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Francisco Goya

1,220 works

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Etched print of armed men struggling with a bayonet, with fallen bodies on the ground and soldiers in tricorn hats behind.

Rightly or wrongly, plate two from The Disasters of War

1812/15, published 1863

Etching of a man raising an axe over a fallen body while other figures fight with swords in a violent struggle.

The Same, plate three from The Disasters of War

1810/15, published 1863

Brown etching of armed men thrusting poles at a struggling crowd, with a woman lying on the ground at left.

And they are like wild beasts, plate five from The Disasters of War

1812/15, published 1863

Etching of figures in white clothing gathered on dark ground beside a prone body, with distant figures in an open landscape u

It Serves You Right, plate six from The Disasters of War

1810/15, published 1863

Etching of a woman in white standing on a cannon above fallen soldiers on a battlefield.

What Courage!, plate seven from The Disasters of War

1810/12, published 1863

Etching of a horse collapsing on open ground with a fallen rider and other horses in the background.

It Always Happens, plate eight from The Disasters of War

1814/20, published 1863

Etching of a couple embracing as an older woman behind them raises a knife, with a wall and fallen figure at left.

They Don't Like it, plate nine from The Disasters of War

1810/15, published 1863

Etching of tangled, fallen figures in a dark, hatched landscape, from Goya's Disasters of War series.

Neither do these, plate ten from The Disasters of War

1810/15, published 1863

Etching of soldiers attacking civilians beside a small building, one man held down with a raised sword, under a dark night sk

Nor do these, plate eleven from The Disasters of War

1810/15, published 1863

Etching of a man standing over several fallen bodies on a battlefield, smoke rising behind, with the caption Para eso habeis

This is What You Were Born For, plate twelve from The Disasters of War

1810/12, published 1863

Etching of a woman on the floor held by two men in a vaulted cellar, with another figure leaning in from the left.

Bitter to be Present, plate 13 from The Disasters of War

1810/11, published 1863

Etching of men struggling up a wooden ladder with a pointing figure above and kneeling figures and hills behind.

It's a hard step!, plate 14 from The Disasters of War

1810/11, published 1863

Etching of a grim execution scene with a standing figure by a post, a fallen body in front, and dark background figures.

And there's no help for it, plate 15 from The Disasters of War

1810/11, published 1863

Etching of two men stripping clothing from fallen bodies beneath a tree, with distant figures and a mountain behind.

They Make Use of Them, plate 16 from The Disasters of War

1810/12, published 1863

Etching of a mounted rider with a raised saber above fallen soldiers and swordsmen in a smoky battlefield.

They Do Not Agree, plate 17 from The Disasters of War

1810/12, published 1863

Etching of nude corpses lying on a hillside while a clothed man stands above them, from Goya's Disasters of War.

Bury them and keep quiet, plate 18 from The Disasters of War

1810/12, published 1863

Etching of armed men and women fighting with sabres beside a stone wall, with fallen bodies on the ground.

There isn't Time Now, plate 19 from The Disasters of War

1810/12, published 1863

Etching of men tending a wounded figure beneath bare trees, with bodies lying in the distance, plate 20 from The Disasters of

Get them well, and on to the next, plate 20 from The Disasters of War

1810, published 1863

Goya etching of figures among fallen bodies, one man lifting a limp figure while another covers his face in grief.

It will be the same, plate 21 from The Disasters of War

1810/12, published 1863

Etching of many dead bodies and sabers piled on a barren field beside a ruined wall, from Goya's Disasters of War.

Even Worse, plate 22 from The Disasters of War

1810, published 1863

Etching of several fallen figures lying on rocky ground under a dark sky, from Goya's Disasters of War.

The Same Elsewhere, plate 23 from The Disasters of War

1810/12, published 1863

Etching of men tending wounded figures on a battlefield beside scattered weapons and a ruined tower in the distance.

They Can Still be of Use, plate 24 from The Disasters of War

1810/12, published 1863

Etching of wounded figures on beds with attendants in a dark hatched setting, plate 25 from Goya's Disasters of War.

These too, plate 25 from The Disasters of War

1810/12, published 1863

Etching of huddled figures covering their eyes, turning from a glare and rifle barrels at the right edge.

One Can't Look, plate 26 from The Disasters of War

1810/12, published 1863

Etching of a sword-wielding man and figures on a rocky ledge, with a dead body in the background, titled Charity by Goya.

Charity, plate 27 from The Disasters of War

1810, published 1863

Etching of a crowd beating a fallen body, a man with a pole and a woman raising a stick, with a building behind.

Rabble, plate 28 from The Disasters of War

1814/20, published 1863

Etching of violent figures, one striking with a stick while a bearded man is dragged on a rope across dark ground.

He deserved it, plate 29 from The Disasters of War

1814/20, published 1863

Etching of bodies lying among broken timbers and an overturned chair, with a woman leaning over the wreckage above.

Ravages of war, plate 30 from The Disasters of War

1810/11, published 1863

Etching of armed men beside a figure hanging from a tree, with caption 'Fuerte cosa es!' below, from Goya's Disasters of War.

That's tough!, plate 31 from The Disasters of War

1812/15, published 1863

Etching of soldiers in violent struggle in an open landscape, with swords raised and a caption reading Por qué? below.

Why?, plate 32 from The Disasters of War

1812/15, published 1863

Etching of armed men in hats surrounding a nude figure lying on the ground beneath a tree.

What More Can Be Done?, plate 33 from The Disasters of War

1812/15, published 1863

Etching of a seated man in a tall striped hat holding a knife, with a crowd behind him, captioned Por una navaja.

On account of a knife, plate 34 from The Disasters of War

1812/15, published 1863

Etching of a hanged man on a tree beside a reclining figure on a stone block, with distant hanged figures in the background.

