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Francisco Goya

1,220 works

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Etching of grotesque figures gathered around a seated woman and a dog in a dark setting, from Goya's Disparates series.

'Loyalty' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Etching of a woman in a ruff collar riding a decorated horse across a landscape, after Velázquez.

Margaret of Austria on horseback, after Velázquez

1778

Etching of a guitar-playing street musician among a crowd, with oxen, a child, and a distant tower under a cloudy sky.

Blind Guitarist

ca. 1778

Etching of several bulls in chaotic motion, one flipped upside down in the foreground, against a dark background.

'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)

ca. 1815-19 (published before 1877)

Etching of a caped man raising a sword while a figure is tossed in a blanket by a crowd of onlookers.

'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)

ca. 1815-19 (published before 1877)

Etching of a large elephant in spotlight at right, with three robed figures holding a scroll at left against a dark rocky wal

'Animal Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published before 1877)

Etching of a hunched man in a cloak and hat standing beside a horned bull on a shaded ground.

The cloaked man

1859

Etching of a standing woman in a dark shawl and pale lace-trimmed skirt against a hatched dark background.

A Maja standing against a dark background with figures

1859

Etching of a feast with a crowned Bacchus-like figure and drunken revelers around wine vessels, with an inscription below.

A False Bacchus Crowning Drunkards

1778

Etching of a standing woman with hands on hips, wearing a dark lace mantilla and a pale skirt with lace trim.

A Maja standing with hands on her hips

19th century ?

Etching of a seated blind singer in a wide-brimmed hat playing guitar, head tilted back, against a dark hatched background.

Blind Singer

Ca. 1824-28 (published second half of the 19th century)

Etching of a laughing old man in a swing, legs stretched out, gripping two ropes against a dark background.

Old man on a swing

1825/27

Etching of a man carrying a limp body while another corpse lies on the ground and a bound figure stands behind a tree.

Suuri sankariteko! Kuolleilla! (Grande hazaña! Con muertos!)

Etching of a man clutching his head beside a reclining woman in a pale dress, with a handwritten caption reading Tantalo.

Plate 9: Tantalus (Tantalo), from "Los Caprichos"

ca. 1798-99

Etching of an elderly man in a robe recoiling at a table with two shadowy figures behind him, from Goya's Los Caprichos.

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

ca. 1798

Etching of two women in dark mantillas seated on wooden chairs against a shaded background, with a handwritten caption below.

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

1799

Etching of a woman embracing a kneeling man beside a broken pot, with laundry hanging behind them and a wicker basket at left

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

ca. 1797-98

Etching of a mounted soldier with raised saber amid smoke, with fallen and kneeling figures on the ground below.

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

ca. 1810

Etching of a woman in a dark gown and ruff riding a grey horse across a landscape, with an inscription beneath.

Isabel de Bourbon on horseback, after Velázquez

1778

Etching of Philip IV on a rearing horse in a hilly landscape, after Velázquez, by Goya, 1778.

Philip IV on horseback, after Velázquez

1778

Etching of a seated court dwarf in a lace-collared cloak, after Velázquez, with an inscription beneath, 1778.

Portrait of the court dwarf known as el Primo, after Velázquez

1778

Etching of a nobleman on a rearing horse holding a baton, with a tree and hills in the background, after Velázquez.

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

1778

Etching of an elderly man in a cloak holding a book, labeled Aesopus, after Velázquez, by Goya, 1778.

Aesop, after Velázquez

1778

Etching of an elderly bearded man in a wide hat and cloak beside a jug on a ledge, after Velázquez, by Goya, 1778.

Menippus, after Velázquez

1778

Etching of a seated man in a fur-trimmed cloak and wide hat, resting on a large open book beside a candle.

Portrait of the court dwarf El Primo, after Velázquez

1778

Dark etching of hooded mourners beside a shrouded body on the ground in a shadowy landscape.

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Etching of nude women and armed men on a dark rocky hill, with a child held aloft and a body lying in the distance.

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)

1810

Etching of soldiers pointing at a kneeling woman and child, with a fleeing crowd and a hill with ruins behind.

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

1810

Etching of several bodies lying sprawled on rocky ground beneath a dark, heavily hatched sky, from Goya's Disasters of War.

