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Francisco Goya

1,220 works

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Etching of a rearing horse throwing its rider backward against a dark sky above a rocky landscape.

Het ontvoerende paard

1815

Etching of a woman recoiling from hooded old figures and a ghostly apparition emerging from mist at left.

Arme dwaasheid

1815

Etching of grotesque carnival figures, including a man in a pointed hat and a figure on stilts, in a crowded street scene.

Dwaasheid van het carnaval

1815

Etching of a man gripping a large batlike wing contraption, with other flying figures and a parachute against a dark sky.

Een manier van vliegen

1815

Etching of figures in ruffled costumes dancing energetically on a shallow stage against a dark background.

Vrolijke dwaasheid

1815

Etching of cloaked figures gathered under a dark sky, one kneeling with hands over his face and a winged shape above.

Drievoudige dwaasheid

1815

Etching of a crowd beneath a large draped cloth, figures raising their arms and gathering in dark hatched shadow.

Heldere dwaasheid

1815

Etching of grotesque figures grappling around a seated cloaked figure and a small dog, against a dark background.

De loyaliteit

1815

Etching of a man swinging a long pole at a crouching figure while hunched people watch against a dark, hatched sky.

Disparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by G…

1816

Etching of a woman balancing on a white horse walking a tightrope before a dark crowd, from Goya's Los disparates.

Disparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)

1816

Etching of a rider in a patterned costume on a bull, with a short spear in its back, charging left in an arena.

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another…

1816

Etching of a man in bat-like wings flying through a dark sky, with other winged figures and a parachute nearby.

Donde hay ganas hay mana (Modo de Volar)

1815

Etching of intertwined struggling figures and fallen bodies against dark hatched background, from Goya's Disasters of War.

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)

1810 (published 1863)

Etching of armed men struggling over a prone figure, with a child on the ground and a small building behind.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

ca. 1810 (published 1863)

Etching of a kneeling man with outstretched arms under a dark, hatched sky, captioned Tristes presentimientos de lo que ha de

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes…

ca. 1815 (published 1863)

Etching of a couple embracing as an older woman lunges at them with a raised arm, from Goya's Disasters of War.

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)

1810 (published 1863)

Etching of women with a sword tending a wounded man on the ground, with the Spanish caption Las mugeres dan valor below.

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

1810 (published 1863)

Etching of a woman in white standing by a cannon above fallen soldiers on a battlefield.

Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)

1810 (published 1863)

Etching of struggling figures on a dark hillside beneath a stormy sky, with a fallen body in the foreground.

Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)

1810 (published 1863)

Etching of a fallen horse and a rider on a battlefield, with figures and a horse in the background, captioned 'Siempre sucede

Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)

1810 (published 1863)

Etching of armed figures and fallen bodies in a street by a ruined wall, with the caption Ya no hay tiempo below.

Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)

ca. 1810 (published 1863)

Etching of stacked corpses on a mound with two standing men above them, under an open, bleak sky.

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

1810 (published 1863)

Etching of a plumed horseman with raised sword among fallen figures and attackers in a smoky battle scene.

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)

ca. 1810 (published 1863)

Etching of tangled, struggling and fallen figures on a dark hatched ground, Goya's Disasters of War plate 10.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)

1810 (published 1863)

Etching of a bound man at a tree as soldiers aim muskets at him, with bodies on the ground in the foreground.

Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)

1810 (published 1863)

Etching of soldiers attacking a screaming captive with sabers, numbered 32 and captioned Por qué, by Goya.

Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)

1810 (published 1863)

Etching of a dog snarling over a prone, fallen figure in pale clothing, with dense horizontal hatching in the background.

Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)

ca. 1810 (published 1863)

Etching of soldiers in fur hats dragging a nude body across the ground, with a tree and hills behind them.

Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)

1810 (published 1863)

Etching of a seated man in a tall hat and dark cloak holding a knife, with a crowd behind him in a flat landscape.

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)

1810 (published 1863)

Etching of seated hooded figures with crosses on their hats lined up on a wooden bench, some holding papers.

Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)

ca. 1810 (published 1863)

Etching of a hanged man on a tree beside a slumped seated figure on a stone block, under a grey sky.

Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)

1810 (published 1863)

Etching of corpses hanging and sprawled in a landscape, with a grotesque head at right; Goya's Disasters of War plate 39.

Plate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! C…

1810 (published 1863)