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Francisco Goya

1,220 works

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Etching of a plumed rider controlling a horse in a dark arena, with a shaft of light falling across the upper right.

Keizer Karel V in gevecht met een stier

1876

Etching of a mounted rider in a plumed hat lancing a charging bull in an arena, rendered in brown tones.

Rodrigo Díaz de Vivar verwondt een stier

1876

Etching of a dark bull surrounded by men with lances in a bullring, with a fallen man on the ground in the foreground.

Stierenvechters rondom een stier

1876

Etching of a horseman in a plumed hat riding in an arena while spectators watch from behind a stone wall.

Stierenvechter in een arena

1876

Etching of a man wrestling a bull in a bullring, with arena wall and doorway behind, numbered 15 in the corner.

Martincho in gevecht met een stier

1876

Brown etching of a man gripping a charging bull by its horn in an arena, with a figure in a cloak watching at right.

Martincho grijpt een stier bij zijn hoorn

1876

Sepia etching of a bull attacking horses and donkeys in an arena while lancers and a thrown rider surround it.

Moren en ezels in gevecht met een stier

1876

Etching of a bull charging toward a bullfighter standing on a draped table in an arena, with spectators watching.

Stierenvechter staand op een tafel in de arena

1815

Etching of a bull charging at a bullfighter seated on a chair in an arena, with spectators watching from behind a barrier.

Uitdaging van Martincho in de arena van Zaragoza

1876

Etching of a bullfighter hanging from a pole above a charging bull in an arena, with spectators in the stands.

Juanito Apiñani in de arena van Madrid

1876

Etching by Francisco de Goya of a bull standing over fallen figures behind a wooden barrier in a bullring.

Dood van de burgemeester van Torrejon

1876

Etching of a grinning man with outstretched arms beside a cowering cloaked figure, with floating faces in the shadows behind.

De dwaas

1815

Etching of a cloaked rider on a pale creature with huge wings and animal heads flying through a dark background.

Vliegende dwaasheid

1815

Etching of a half-nude man embracing a woman while a grotesque crowd with distorted faces looks on against a dark background.

Ongeordende dwaasheid

1815

Etching of cloaked men with ruffled collars grouped in shadow, one bent low in the foreground against a dark background.

Mannen in zakken

1815

Dark etching of a chaotic crowd of figures, one raising an arm, others holding small animals, against a shadowy background.

Algemene dwaasheid

1815

Etching of a wild man with a long pole attacking a crouching figure beside bent onlookers, before a crumbling wall and dark s

Woedende dwaasheid

1815

Etching of a rearing horse throwing its rider backward against a dark sky above a rocky landscape.

Het ontvoerende paard

1815

Etching of a woman recoiling from hooded old figures and a ghostly apparition emerging from mist at left.

Arme dwaasheid

1815

Etching of grotesque carnival figures, including a man in a pointed hat and a figure on stilts, in a crowded street scene.

Dwaasheid van het carnaval

1815

Etching of a man gripping a large batlike wing contraption, with other flying figures and a parachute against a dark sky.

Een manier van vliegen

1815

Etching of figures in ruffled costumes dancing energetically on a shallow stage against a dark background.

Vrolijke dwaasheid

1815

Etching of cloaked figures gathered under a dark sky, one kneeling with hands over his face and a winged shape above.

Drievoudige dwaasheid

1815

Etching of a crowd beneath a large draped cloth, figures raising their arms and gathering in dark hatched shadow.

Heldere dwaasheid

1815

Etching of grotesque figures grappling around a seated cloaked figure and a small dog, against a dark background.

De loyaliteit

1815

Etching of a man swinging a long pole at a crouching figure while hunched people watch against a dark, hatched sky.

Disparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by G…

1816

Etching of a woman balancing on a white horse walking a tightrope before a dark crowd, from Goya's Los disparates.

Disparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)

1816

Etching of a rider in a patterned costume on a bull, with a short spear in its back, charging left in an arena.

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another…

1816

Etching of a man in bat-like wings flying through a dark sky, with other winged figures and a parachute nearby.

Donde hay ganas hay mana (Modo de Volar)

1815

Sepia etching of two grotesque figures, one cutting the other's hair with scissors, a winged shape and third face behind them

Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)

1799

Etching of two hunched old women with a bat overhead and a basket of infants in the foreground, from Goya's Los Caprichos.

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)

1799

Sepia etching of an elderly man grinning beside a chair burning with flames and smoke in a dim room.

