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Francisco Goya

1,220 works

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Etching of a cloaked man standing among three fallen bodies on a dark plain under a hazy sky.

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los s…

1811-12 (published 1863)

Etching of a winged creature perched over a prone figure, with bats flying in a dark sky above.

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)

1814-15 (published 1863)

Etching of huddled figures, a woman shielding a child, and kneeling men with rifles in a dark, grim scene.

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)

1810 (published 1863)

Etching of soldiers attacking a crowd, with a fallen woman at left and a woman raising her arms; caption reads Y son fieras.

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)

1810 (published 1863)

Etching of a bull charging a cape-wielding bullfighter in an arena, with a figure on the ground at right.

Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia

1816

Etching by Goya showing grotesque, laughing figures gathered around a seated woman and a dog against a dark background.

La lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee…

1816

Etching of a chaotic crowd of hooded figures pressing forward over fallen bodies, from Goya's Disasters of War.

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)

1863

Etching of a bull charging toward a man standing on a draped table in a bullring, with spectators watching nearby.

Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia

1815

Etching of a bull charging toward a matador seated backward on a chair in a bullring, with spectators at the barrier.

Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La t…

1816

Etching of sprawled bodies among broken timbers and wrecked furniture, with a tumbling figure above, from a bound book page.

Lichamen in een ruïne met verwoest meubilair

1810

Etching of a soldier drawing a sword beside a hanged man on a tree, with a kneeling woman at left.

Soldaat trekt zijn sabel bij een gehangene

1810

Etching of three soldiers subduing a struggling man, one pulling a rope around his neck, on open ground.

Drie soldaten pogen een man te doden door verstikking met een touw om zijn nek

1810

Etching of a row of hooded, seated men in cross-marked robes on a bench, with written papers on their backs.

Groep mannen zit gekneveld aan palen

1810

Etching of a seated bearded man in a dark robe and tall hat, with a crowd behind him, captioned in Spanish beneath.

Priester met kruis in de handen gekneveld aan een paal

1810

Etching of soldiers in tall hats mutilating a nude fallen body on the ground, with a tree behind them.

Soldaten verminken het naakte lijf van een gevallene

1810

Etching of a hanged man beside a reclining soldier on a stone block, with bare trees and rough ground behind them.

Soldaat rust uit naast een gehangene

1810

Etching of a nude mutilated figure impaled on a tree stump, with soldiers and fallen bodies in the background.

Verminkt lichaam van een gevallene aan een boom gespiest

1810

Etching of two men aiming rifles at a bound figure tied to a tree, with crouching figures in the foreground.

Twee mannen richten hun geweren op de rug van een aan een boom geknevelde persoon

1810

Etching of two mutilated bodies bound to a tree with a grotesque figure standing at right, by Francisco de Goya, 1810.

Verminkte lichamen van gevallenen aan een boom gebonden

1810

Etching of a figure lying on the ground while a large snarling dog looms over them, with hatched shadows.

Figuur op de grond omhelst een grote hond

1810

Etching of figures fleeing through flames and smoke, a man carrying a woman while others run from the fire.

Groep figuren bij een uitslaande brand

1810

Etching of hooded clerics with caricatured faces crowded together, with reclining figures in the background and a caption ben

Groep geestelijken

1810

Etching of robed monks and figures on a slope, one raising an arm, with a crowd and shrubs on a hill to the right.

Groep monniken

1810

Etching of a panicked crowd in a landscape, a man pointing and a woman shielding a child, with a hill and fortress behind.

Groep figuren in paniek

1810

Etching of two men in white robes and turbans using a cape to lure a charging bull in a bullring.

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous

1816

Etching of a plumed rider on a horse lancing a charging bull in an arena, with shaded sky behind.

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid

1816

Etching of a black bull surrounded by armed men with lances, with a fallen man on the ground in the foreground.

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

1816

Etching of a bullfighter in white gripping a charging bull by the horns in an arena, from Goya's La Tauromaquia.

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his…

1816

Etching of a man vaulting over a charging bull in a bullring with a pole, spectators watching from the stands.

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid

1816

Etching of a mounted bullfighter striking a bull in an arena while spectators watch from the stands behind a barrier.

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse

1816

Etching of a picador on horseback with a pike facing a bull in an arena, with other riders and figures in the background.

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike

1816

Blue paper cover with a central cartouche labeled Goya and Corridas de Toros, and a torn dark spine on the left.

Corridas de Toros

1814/16