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Francisco Goya

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Etching of a man and woman beating a prone body while a crowd watches, with a small building behind them.

Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)

ca. 1810 (published 1863)

Etching of armed men in a violent scene, one standing over a fallen body with a sword, another raising a stick.

Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)

ca. 1810 (published 1863)

Etching of figures in distress on stone steps before a dark building, titled Appeals are in vain, from Goya's Disasters of Wa

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)

1811-12 (published 1863)

Etching of a standing man beside fallen bodies, including a woman and child in a puddle, with the caption Cruel lástima.

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)

1811-12 (published 1863)

Etching of a group of figures by a ruined wall, including a standing woman in a feathered hat and children on the ground.

Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otr…

1811-12 (published 1863)

Etching of a woman in a headscarf holding a cup above two prone figures on dark ground, under a stippled sky.

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)

1811-12 (published 1863)

Etching of a pile of dead bodies on bare ground with a leaning wooden plank at right, under a dark hatched sky.

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)

1811-12 (published 1863)

Etching of a cart with a spoked wheel, a figure lifting a limp body down to kneeling figures beside an archway.

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cemente…

1811-12 (published 1863)

Etching of a gaunt seated man and hooded women beneath an arch, with dense hatched shading on the wall.

Plate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)

1811-12 (published 1863)

Etching of two men carrying a limp body past a stone wall, with mourners kneeling on the ground behind them.

Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)

1811-12 (published 1863)

Etching of figures gathered around a collapsed man, with women bending over him and a basket carrier at right, on a dark back

Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró…

1811-12 (published 1863)

Etching of a small hooded figure standing before shadowy bundled forms on a dark ground, from Goya's Disasters of War.

Plate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)

1811-12 (published 1863)

Etching of a standing woman in white beside emaciated beggars seated and lying on dark ground under a pale sky.

Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)

1811-12 (published 1863)

Etching of hooded grotesque figures swirling in a chaotic crowd under a pale sky, from Goya's Disasters of War.

Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)

1810 (published 1863)

Etching of figures fleeing across a barren hillside beside a shrub, with a crowd behind and the caption 'Tambien esto' below.

Plate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto)

1810 (published 1863)

Etching of a woman offering food to a reclining man beside a stone wall, with two onlookers at right.

Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)

1811-12 (published 1863)

Etching of women mourning beside a stone wall, with a body lying on the ground at right.

Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)

1811-12 (published 1863)

Etching of women carrying bundles past a dead animal and a crowd under a hatched, stormy sky.

Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)

1810 (published 1863)

Etching of a night scene with men restraining a woman as a small child covers her face nearby, titled Madre infeliz.

Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)

1811-12 (published 1863)

Etching of soldiers attacking a robed man on the ground, with the caption Esto es malo, from Goya's Disasters of War.

Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)

1810 (published 1863)

Etching of gaunt figures gathered around a bowl in a dim interior, one figure lying on the ground in the foreground.

Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)

1811-12 (published 1863)

Etching of a man writing on the ground as hooded and ghostly faces loom out of dark shadows behind him.

Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)

1814-15 (published 1863)

Etching of a cloaked woman gesturing before a crowd of grotesque animal-headed figures on a rocky bank.

Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)

1814-15 (published 1863)

Etching of ragged figures gathered around a large wolf-like animal, with a kneeling woman and children in the foreground.

Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)

1814-15 (published 1863)

Etching of a winged demon with bat wings hunched over an open book, with the caption Contra el bien general below.

Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)

1814-15 (published 1863)

Etching of hooded figures stumbling along a hillside, some falling into a ditch, under a dark hatched sky.

Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)

1814-15 (published 1863)

Etching of a seated hooded figure beside a pile of grotesque masks, with a chair and cluttered interior in the background.

Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)

1814-15 (published 1863)

Etching of two stooped men with canes walking past a carried figure and a crowd beside a column.

Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)

1814-15 (published 1863)

Etching of a donkey carrying a glass box with a figure inside, with kneeling cloaked figures in the foreground.

Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)

1814-15 (published 1863)

Etching of a woman in a pale dress fleeing with hands to her head, a dog running beside her, and a seated figure in a cap at

Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)

1814-15 (published 1863)

Etching of an owl with spread wings above a crouching cat, with a cloaked figure bending at right.

Plate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima)

1814-15 (published 1863)

Etching of a pale reclining figure in radiant light, with a kneeling figure and shadowy faces in a dark background.

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)

1814-15 (published 1863)