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Francisco Goya

1,220 works

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Etching of a man strapped to a bat-like flying machine, with other figures in gliding devices against a dark sky.

Modo de volar (A Way of Flying), from the series Los disparates (Follies [Irrationalities])

1815

Etching of a bull charging a mounted picador in a bullring, with spectators in the stands behind the barrier.

Mariano Ceballos doodt een stier

1876

Etching of a mounted rider with a lance facing a charging bull in a bullring, spectators visible along the top wall.

Pajuelera in de arena van Zaragosa

1876

Etching of a rider with a spear on a charging bull in an arena, numbered 24 in the upper right corner.

Mariano Ceballos rijdend op een stier

1876

Etching of a bull attacked by dogs in a bullring, with a mounted rider in a feathered hat at the right.

Stier aangevallen door honden

1876

Sepia etching of a bull charging a fallen horse and rider in a bullring, with capes and spectators in the stands.

Picador van zijn paard gevallen

1876

Etching of a bull in a bullring facing a mounted horseman with a lance, another rider and spectators in the background.

Fernando del Toro daagt een stier uit

1876

Etching of a bullfight: a bull charges near a cape-wielding matador, with mounted picadors and spectators in the arena.

Torero met brandende banderillas

1815

Etching of a matador bowing before a charging bull in a bullring, with mounted riders and spectators in the background.

Pepe-Hillo neemt zijn hoed af voor de stier

1876

Etching of a picador lancing a charging bull in an arena while a man in a cape and spectators look on.

Rendon steekt zijn lans in een stier

1876

Etching of a matador with sword and cape facing a charging bull in an arena, with spectators in the stands behind.

Pedro Romera Martínez doodt een stier

1876

Etching of a bull charging at a fallen horse and picador in an arena, with figures scattered on the ground.

Picador steekt een lans in een stier

1876

Etching of a bull charging near a fallen bullfighter in an arena while a cape-waving man and spectators watch.

Dood van Pepe-Hillo in de arena van Madrid

1876

Grey lithograph of a group of figures in traditional dress gathered around a standing woman in a light lace-trimmed gown.

The Andalusian dance (El Vito)

ca. 1824-1825

Etching of a mounted rider lancing a charging black bull in an arena, with a caped figure and onlookers nearby.

Man te paard steekt zijn lans in een stier

1876

Etching of a bull goring and overturning a horse in a bullring, with spectators and figures watching from the barrier.

Paard omver gegooid door een stier

1876

Etching of cloaked figures in a dark landscape, one man covering his face and a woman gesturing forward.

The Exhortations, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a woman with raised arms among hooded figures at a dark doorway, with a pale ghostly figure at left.

'Poor Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a chaotic crowd with a fallen figure in the foreground and a horse at right, set against a dark background.

General Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of turbaned horsemen and a figure with a raised sword facing a charging bull, with a fallen rider and horse in the fo

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this ar…

1816

Etching of a mounted rider with a lance attacking a charging bull on open ground, with another horseman behind.

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

1816

Etching of two men in period dress thrusting lances at a charging bull on an open field under a cloudy sky.

Plate 2 from "La Tauromaquia": Another way of hunting on foot

1816

Etching of a bull charging a cape-wielding man in an arena, with another figure standing and one seated with raised arms.

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

1816

Etching of a bullfighter with a cape facing a bull in an arena, with figures in cloaks and spectators behind a wooden barrier

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

1816

Etching of a bull goring a man in a bullring while another figure waves a cloak to distract it.

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

1816

Etching of an armored figure gripping a bull's horns while a wounded horse stands nearby in an arena.

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse

1816

Etching of a mounted rider with a spear facing a charging bull in an arena, plate 24 of Goya's La Tauromaquia.

Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid

1816

Etching of a lance-wielding horseman facing a charging bull in a bullring, with spectators along the top edge.

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza

1816

Etching of a bull charging a draped table as a man leaps onto it in a bullring, with spectators watching at right.

Plate 19 of "La Tauromaquia": Another madness of his in the same ring

1816

Etching of a bull charging at a seated matador on a chair in an arena while spectators watch from the stands.

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

1816

Etching of a bull among tossed and fallen donkeys, with men holding long poles at left and right in an arena.

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns ha…

1816

Etching of a man in white grappling with a charging bull in an arena while two cloaked onlookers watch at right.

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid

1816