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Francisco Goya

1,147 works

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Sepia print of a seated woman in white dress, head bowed, in a dim room with a small window of light above a doorway.

Because She Was Susceptible, plate 32 from Los Caprichos

1797/99

Etching of an elegant man in a wig standing over two bowing figures, with bottles on shelves behind, plate 33 from Los Capric

To the Count Palatine or Count of the Palate, plate 33 from Los Caprichos

1797/99

Etching of a seated woman in a dark room with sleeping hooded figures below a barred window, by Goya.

Sleep Overcomes Them, plate 34 from Los Caprichos

1797/99

Brown etching of a woman shaving a seated man in a chair while another woman watches from behind, in a shadowed interior.

She Fleeces him, plate 35 from Los Caprichos

1797/99

Etching of a woman in a pale dress leaning over a shadowy crouched figure against a dark sky, titled Mala noche.

A Bad Night, plate 36 from Los Caprichos

1797/99

Etching of a donkey-headed figure with a magnifying glass and a dog-headed figure reading letters, with animal heads behind t

Might not the Pupil Know More?, plate 37 from Los Caprichos

1797/99

Sepia etching of a monkey playing guitar while a donkey sits listening and two figures look on from behind.

Bravo!, plate 38 from Los Caprichos

1797/99

Etching of a man with a donkey's head reading a book beside an inkwell and quill, numbered plate 39.

And So Was His Grandfather, plate 39 from Los Caprichos

1797/99

Etching of a donkey-headed man leaning over a sick figure in bed, with shadowy figures behind a curtain.

Of what ill will he die?, plate 40 from Los Caprichos

1797-98, published 1799

Sepia etching of a donkey seated beside an easel while a monkey paints at the canvas, plate 41 of Goya's Los Caprichos.

Neither more nor less, plate 41 from Los Caprichos

1797/99

Etching of two men straining under two donkeys, with the caption Tú que no puedes below the image.

Thou Who Canst Not, plate 42 from Los Caprichos

1797/99

Etching of two old women with a bat above and a basket of infants in front, from Goya's Los Caprichos plate 45.

There is Plenty to Suck, plate 45 from Los Caprichos

1797/99

Etching of hooded grotesque old figures, one with an animal head, with winged demons and a cherub flying above.

Correction, plate 46 from Los Caprichos

1797/99

Sepia etching of hunched elderly figures, one offering a small doll to a seated old man, with grimacing faces behind.

A Gift for the Master, plate 47 from Los Caprichos

1797/99

Etching of a winged demonic creature flying over a cowering cloaked figure with hands over face, plate 48 by Goya.

Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos

1797/99

Sepia etching of three grotesque hobgoblins drinking from cups in a dim room with a barred window.

Hobgoblins, plate 49 from Los Caprichos

1797/99

Sepia etching of a donkey-headed figure with a spoon beside two men with buckled head restraints, one reclining.

The Chinchillas, plate 50 from Los Caprichos

1797/99

Sepia etching of grotesque figures, one trimming another with scissors while a smiling figure watches under a cloudy sky.

They Spruce Themselves Up, plate 51 from Los Caprichos

1797/99

Sepia etching of a kneeling veiled woman looking up at a tall figure with raised arms, cherubs above, and a crowd at left.

What a Tailor Can Do!, plate 52 from Los Caprichos

1797/99

Sepia etching of an owl on a pedestal addressing a group of open-mouthed, grotesque men below.

What a Golden Beak!, plate 53 from Los Caprichos

1797/99

Sepia etching of a hooded old woman eating from a bowl, with a shadowy figure and an old man beside her.

The Shamefaced one, plate 54 from Los Caprichos

1797/99

Sepia etching of a seated woman with a ruffled fan before a mirror, watched by two men and a woman.

Until Death, plate 55 from Los Caprichos

1797/99

Sepia etching of a flame-haired figure with torches standing on a crouching man, a donkey behind them, titled Subir y bajar.

To Rise and to Fall, plate 56 from Los Caprichos

1797/99

Sepia etching of a white-clad figure raising a stick over a kneeling man, with laughing grotesque faces and a hooded shadow b

Swallow it, dog, plate 58 from Los Caprichos

1797/99

Sepia etching of grotesque figures straining to lift a large tilted board, numbered 59, from Goya's Los Caprichos.

And Still They Don't Go!, plate 59 from Los Caprichos

1797/99

Etching of a horned goat behind a nude woman bending over a reclining nude man, with a skull, pot and two cats below.

Trials, plate 60 from Los Caprichos

1797/99

Etching of a flying woman in a dark gown held aloft by grotesque hunched figures beneath her, against a pale sky.