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)

1799

Etching of a donkey seated beside a monkey painting at an easel in a dim studio, with a small face visible on the canvas.

Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)

1799

Etching of winged women and birds above a branch, with an old woman and two younger women and a dog below.

Plate 19 from "Los Caprichos": All will fall (Todos Caerán)

1799

Etching of two bound men beside a donkey-headed figure with a spoon and a basket, sepia tones, plate 50.

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)

1799

Etching of a hunched old man clutching money bags while three grinning figures, one in a top hat, watch him.

Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)

1799

Goya etching of an elderly woman reading a book while grotesque figures lurk behind and beside her, numbered plate 29.

Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)

1799

Sepia etching of a woman cutting a seated man's hair while another woman with a plate looks on in a dim room.

Plate 35 from "Los Caprichos": She fleeces him (Le descañona)

1799

Etching of an old woman leaning on a cane while a hooded companion whispers, with a dark tree behind them.

Plate 28 from "Los Caprichos": Hush (Chiton)

1799

Etching of a monkey playing guitar in front of a seated donkey, with a man peering over the donkey's back.

Plate 38 from "Los Caprichos": Bravo! (Brabisimo!)

1799

Etching of a woman in a nightgown struggling with billowing bedclothes beside a windswept tree at night.

Plate 36 from "Los Caprichos": A bad night (Mala noche)

1881-86

Goya etching of witches with brooms and plucked birds on the ground, a flying bird above, and a figure peering from a doorway

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)

1799

Etching of a figure in a shawl balancing two chairs on her head, with a seated woman and two laughing onlookers nearby.

Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)

1799

Etching of a nude figure held by a grotesque man beneath a monstrous shadowy creature, with a figure reaching up below.

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)

1799

Etching of two hooded witches above a winged creature with an open book, and a seated nude man in the foreground.

Plate 70 from "Los Caprichos": Devout Profession (Devota profesion)

1799

Goya etching of a woman in a white dress flying with arms raised, held by winged grotesque figures and a bird-like creature.

Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)

1799

Etching of a seated man and older woman with a standing young woman in a white dress, from Goya's Los Caprichos.

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)

1799

Etching of a woman in a lace dress screaming while an old hooded woman and a man look on, caption below reads No grites, tont

Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)

1799

Etching of a nude woman carried aloft by grotesque figures, with a cat holding an umbrella, by Goya, 1799.

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)

1799

Etching of a nude old witch flying on a broomstick with an owl above, signed Goya, plate 68 from Los Caprichos.

Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)

1799

Etching of a cloaked man and two bowed women beside a dark wall, with the caption Probrecitas below.

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)

1799, posthumous impression

Etching of intertwined struggling figures and fallen bodies against dark hatched background, from Goya's Disasters of War.

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)

1810 (published 1863)

Etching of armed men struggling over a prone figure, with a child on the ground and a small building behind.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

ca. 1810 (published 1863)

Etching of a kneeling man with outstretched arms under a dark, hatched sky, captioned Tristes presentimientos de lo que ha de

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes…

ca. 1815 (published 1863)

Etching of a couple embracing as an older woman lunges at them with a raised arm, from Goya's Disasters of War.

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)

1810 (published 1863)

Etching of women with a sword tending a wounded man on the ground, with the Spanish caption Las mugeres dan valor below.

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

1810 (published 1863)

Etching of a woman in white standing by a cannon above fallen soldiers on a battlefield.

Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)

1810 (published 1863)

Etching of struggling figures on a dark hillside beneath a stormy sky, with a fallen body in the foreground.

Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)

1810 (published 1863)

Etching of a fallen horse and a rider on a battlefield, with figures and a horse in the background, captioned 'Siempre sucede

Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)

1810 (published 1863)

Etching of armed figures and fallen bodies in a street by a ruined wall, with the caption Ya no hay tiempo below.

Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)

ca. 1810 (published 1863)

Etching of three figures in shadow, one hooded figure leaning toward a bowl, with caption El Vergonzoso below.

Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)

1799

Etching of an owl on a pedestal above a group of cloaked old men with grotesque faces gazing upward.

Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)

1799

Etching of a kneeling woman gazing up at a tall robed figure with raised arms, surrounded by floating grotesque figures and o

Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)

1799

Etching of hybrid human-animal creatures with bird and donkey heads in a grotesque scene, with a crowd behind them.

Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)

1799

Etching of figures in an interior, a woman reading an open book beside a seated woman, a man in a feathered hat with a monocl

Plate 57 from "Los Caprichos": The filiation (La filiacion)

1799

Etching of a kneeling man with clasped hands, surrounded by laughing grotesque faces and a hooded shadowy figure.

Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)

1799

Etching of two nude figures, a horned goat, two cats, a skull and a jug, from Goya's Los Caprichos plate 60.

Pllate 60 from "Los Caprichos": Trials (Ensayos)

1799

Etching of a gaunt old woman holding a nude figure aloft while shadowy faces and an old man watch from below.

Plate 69 from "Los Caprichos": Blow (Sopla)

1799

Etching of nude grotesque figures under a starry night sky, one man pointing upward, with the caption Si amanece; nos vamos.

Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)

1799

Etching of three men drinking wine around a barrel, with caricatured faces and a shadowy figure behind them.

Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)

1799

Etching of screaming, cloaked figures, one with arms raised, crowding around a bent man in a dark setting.

Plate 80 from "Los Caprichos": It is time (Ya es hora)

1799

Etching of gaunt, aged figures tangled together, one carrying a bundled body, with walking sticks and a scroll, in brown tone

Plate 77 from "Los Caprichos": What one does to another (Unos á otros)

1799

Etching of three men, one in a sash holding a cane, with a hat-wearing figure and another behind, numbered plate 76.

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Com…

1799

Etching of two withered witch-like figures with a bowl of ointment and a leaping goat-like creature above them.

Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)

1799

Etching of three hunched old women in a dim room, one holding a broom beside a wooden table, with the caption Despacha, que d

Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)

1881-86

Etching of stacked corpses on a mound with two standing men above them, under an open, bleak sky.

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

1810 (published 1863)

Etching of a plumed horseman with raised sword among fallen figures and attackers in a smoky battle scene.

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)

ca. 1810 (published 1863)

Etching of tangled, struggling and fallen figures on a dark hatched ground, Goya's Disasters of War plate 10.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)

1810 (published 1863)

Etching of a bound man at a tree as soldiers aim muskets at him, with bodies on the ground in the foreground.

Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)

1810 (published 1863)

Etching of soldiers attacking a screaming captive with sabers, numbered 32 and captioned Por qué, by Goya.

Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)

1810 (published 1863)

Etching of a dog snarling over a prone, fallen figure in pale clothing, with dense horizontal hatching in the background.

Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)

ca. 1810 (published 1863)

Etching of soldiers in fur hats dragging a nude body across the ground, with a tree and hills behind them.

Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)

1810 (published 1863)

Etching of a seated man in a tall hat and dark cloak holding a knife, with a crowd behind him in a flat landscape.

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)

1810 (published 1863)

Etching of seated hooded figures with crosses on their hats lined up on a wooden bench, some holding papers.

Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)

ca. 1810 (published 1863)

Etching of a hanged man on a tree beside a slumped seated figure on a stone block, under a grey sky.

Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)

1810 (published 1863)

Etching of corpses hanging and sprawled in a landscape, with a grotesque head at right; Goya's Disasters of War plate 39.

Plate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! C…

1810 (published 1863)

Etching of a man and woman beating a prone body while a crowd watches, with a small building behind them.

Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)

ca. 1810 (published 1863)

Etching of armed men in a violent scene, one standing over a fallen body with a sword, another raising a stick.

Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)

ca. 1810 (published 1863)

Etching of figures in distress on stone steps before a dark building, titled Appeals are in vain, from Goya's Disasters of Wa

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)

1811-12 (published 1863)

Etching of a standing man beside fallen bodies, including a woman and child in a puddle, with the caption Cruel lástima.

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)

1811-12 (published 1863)

Etching of a group of figures by a ruined wall, including a standing woman in a feathered hat and children on the ground.

Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otr…

1811-12 (published 1863)

Etching of a woman in a headscarf holding a cup above two prone figures on dark ground, under a stippled sky.

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)

1811-12 (published 1863)

Etching of a pile of dead bodies on bare ground with a leaning wooden plank at right, under a dark hatched sky.

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)

1811-12 (published 1863)

Etching of a cart with a spoked wheel, a figure lifting a limp body down to kneeling figures beside an archway.

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cemente…

1811-12 (published 1863)

Etching of a gaunt seated man and hooded women beneath an arch, with dense hatched shading on the wall.

Plate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)

1811-12 (published 1863)

Etching of two men carrying a limp body past a stone wall, with mourners kneeling on the ground behind them.

Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)

1811-12 (published 1863)