Not in this case, plate 36 from The Disasters of War

1812/15, published 1863

Etching of a nude man riding a horse past soldiers and fallen bodies, with the caption 'Esto es peor' below.

This is Worse, plate 37 from The Disasters of War

1812/15, published 1863

Etching of soldiers firing rifles at a bound prisoner, with a fallen body in the foreground, brown ink tones.

Barbarians!, plate 38 from The Disasters of War

1812/15, published 1863

Etching of nude figures with corpses and a grimacing onlooker beside trees, from Goya's Disasters of War, plate 39.

A Heroic Feat! With Dead Men!, plate 39 from The Disasters of War

1812/15, published 1863

Etching of a man lying prone on the ground while a snarling dog stands over him against hatched shadows.

He gets something out of it, plate 40 from The Disasters of War

1814/20, published 1863

Etching of figures fleeing through smoke and flames, a man carrying a woman in a pale dress at center, under a dark sky.

They Escape through the Flames, plate 41 from The Disasters of War

1810/12, published 1863

Etching of grotesque hooded women crowded together on rocky ground, with smaller figures and a sleeping man in the background

Everything is topsy-turvy, plate 42 from The Disasters of War

1815/20, published 1863

Etching of figures in dark robes reacting with raised arms on a slope, with a distant crowd and a shrub beside them.

This too, plate 43 from The Disasters of War

1815/20, published 1863

Etching of two crouching men pointing at a crowd, a woman sheltering a child, and a hill with ruins behind.

I Saw it, plate 44 from The Disasters of War

1810/12, published 1863

Etching of women in dark dress with bundles beside corpses on the ground, a dog at left, under a hatched sky.

And this too, plate 45 from The Disasters of War

1812/15, published 1863

Etching of a kneeling robed figure attacked by a soldier with a sword, with two armed men watching in shadow behind.

This is Bad, plate 46 from The Disasters of War

1812/15, published 1863

Etching of a kneeling man before a balustrade as helmeted soldiers and a figure with a cross loom above him.

This is How it Happened, plate 47 from The Disasters of War

1812/15, published 1863

Etching of a grieving woman beside sprawled bodies on the ground, with a standing man and a dark wall behind them.

Cruel tale of woe!, plate 48 from The Disasters of War

1812/15, published 1863

Etching of a woman tending a reclining man beside a stone wall while two figures stand at right, from Goya's Disasters of War

A Woman's Charity, plate 49 from The Disasters of War

1812/15, published 1863

Etching of men struggling with a woman while a small child covers her face at right, from Goya's Disasters of War.

Unhappy Mother!, plate 50 from The Disasters of War

1812/15, published 1863

Etching of figures gathered in a dim room, some hooded, one man in a hat, others sprawled in the foreground.

Thanks to the Millet, plate 51 from The Disasters of War

1812/15, published 1863

Etching of three women gathered around a kneeling figure beside a stone wall, with a prone body at the right.

They Do Not Arrive in Time, plate 52 from The Disasters of War

1812/15, published 1863

Goya etching of a man dying as two figures bend over him and a woman with a basket stands nearby.

There Was Nothing to be Done and He Died, plate 53 from The Disasters of War

1812/15, published 1863

Etching of sprawled figures on stone steps beside a doorway, with a standing soldier in a cap at right.

Appeals are in vain, plate 54 from The Disasters of War

1812/15, published 1863

Etching of gaunt beggars on the ground with a standing woman in a long dress watching, from Goya's Disasters of War.

The Worst is to Beg, plate 55 from The Disasters of War

1812/15, published 1863

Etching of a man carrying a limp body past a stone wall, with mourners kneeling on the ground beside him.

To the Cemetery, plate 56 from The Disasters of War

1812/15, published 1863

Etching of a sick, emaciated man seated beside veiled women and a child under a dark arch, from Goya's Disasters of War.

The Healthy and the Sick, plate 57 from The Disasters of War

1812/15, published 1863

Etching of figures on a ground by a wall, some prostrate, with a standing woman and a man holding a hat; caption 'No hay que

It's no use crying out, plate 58 from The Disasters of War

1812/15, published 1863

Etching of a headscarfed woman offering a cup to figures lying on the ground under a dark, stippled sky.

What is the Use of a Cup?, plate 59 from The Disasters of War

1812/15, published 1863

Sepia etching of a standing cloaked figure above several prostrate figures on barren ground under a pale sky, by Goya.

There is No One to Help Them, plate 60 from The Disasters of War

1812/15, published 1863

Etching of a seated gaunt figure, a standing woman in a cloak and hat, and a group of onlookers including children.

Perhaps they are of another breed, plate 61 from The Disasters of War

1812/15, published 1863

Etching of a shrouded figure standing before heaped bodies on a dark hatched ground, titled The Beds of Death.

The Beds of Death, plate 62 from The Disasters of War

1812/15, published 1863

Etching of a heap of dead figures on the ground beside a tilted wooden cart, with dark hatched shading behind.

Harvest of the dead, plate 63 from The Disasters of War

1812/15, published 1863

Etching of men hauling corpses from a cart toward a cemetery wall, with a figure dangling limply over the cart side.

Cartloads to the cemetery, plate 64 from The Disasters of War

1812/15, published 1863

Etching of a woman in a white dress and a man fleeing past a table with seated figures, with a dog running beside them.

What is this Hubbub?, plate 65 from The Disasters of War

1815/20, published 1863

Etching of a donkey carrying a glass reliquary box while kneeling hooded figures pray around it.

Strange Devotion!, plate 66 from The Disasters of War

1815/20, published 1863

Etching of two elderly men with canes beside an overturned cart and a fallen figure near a stone column.

This is Not Less so, plate 67 from The Disasters of War

1815/20, published 1863