They Have Flown, plate 61 from Los Caprichos (Caprices)

1797-98, published 1799

Sepia etching of two nude figures and a crouching beast on a dark rocky ground, with a stormy sky above.

Who Would Have Thought It!, plate 62 from Los Caprichos

1797/99

Etching of a bird-headed and donkey-headed figure leading a dog-like beast on a rope, with the caption Miren que grabes.

Look How Solemn They Are!, plate 63 from Los Caprichos

1797/99

Sepia etching of a winged grotesque figure with distorted faces flying over a dark landscape, captioned Buen Viage.

Bon voyage, plate 64 from Los Caprichos

1797/99

Etching of nude and monstrous flying figures with a cat holding an umbrella, over a distant city under a dark sky.

Where is Mother Going?, plate 65 from Los Caprichos

1797/99

Etching of a nude witch flying on a broomstick with a cat, over a landscape, from Goya's Los Caprichos plate 66.

There it Goes, plate 66 from Los Caprichos

1797/99

Etching of two withered figures applying ointment from a bowl while a goat-like creature leaps above them.

Wait till You've Been Anointed, plate 67 from Los Caprichos

1797/99

Etching of two nude witches flying on broomsticks past an owl in a night sky, from Goya's Los Caprichos.

Pretty Teacher!, plate 68 from Los Caprichos

1797/99

Etching of an old woman and seated nude man with a child and lamp, with floating faces above in a dark sky.

Blow, plate 69 from Los Caprichos

1797/99

Etching of a nude seated figure with a bird, two hooded witches reading a book above, and skulls on the ground.

Devout profession, plate 70 from Los Caprichos

1797/99

Etching of grotesque hunched figures under a starry night sky, one pointing upward, with Spanish caption below.

When Day Breaks We Will Be Off, plate 71 from Los Caprichos

1797/99

Etching of a woman in a white gown fleeing winged demons and grotesque creatures, with the caption 'No te escaparás' below.

You will not escape, plate 72 from Los Caprichos

1797/99

Etching of a seated man, an old woman at a table, and a standing young woman in a white dress, from Goya's Los Caprichos.

Is It Better To Be Lazy?, plate 73 from Los Caprichos

1797/99

Etching of a woman in a long dress held by two grotesque, hooded figures in a dim room with a doorway.

Don't scream, stupid, plate 74 from Los Caprichos

1797/99

Etching of two women tangled beneath a large owl in a tree, with the caption 'No hay quien nos desate?' below.

Can't anyone untie us?, plate 75 from Los Caprichos

1797/99

Etching of three men with walking sticks, a stout central figure in a tricorn hat gesturing, from Goya's Los Caprichos.

You understand? ... well, as I say... eh! Look out! otherwise..., plate 76 from Los Caprichos

1797/99

Etching of grotesque old figures with skull-like faces, one carried on another's back, using walking sticks.

What One Does to Another, plate 77 from Los Caprichos

1797/99

Sepia etching of two hunched elderly women at a table with a broom, while a third figure stands behind them.

Be quick, They are Waking Up, plate 78 from Los Caprichos

1797/99

Etching of three men drinking around a barrel, with caricatured faces and a shadowy figure behind them.

No One Has Seen Us, plate 79 from Los Caprichos

1797/99

Etching of several screaming old men in robes, one with arms raised, others clutching their chests beside a bed.

It is Time, plate 80 from Los Caprichos

1797/99

Brown etching of figures in period dress around a reclining woman, with an older man in a tall hat and a woman reading a book

The Filiation, plate 57 from Los Caprichos

1797/99

Etching of dogs attacking a bull in a bullring, with cloaked men on foot and a mounted rider watching from the side.

The dogs unleashed on the bull - Plate C (H : 239)

1816

Etching of a mounted horseman in a plumed hat facing a charging bull in a bullring, with spectators in the stands above.

A Spanish gentleman in the plaza breaking small lances without the help of the chulos, n°13. (H : 216)

1816

Etching of a bull in an arena with a fallen donkey, a tossed figure, and lancers at the edges, by Goya.

Palisade of bulls made with donkeys to defend themselves from the bull with torches, n°17. (H : 220)

1816

Etching of a hunched prisoner seated in chains, with shackled ankles and a dark hatched background.

The prisoner - Tan Barbara security as the crime (Delteil 31 ; Gassier-Wilson 986 ; Harris 26 IV ; Lefort 258)

1815

Sepia etching of a woman in a long dark gown flying above grotesque, caricatured faces, titled Volaverunt.

