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Francisco Goya

1,220 works

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Etching of an elderly bearded man in a wide-brimmed hat and cloak standing beside a clay jug, titled Menippus.

Menippus

1778

Etching of a woman in a white nightgown leaning over a bed in a dark room, with a shadowy figure behind her.

Plate 36 from "Los Caprichos": A bad night (Mala noche)

1799

Etching of a hunched seated prisoner with clasped hands, chained at the wrists and shackled at the ankles against a dark back

Tan bárbara la seguridad como del delito / Der kleine Gefangene

1761

Etching of three men, one stout central figure in light clothing flanked by a man in a wide-brimmed hat and one with a cane,

Está um D. ... pues, como digo .. eh! cuidado! si no! .. / Sind Euer Gnaden ... nun wie ich sage ... eh! Vorsicht! So…

1761

Etching of a large owl above two bound figures tied back to back beneath a tree branch, with a Spanish caption below.

No hay que nos desate? / Gibt es denn niemanden, der uns losbindet? (Caprichos 75)

1761

Etching of two nude witches flying on broomsticks under an owl, with small figures walking on a path below.

Pretty teacher!

1799

Etching of two women in dark shawls seated on chairs at night, one older woman leaning toward a younger woman.

Pretty teaching

1799

Brown ink wash drawing of a bent man carrying a limp, emaciated body over his back.

Ein Mann trägt einen Toten

1815

Etching of a man in a plumed hat and ruff on a rearing horse, with a caption naming Felipe III, King of Spain.

Philip III

1778

Etching of a woman in ruff collar riding a pale horse side-saddle, with a hazy hilly landscape behind her.

Margaret of Austria

1778

Etching of a woman on a white horse wearing a large cloak and lace collar, with an inscription beneath the image.

Isabel de Borbon

1778

Etching of a young rider on a rearing horse in a cloudy landscape, with an inscription naming Baltasar Carlos below.

Baltasar Carlos

1778

Etching of a man in armor and a plumed hat riding a rearing horse across an open landscape.

Philip IV

1778

Etching of Gaspar de Guzman on a rearing horse, wearing a plumed hat and holding a baton, with a tree in the landscape.

Gaspar de Guzman, Conde Duque of Olivares

1778

Etching of a seated dwarf in a wide hat and fur-trimmed cloak, leaning on stacked books beside a candlestick.

A Dwarf

1778

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos

1797/99

Etching of a sleeping man at a desk surrounded by owls, bats and cats, with the caption 'El sueño de la razón produce monstru

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos

1797/99

Etching of a woman in a dark cloak flying above several grimacing figures in a cloudy sky, numbered 61.

They Have Flown, plate 61 from Los Caprichos

1797/99

Etching of two bound figures beneath a large staring owl perched above them, with a caption reading ¿No hay quien nos desate?

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)

1799

Etching of a donkey-headed man in a coat reading a book of horse images at a desk, from Goya's Los Caprichos.

Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)

1799

Etching of a hooded bogeyman looming over a mother and two frightened children seated on a bed.

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

1799

Etching of a man leaning toward a standing woman in a dark dress, with a seated woman fanning herself behind them.

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

1799

Sepia etching of two women seated in dark shawls, the older one leaning toward the younger, with the caption Bellos consejos.

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

1799

Etching of a young woman stretching cloth on a board while an elderly woman in a headscarf watches beside her.

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

1799

Etching of a seated woman having her hair brushed, while an elderly veiled woman with a rosary sits beside her foot.

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

1799

Sepia print of a woman seated on a floor near a chain, head bowed beneath a small window in a dim room.

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)

1799

Etching of a nude witch flying on a broomstick with a black cat on its back over a hilly landscape.

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

1799

Etching of sleeping figures in white bonnets in a dark room, with a seated woman beside a barred window.

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)

1799

Etching of a man in period dress embracing a limp woman before a brick wall, with a sword on the ground.

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

1799

Etching of a hunched prisoner bound by chains at the wrists and an ankle shackle, against a dark hatched background.

The Custody is as Barbarous as the Crime ("The Little Prisoner")

1810/20

Etching of gaunt figures straining to lift a heavy slab while others crouch beside it, against a pale sky.

Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)

1799

Etching of an aged woman in a ruffled bonnet before a mirror, watched by two men and a young woman in an interior.

Plate 55 from "Los Caprichos": Until death (Hasta la muerte)

1799