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Francisco Goya

1,220 works

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Etching of a woman gesturing beside a man with a shovel, a pig and basket of eggs, under radiating light.

Esto es lo verdadero (This Is the Truth)

1810/1820

Etching of a figure thrown backward from a rearing horse, with a crouching wolf-like creature at left under a dark sky.

El caballo raptor (The Horse-Abductor), also known as La mujer y el potro, que los dome otro (A Woman and a Horse, Le…

1816

Etching of a large elephant facing a group of robed figures at left, against a dark hatched background.

Animal Folly, from Disparates

1816-17, published 1877

Etching of a mounted bullfighter grappling with a bull in an arena, spectators in the stands behind, by Goya.

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull f…

1816

Etching of a bullfighter with cape and banderilla facing a bull in an arena, with spectators in the stands.

Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia

1816

Etching of women in period dresses tossing a figure in striped clothing from a stretched cloth, with an animal form beneath.

Disparate femenino (Feminine Folly)

in or after 1816

Etching of a hospital interior with sick and emaciated figures, a standing woman holding a child, and a veiled figure at righ

Sanos y enfermos (Desastres de la Guerra 57)

1761

Etching of a reclining figure lit by radiating light, with hooded figures leaning over it and faint heads in dark shadow abov

Si resucitará? (Desastres de la Guerra 80)

1761

Etching of a bull among panicked spectators on bullring seats, with a figure caught on its horn and people falling over bench

Desgracias acaecidas en el tendido de la Plaza de Madrid / Unglücke, die sich bei der Verlegung der Plaza de Madrid e…

1815

Etching of a bull lowering its head as two men thrust lances at it in an open landscape with a tree.

Toros y toreros / Stiere und Stierkämpfer (Tauromaquia 2)

1815

Etching of a grotesque laughing man towering over a cloaked woman, with distorted faces floating around him.

Bobalicón (Simpleton). Plate 4 from: Disparates (Follies)

1814

Etching of a vine-crowned Bacchus figure with drinking men in a revelry scene, with a Spanish inscription below.

The Drunkards

1778

Etching of women tossing a man in a blanket while a heavy animal-like form lies in the cloth center.

Heavier than a Dead Donkey, plate 1 from Los Proverbios

1815-17, published 1864

Sepia etching of a crowd in shadow, with a kneeling cloaked woman at center and a reaching figure at left.

The Claws of a Cat and the Dress of a Devotee - similar to Vice is often clothed in Virtue's habit, plate nine from L…

1815/24

Etching of a shrouded phantom towering over panicked soldiers at night beside a bare tree.

Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios

1816-19, published 1864

Etching of figures in striped veils gathered on a dark diagonal tree branch against a pale background.

To Go Amongst the Branches, i.e. to talk through one's hat, plate three from Los Proverbios

1815/24

Etching of women in long dresses tossing a man into the air with a blanket, brown ink on cream paper.

Heavier than a dead donkey, plate one from Los Proverbios

1815/24

Etching of a man with a staff striding past bowing figures under a dark sky beside a crumbling wall.

It is Amazing - and We were Made by God, plate six from Los Proverbios

1815/24

Etching of a grinning giant figure dancing beside a small cloaked woman, with grotesque faces emerging from dark shadows.

Dancing Giant, from Disparates, published as plate 4 in Los Proverbios

1816-19, published 1864

Etching of a winged hybrid creature with animal heads carrying a human rider against a dark background.

Renounce the Friend Who Covers You with His Wings and Bites You with His Beak, plate five from Los Proverbios

1815/24

Etching of a woman thrown from a rearing horse beside a crouching wolf-like creature under a dark sky.

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios

1815/24

Etching of distorted figures dancing wildly in ruffled costumes against a dark background, by Goya.

Merry Folly, from Disparates, published as plate 12 in Los Proverbios

1816-19, published 1864

Etching of a bull attacked by dogs in a bullring while a mounted horseman in a plumed hat watches from the right.

Plate 25 from "La Tauromaquia": They loose dogs on the bull

1816

Etching of a bull above a crowd of spectators tumbling over a wooden barrier in a bullring, by Goya, 1816.

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Tor…

1816

Etching of a cloaked man raising a sword over a crowd, with a limp figure carried by others in the foreground.

Disparate conocido (Well-Known Folly)

in or after 1816

Etching of a mounted rider in a plumed hat spearing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

1816

Etching of a half-naked man embracing a woman while pointing, surrounded by grotesque faces and a crowd in a dark setting.

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a large boulder beside a waterfall, with a wooden bridge at left and a distant town under a pale sky.

Landscape with Waterfall

before 1810

Etching of a turbaned rider on a white horse lancing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

1816

Etching of a bull goring a fallen bullfighter in an arena while another man with a cape approaches from the left.

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

1816

Etching of a kneeling man at a wooden railing as two hooded figures, one holding a crucifix, look down from above.

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)

1810 (published 1863)

Etching of a nude man astride a horse as a soldier with a raised sword and fallen figures appear in a landscape behind.

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)

1810 (published 1863)