The Caprices pl. 61 : Volaverunt (Delteil 98 ; Gassier-Wilson 573 ; Harris 96 III 1 ; Lefort 61)

1799

Sepia etching of a cloaked figure covering its face as a winged demon and grotesque faces loom above, plate 48 by Goya.

The Caprices pl. 48. Soplones (Delteil 85 ; Gassier-Wilson 547 ; Harris 83 III 1 ; Lefort 48)

1799

Sepia etching of a woman by a cooking pot with hand to mouth, and a bent figure in a long skirt in the foreground.

The Caprices pl. 4 : El de la rollona (Delteil 43 ; Gassier-Wilson 457 ; Harris 39 III 1 ; Lefort 4)

1799

Sepia etching of a man embracing a swooning woman beside a brick wall, with a skull and shovel at their feet.

The Caprices pl. 10 : El amor y la muerte (Delteil 47 ; Gassier-Wilson 469 ; Harris 45 III 1 ; Lefort 10)

1799

Etching of an owl with spread wings above two bound figures tied back to back, with a tree branch and grass.

The Caprices pl. 75 : No hay quien nos desate ? (Delteil 112 ; Gassier-Wilson 608 ; Harris 110 III 1 ; Lefort 75)

1799

Etching of a woman in white fleeing winged demons and grotesque creatures, by Goya, plate 72 of The Caprices.

The Caprices pl. 72 : No te escaparas (Delteil 109 ; Gassier-Wilson 596 ; Harris 107 III 1 ; Lefort 72)

1799

Brown etching of two men in restraining devices, one lying and one standing, with a donkey-headed figure behind them.

The Caprices pl. 50 : Los chinchillas (Delteil 87 ; Gassier-Wilson 551 ; Harris 85 III 1 ; Lefort 50)

1799

Sepia etching of two old women and an old man around a table, one sweeping with a broom, from Goya's Caprices.

The Caprices pl. 78 : Despacha, que dispiértan (Delteil 115 ; Gassier-Wilson 609 ; Harris 113 III 1 ; Lefort 78)

1799

Sepia etching of four men drinking around a barrel, one leaning back laughing, with the caption Nadie nos ha visto.

The Caprices pl. 79 : Nadie nos ha visto (Delteil 116 ; Gassier-Wilson 611 ; Harris 114 III 1 ; Lefort 79)

1799

Etching of screaming, contorted figures with raised arms, from Goya's Caprices series, plate 80.

The Caprices pl. 80 : Ya es hora (Delteil 117 ; Gassier-Wilson 613 ; Harris 115 III 1 ; Lefort 80)

1799

Sepia print of a barefoot woman seated on the floor in a dim room, head bowed, lit by a small high window.

The Caprices pl. 32 : Por que fue sensible (Delteil 69 ; Gassier-Wilson 515 ; Harris 67 III 1 ; Lefort 32)

1799

Etching of a powdered-wig nobleman standing over two bent men beside a shelf of bottles, titled Al Conde Palatino.

The Caprices pl. 33 : Al Conde Palatino (Delteil 70 ; Gassier-Wilson 517 ; Harris 68 III 1 ; Lefort 33)

1799

Brown etching of a seated man being attended by two women in an interior, with a jug on a table beside them.

The Caprices pl. 35 : Le descanona (Delteil 72 ; Gassier-Wilson 520 ; Harris 70 III 1 ; Lefort 35)

1799

Etching of an old man grinning beside a burning wooden chair, with smoke rising in a dark interior.

The Caprices pl. 18 : Y se le quema la Casa (Delteil 55 ; Gassier-Wilson 487 ; Harris 53 III 1 ; Lefort 18)

1799

Etching of a tall shrouded ghostly figure at left, with a swordsman and fallen men at night beside a tree at right.

Disparate of fear. For fear do not lose honor, pl. 2 (H : 249)

1823

Etching of women in striped shawls gathered on a large dark tree branch against a grey background.

Walking around the branches. Ridiculous Disparate, pl. 3 (H : 250)

1823

Etching of a grinning grotesque man towering over a small cloaked woman, with floating distorted heads around them.

After vice comes fornication. Simpleton. Disparate of a fool, pl. 4 (H : 251)

1823

Etching of a rider on a white horse flying with large wings beside a two-headed winged monster against a dark background.

I renounce the friend who covers with wings and kills with the beak. Flying Disparate, pl. 5 (H : 252)

1823

Etching of an armed man with a pole driving forward while hunched figures stand before a dark stone wall.

