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Francisco Goya

1,220 works

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Etching of two women in dark shawls seated on chairs at night, one older woman leaning toward a younger woman.

Pretty teaching

1799

Etching of a grotesque laughing man towering over a cloaked woman, with distorted faces floating around him.

Bobalicón (Simpleton). Plate 4 from: Disparates (Follies)

1814

Brown ink wash drawing of a bent man carrying a limp, emaciated body over his back.

Ein Mann trägt einen Toten

1815

Etching of a man in a plumed hat and ruff on a rearing horse, with a caption naming Felipe III, King of Spain.

Philip III

1778

Etching of a woman in ruff collar riding a pale horse side-saddle, with a hazy hilly landscape behind her.

Margaret of Austria

1778

Etching of a woman on a white horse wearing a large cloak and lace collar, with an inscription beneath the image.

Isabel de Borbon

1778

Etching of a young rider on a rearing horse in a cloudy landscape, with an inscription naming Baltasar Carlos below.

Baltasar Carlos

1778

Etching of a man in armor and a plumed hat riding a rearing horse across an open landscape.

Philip IV

1778

Etching of Gaspar de Guzman on a rearing horse, wearing a plumed hat and holding a baton, with a tree in the landscape.

Gaspar de Guzman, Conde Duque of Olivares

1778

Etching of a vine-crowned Bacchus figure with drinking men in a revelry scene, with a Spanish inscription below.

The Drunkards

1778

Etching of a seated dwarf in a wide hat and fur-trimmed cloak, leaning on stacked books beside a candlestick.

A Dwarf

1778

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos

1797/99

Etching of a sleeping man at a desk surrounded by owls, bats and cats, with the caption 'El sueño de la razón produce monstru

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos

1797/99

Etching of a woman in a dark cloak flying above several grimacing figures in a cloudy sky, numbered 61.

They Have Flown, plate 61 from Los Caprichos

1797/99

Etching of women tossing a man in a blanket while a heavy animal-like form lies in the cloth center.

Heavier than a Dead Donkey, plate 1 from Los Proverbios

1815-17, published 1864

Sepia etching of a crowd in shadow, with a kneeling cloaked woman at center and a reaching figure at left.

The Claws of a Cat and the Dress of a Devotee - similar to Vice is often clothed in Virtue's habit, plate nine from L…

1815/24

Etching of a shrouded phantom towering over panicked soldiers at night beside a bare tree.

Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios

1816-19, published 1864

Etching of figures in striped veils gathered on a dark diagonal tree branch against a pale background.

To Go Amongst the Branches, i.e. to talk through one's hat, plate three from Los Proverbios

1815/24

Etching of women in long dresses tossing a man into the air with a blanket, brown ink on cream paper.

Heavier than a dead donkey, plate one from Los Proverbios

1815/24

Etching of a man with a staff striding past bowing figures under a dark sky beside a crumbling wall.

It is Amazing - and We were Made by God, plate six from Los Proverbios

1815/24

Etching of a grinning giant figure dancing beside a small cloaked woman, with grotesque faces emerging from dark shadows.

Dancing Giant, from Disparates, published as plate 4 in Los Proverbios

1816-19, published 1864

Etching of a winged hybrid creature with animal heads carrying a human rider against a dark background.

Renounce the Friend Who Covers You with His Wings and Bites You with His Beak, plate five from Los Proverbios

1815/24

Etching of a woman thrown from a rearing horse beside a crouching wolf-like creature under a dark sky.

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios

1815/24

Etching of distorted figures dancing wildly in ruffled costumes against a dark background, by Goya.

Merry Folly, from Disparates, published as plate 12 in Los Proverbios

1816-19, published 1864

Etching of a bull attacked by dogs in a bullring while a mounted horseman in a plumed hat watches from the right.

Plate 25 from "La Tauromaquia": They loose dogs on the bull

1816

Etching of a bull above a crowd of spectators tumbling over a wooden barrier in a bullring, by Goya, 1816.

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Tor…

1816

Etching of two bound figures beneath a large staring owl perched above them, with a caption reading ¿No hay quien nos desate?

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)

1799

Etching of a cloaked man raising a sword over a crowd, with a limp figure carried by others in the foreground.

Disparate conocido (Well-Known Folly)

in or after 1816

Etching of a donkey-headed man in a coat reading a book of horse images at a desk, from Goya's Los Caprichos.

Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)

1799

Etching of a mounted rider in a plumed hat spearing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

1816

Etching of a half-naked man embracing a woman while pointing, surrounded by grotesque faces and a crowd in a dark setting.

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a large boulder beside a waterfall, with a wooden bridge at left and a distant town under a pale sky.

Landscape with Waterfall

before 1810

Etching of a turbaned rider on a white horse lancing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

1816

Etching of a bull goring a fallen bullfighter in an arena while another man with a cape approaches from the left.

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

1816

Etching of a hooded bogeyman looming over a mother and two frightened children seated on a bed.

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

1799

Etching of a man leaning toward a standing woman in a dark dress, with a seated woman fanning herself behind them.

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

1799

Sepia etching of two women seated in dark shawls, the older one leaning toward the younger, with the caption Bellos consejos.

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

1799

Etching of a young woman stretching cloth on a board while an elderly woman in a headscarf watches beside her.

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

1799

Etching of a seated woman having her hair brushed, while an elderly veiled woman with a rosary sits beside her foot.

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

1799

Sepia print of a woman seated on a floor near a chain, head bowed beneath a small window in a dim room.

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)

1799

Etching of a nude witch flying on a broomstick with a black cat on its back over a hilly landscape.

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

1799

Etching of sleeping figures in white bonnets in a dark room, with a seated woman beside a barred window.

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)

1799

Etching of a man in period dress embracing a limp woman before a brick wall, with a sword on the ground.

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

1799

Etching of a kneeling man at a wooden railing as two hooded figures, one holding a crucifix, look down from above.

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)

1810 (published 1863)

Etching of a nude man astride a horse as a soldier with a raised sword and fallen figures appear in a landscape behind.

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)

1810 (published 1863)

Etching of a cloaked man standing among three fallen bodies on a dark plain under a hazy sky.

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los s…

1811-12 (published 1863)

Etching of a winged creature perched over a prone figure, with bats flying in a dark sky above.

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)

1814-15 (published 1863)

Etching of huddled figures, a woman shielding a child, and kneeling men with rifles in a dark, grim scene.

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)

1810 (published 1863)

Etching of soldiers attacking a crowd, with a fallen woman at left and a woman raising her arms; caption reads Y son fieras.

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)

1810 (published 1863)

Etching of a bull charging a cape-wielding bullfighter in an arena, with a figure on the ground at right.

Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia

1816

Etching by Goya showing grotesque, laughing figures gathered around a seated woman and a dog against a dark background.

La lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee…

1816

Etching of a chaotic crowd of hooded figures pressing forward over fallen bodies, from Goya's Disasters of War.

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)

1863

Etching of a bull charging toward a man standing on a draped table in a bullring, with spectators watching nearby.

Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia

1815

Etching of a bull charging toward a matador seated backward on a chair in a bullring, with spectators at the barrier.

Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La t…

1816

Lithograph of two men dueling with swords in a wooded outdoor setting, with onlookers in the background.

Modern Duel

1825/26

Etching of a hunched prisoner bound by chains at the wrists and an ankle shackle, against a dark hatched background.

The Custody is as Barbarous as the Crime ("The Little Prisoner")

1810/20

Etching of sprawled bodies among broken timbers and wrecked furniture, with a tumbling figure above, from a bound book page.

Lichamen in een ruïne met verwoest meubilair

1810

Etching of a soldier drawing a sword beside a hanged man on a tree, with a kneeling woman at left.

Soldaat trekt zijn sabel bij een gehangene

1810

Etching of three soldiers subduing a struggling man, one pulling a rope around his neck, on open ground.

Drie soldaten pogen een man te doden door verstikking met een touw om zijn nek

1810

Etching of a row of hooded, seated men in cross-marked robes on a bench, with written papers on their backs.

Groep mannen zit gekneveld aan palen

1810

Etching of a seated bearded man in a dark robe and tall hat, with a crowd behind him, captioned in Spanish beneath.

Priester met kruis in de handen gekneveld aan een paal

1810

Etching of soldiers in tall hats mutilating a nude fallen body on the ground, with a tree behind them.

Soldaten verminken het naakte lijf van een gevallene

1810

Etching of a hanged man beside a reclining soldier on a stone block, with bare trees and rough ground behind them.

Soldaat rust uit naast een gehangene

1810

Etching of a nude mutilated figure impaled on a tree stump, with soldiers and fallen bodies in the background.

Verminkt lichaam van een gevallene aan een boom gespiest

1810