

Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)

1799

Etching of a winged figure flying through darkness with several grotesque faces clustered near its shoulder.

Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)

1799

Etching of a man riding a flying white horse with large dark wings and a grotesque creature above him.

Flying Folly (Disparate volante), from the series Los Disparates

1816

Etching of a tall shrouded ghost looming over fleeing, terrified men beside a tree at night.

Folly of Fear (Disparate de miedo), from the series Los Disparates

1816

Etching of a man in a feathered hat and ruff riding a rearing horse across a landscape, with Spanish caption below.

Philip III, King of Spain on horseback, after Velázquez

1778