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Francisco Goya

1,220 works

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Etching of a bull standing among panicked spectators scrambling over a wooden barrier in a bullring.

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the F…

in or before 1816

Etching of a mounted rider with a lance facing a charging bull in an arena, with spectators along the top.

Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Sar…

in or before 1816

Etching of a mounted bullfighter striking a bull in an arena while spectators watch from the stands behind the barrier.

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull f…

in or before 1816

Etching of a mounted rider on a dark horse facing a charging bull in an arena, holding a short spear.

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another…

in or before 1816

Etching of a bull attacked by dogs in an arena while a plumed horseback rider watches from the right.

Echan perros al toro (They Loose Dogs on the Bull)

in or before 1816

Etching of a bull charging over a fallen picador and horse in a bullring, with a cape-holding figure and spectators in the st

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)

in or before 1816

Etching of a mounted picador with a lance facing a bull in a bullring, with another horseman and a fallen horse behind.

El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando de…

in or before 1816

Etching of a picador on horseback lancing a bull in a bullring while a cape-holding bullfighter and spectators look on.

El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with t…

in or before 1816

Etching of a matador making a close pass as a bull charges in a bullring, with mounted horsemen and spectators behind.

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

in or before 1816

Etching of a matador with cape and sword facing a bull in a bullring, spectators watching from the stands above.

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

in or before 1816

Etching of a bull in a bullring with a matador holding lit banderillas, mounted picadors and spectators nearby.

Banderillas de fuego (Banderillas with Firecrackers)

in or before 1816

Etching of a bull charging in a bullring, tossing a horse and rider as picadors and attendants scramble nearby.

Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a…

in or before 1816

Etching of a bull goring a fallen bullfighter in an arena while a matador with a cape and spectators look on.

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)

in or before 1816

Etching of a man raising an axe over fallen figures while others fight with swords, captioned Lo mismo.

Disasters of War: Pl., 3, The Same (Thing)

1810-1813

Etching of men in tall hats restraining a naked figure on the ground, with a tree and shrub behind them.

Disasters of War: Pl. 33, What more can one do?

1810-1813

Etching of a nude, wild-haired figure struggling with a log as a soldier raises a sword, with bodies on the ground nearby.

Disasters of War: Pl. 37, This is worse

1810-1813

Etching of fallen and standing figures on a dark ground, one man holding a hat, with the caption 'No hay que dar voces'.

Disasters of War: Pl. 58, It is no use shouting

1810-1813

Etching of caricatured figures with exaggerated faces mocking a seated woman against a dark background.

He who does not like thee will defame thee in jest, plate 17 from Los Proverbios

1815/24

Etching of a crowd of robed figures beneath a sweeping cloth canopy, with a fallen figure at left.

Without commending himself either to God or the devil, plate 15 from Los Proverbios

1815/24

Etching of a dark scene with a bowed figure covering his face while a cloaked man gestures and others crowd behind.

Wounds Heal Quicker than Hasty Words, plate 16 from Los Proverbios

1815/24

Etching of carnival revelers in pointed hats and cloaks dancing before a crowd, with a tall figure on stilts at right.

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios

1815/24

Etching of women in shawls gathered at a doorway, one gesturing toward a pale ghostly figure at the left.

Poor Folly, plate eleven from Los Proverbios

1815/24

Etching of a man strapped beneath bat-like wings flying in a dark sky, with other winged figures and a parachute nearby.

A Way of Flying, from Disparates, published as plate 13 in Los Proverbios (Proverbs)

1815-17, published 1864

Etching of robed figures in a dark landscape, one reaching toward a kneeling figure while another lies on the ground.

God creates them and they join up together, plate 18 from Los Proverbios

1815/24

Dark etching of a crowd with a seated woman holding a bundle and a man carrying bundles, by Goya, plate nine of The Proverbs.

General Folly, plate nine from The Proverbs

1815/24

Etching of hooded figures in pale robes standing and bending in a row against a dark background.

There is Something Beneath the Sackcloth, i.e. you can't judge a man by his clothes, plate eight from Los Proverbios

1815/24

Etching of a half-nude man pointing while a crowd of grotesque, agitated figures surrounds him against a dark background.

Disorderly Folly, plate seven from The Proverbs

1815/24, published 1864

Etching of a violent melee with armed men, a woman raising her arms, and fallen bodies on the ground.

Y son fieras (And They Are Like Wild Beasts)

published 1863

Etching of a man shouting as two figures hold him down while a third stands with a raised weapon beside a tree.

Por que? (Why?)

published 1863

Etching of a woman standing by a cannon beside fallen soldiers on a battlefield, by Francisco Goya.

Que valor! (What Courage!)

published 1863

Etching of seated men in cross-marked hats and robes, several reading papers on a bench, with the caption No se puede saber p

No se puede saber por que (One Can't Tell Why)

published 1863

Etching of a soldier seizing a kneeling woman as a child lies on the ground and figures recoil in a dark scene.

Ni por esas (Neither Do These)

published 1863