God made us and we marvel. Furious Disparate, pl. 6 (H : 253)

1823

Etching of a grotesque shirtless man pointing while embracing a woman, with a crowd of caricatured figures watching in shadow

She who marries badly never lacks a fault to find. Disordered Disparate, pl. 7 (H : 254)

1823

Etching of hooded figures wrapped in sackcloth standing and bending in a row against a dark background.

Under the sackcloth, there is a soul. The bagged ones. Disparate of bagged ones, pl. 8 (H : 255)

1823

Etching of hooded figures and cats in a dark crowded scene, with a seated bearded man and a figure holding cats.

Cat's paws and a pious habit. General Disparate, pl. 9 (H : 256)

1823

Etching of a rearing horse throwing its rider backward, with a fallen figure on rocky ground at left.

The woman and the colt, may another tame them. The raptor horse, unbridled disparate, pl. 10 (H : 257)

1823

Etching of a dark interior with a raised-armed woman before a group of hooded elderly women and a crouching figure.

Poor Disparate, pl. 11 (H : 258)

1823

Etching of ruffled dancing figures, men and women, in a dark tonal setting by Goya, 1823.

If she danced at sea, she took what she found. Cheerful Disparate, pl. 12 (H : 259)

1823

Etching of a man strapped to a large bat-like wing flying through a dark sky, with other gliding figures nearby.

Way of flying. Where there is desire there is strength, pl. 13 (H : 260)

1823

Etching of grotesque masked carnival figures in exaggerated poses, one in a tall pointed hat, against a dark landscape.

Carnival joys, tomorrow you will be ashes. Carnival Disparate, pl. 14 (H : 261)

1823

Dark etching of a crowd beneath a swirling cloth, with figures reaching upward on the right and a robed figure on the left.

Without recommending oneself to God or the devil. Clear Disparate, pl. 15 (H : 262)

1823

Etching of hooded and cloaked figures in a dark night scene, with a pointing man at right and a winged form above.

Wounds heal but not bad words. Triple Disparate, pl. 16. (H : 263)

1823

Dark etching of grotesque figures gathered around a seated old woman and a small dog, with a laughing man pointing.

Loyalty. He who does not love you, slanders you by mocking. Quiet folly, pl. 17 (H : 264)

1823

Etching of hooded figures gathered at night around a reclining body, with a kneeling woman looking up at an old man pointing.

God creates them and they get together. Funeral folly, pl. 18 (H : 265)

1823

Ink and wash drawing of a stooped elderly figure in a dark cloak leaning on two canes, with a Spanish inscription below.

He can no longer at the age of ninety-eight

about 1819-1823

Etching of a man flying with large bat-like wings while other figures glide in a dark sky.

The Proverbs: A Way of Flying

1864

Lithograph of a mounted rider with a lance confronting a bull in a bullring, with capes on the sand and spectators behind.

The Renowned American Mariano Cebellos

1825

Grey ink wash drawing of a seated man repairing a shoe, with a woman and child beside him on cream paper.

The Blind Worker, c. 1815-1820

1815

Etching of seated robed men with cross emblems reading open books on a wooden bench, from Goya's Disasters of War.

One Can't Tell Why, plate 35 from The Disasters of War

1812/15, published 1863

Etching of a seated man in a wide hat and fur-trimmed coat, leaning on a rolled paper beside an inkwell.

Un enano (A Dwarf)

1778

Etching of a prone figure in the foreground, a mitred cleric pointing among robed onlookers, and a kneeling grieving woman at

Truth has Died (Murió la Verdad) from the series Los desastres de la guerra

1814

Etching of a frantic man standing over sprawled corpses on a battlefield under a dark, smoky sky.

Tätä varten olette syntyneet (Para eso habeis nacido)

Etching of an elderly bearded man in a wide-brimmed hat and cloak, with a jug and shoes on the floor beside him.

Moenippus

1778

Dark etching of a crowd of figures in shadow, with a cloaked figure and a standing figure carrying a bundle in the foreground

Disparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of…

1816

Etching of a matador in a cape turning aside a charging bull in an arena, with spectators sketched along the top edge.

El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wra…

1816

Etching of a monstrous vulture with spread wings standing among a crowd of people, one man at left holding a stick.

The Carnivorous Vulture (El buitre carnivoro)

1892

Etching of women tossing a flying man in the air with a sheet, while an animal-like form lies across the cloth.

Disparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs])

1816

Etching of a nude wild-haired man pointing while grotesque figures crowd around him in a dark, chaotic scene.

Disorderly Folly (Disparate desordenado), from the series Los Disparates

1816