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

ca. 1810

Etching of wounded figures lying in a crowded ward while caregivers tend them, with dense dark hatching behind.

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)

1810

Etching of tumbling and prostrate figures among broken wooden debris and an overturned chair in a dark interior.

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

1810

Etching of people fleeing through flames and smoke, a man carrying a woman across a street, from Goya's Disasters of War.

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre la…

1810

Etching of figures tending wounded men beside a stream with a broken tree, from Goya's Disasters of War series.

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á…

1810

Etching of figures in a dark landscape: a man carries a limp body while a woman covers her face beside fallen bodies.

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)

ca. 1810

Etching of several dead men sprawled on barren ground with a broken sword and ruined building behind them.

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)

1810

Etching of men among fallen figures and scattered rifles on rocky ground, with a distant tower behind, by Goya.

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)

1810

Etching of a pile of naked corpses on a hill, with two clothed men standing above them under an open sky.

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

1810

Etching of a standing man over sprawled bodies on a battlefield, with a dark smoke cloud rising behind them.

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis…

1810

Etching of men restraining a woman on a floor in a vaulted room, with a figure standing beside a column at left.

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

1810

Etching of men struggling up a ladder beside a wooden frame, with a robed figure pointing and onlookers in the distance.

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)

ca. 1810

Etching of a bound, blindfolded man at a post above a fallen body, with figures in the dark background.

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

1810

Etching of a violent struggle among figures, with several bodies lying motionless on the ground under a dark, hatched sky.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)

1810

Etching of soldiers attacking civilians, with a fallen figure and a crouching child in the foreground.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)

ca. 1810

Etching of women in long dresses tossing a man in the air from a blanket, with an animal lying on the cloth.

'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (printed ca.1848-54)

Etching of a man riding a large winged creature through a dark sky, wings spread wide, rider with arm raised.

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Drawing of a man with curly hair and a lace cravat, shaded in graphite on cream paper, with a stern direct gaze.

Self-Portrait

ca. 1796

Grey wash drawing of a woman on a swing held by ropes, with a man in a long coat raising his arms beside her.

Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"

1795-97

Grey wash drawing of a weeping young woman in a full skirt, embraced by two men beside a doorway.

Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B"

1795-97

Grey wash drawing of a woman in a mantilla seated on a chair, with a companion partly seen behind her.

Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B"

1795-97

Etching of a rearing horse throwing a man backward, with a crouching animal on rocky ground at left.

The Horse Abductor (El caballo raptor), from the series Los Disparates

1816

Grey wash drawing of a seated man in a jacket beside a woman draped in a dark shawl, resting on a rock.

Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B"

1796-97

Grey wash drawing of a woman dancing with raised arms beside a bull behind a stone wall.

A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"

1796-97

Grey wash drawing of a wigged charlatan extracting a tooth from a seated patient, with a bent figure and bottles nearby.

A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the M…

1796-98

Grey wash drawing of two men drinking together, a white-robed woman raising an arm, and a hooded figure watching at left.

They are getting drunk; folio 67 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of a veiled woman, a bent man, and seated figures at a table in a doorway interior, captioned below.

Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madr…

1796-98 (possibly later)

Grey wash drawing of a young man in a sword bowing before an older man in a cloak, with onlookers behind them.

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from…

1796-98 (possibly later)

Grey wash drawing of a man with a raised sword confronting a seated woman as another man stands behind her.

Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of two veiled women helping a cloaked figure climb through a window, with a handwritten Spanish caption bel

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"

1796-98

Grey wash drawing of a woman in a white dress pulling at her hair, with a shadowed man behind her and Spanish inscriptions.

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"

1796-98

Grey wash drawing of a man in period dress whipping donkey-headed figures in coats, with handwritten Spanish captions above a

Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of a woman in a headscarf restraining a man who leans back drinking from a cup, within a ruled black border

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)

ca. 1816-20

Brown wash drawing of a dense crowd of people in hats and cloaks in a park, with strollers and trees behind.

Crowd in a Park; page 31 from the "Images of Spain" album (F)

ca. 1812-20

Brown wash drawing of three hooded monks in a dim room, one seated old man in front, with a barred window behind.

Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)

ca. 1812-20

Brown wash drawing of a rider in a wide-brimmed hat seated on a mule against a dark, loosely brushed background.

A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)

ca. 1812-20