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Francisco Goya

1,220 works

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Sepia etching of a matador with a cape and sword facing a standing bull in a bullring, with spectators above.

Pedro Romero Killing the Halted Bull (Pedro Romero matando á toro parado), from the series Tauromaquia

1814

Brown etching of a gaunt cloaked man and ragged group beside a well-dressed couple pointing at them, with a child on the grou

Perhaps They Are of Another Breed (Si son de otro linage)

1810

Etching of women tossing a man in a blanket above a bull, with hatched lines on a pale ground.

Feminine Folly (Disparate femenino), from the series Los Disparates

1816

Etching of women in pale robes perched on a diagonal tree branch against a dark stippled background.

Disparate ridiculo (Ridiculous Folly), also known as Andarse por las ramas (To Go Amongst the Branches), from the ser…

1816

Etching of a screaming nude man on a dead horse, with soldiers and fallen figures in a landscape behind him.

Esto es peor (Desastres de la Guerra 37)

1761

Etching of armed soldiers thrusting bayonets at a man and woman amid fallen figures on the ground.

Con razón o sin ella (Desastres de la Guerra 2)

1761

Etching of a nude figure bent over a log beside a hanging body and a grotesque face among trees.

Grande Hazana! Con Muertos! (Desastres de la Guerra 39)

1761

Etching of a woman with a ramrod beside a cannon, with fallen soldiers lying on the ground in the foreground.

Que valor! (Desastres de la Guerra 7)

1761

Etching of a crowned figure lying in radiant light as two hooded mourners lean over her beside a wooden bier.

Will She Rise Again? (Si resucitará?) from the series Los desastres de la guerra

Dark etching of a seated man surrounded by cats and chaotic cloaked figures emerging from shadow.

General Folly (Disparate general), from the series Los Disparates

1816

Etching of masked, grotesque carnival dancers with a hooded figure standing on a raised platform at upper right.

Carnival Folly (Disparate de carnaval), from the series Los Disparates

1816

Etching of a fallen figure surrounded by robed mourners gesturing in a dark, shadowy landscape.

Funeral Folly (Disparate fúnebre), from the series Los Disparates

1816

Etching of figures tossed into the air by a large billowing cloth while a crowd below looks up and points.

Clear Folly (Disparate claro), from the series Los Disparates

1816

Etching of many bodies piled on the ground beside a diagonal wooden cross under a dark, hatched sky.

Harvest of the Dead (Muertos recogidos)

1892

Etching of soldiers restraining a screaming man outdoors, one raising a sabre, with shrubs in the background.

Miksi? (Por qué?)

Etching of distorted, dancing figures in period dress, with women in full skirts and a feathered hat, mid-motion.

Merry Folly (Disparate alegre), from the series Los Disparates

1816

Etching of a winged, bat-eared figure seated at a large open book, pointing with a quill, with small figures crouched at righ

Against the Common Good (Contra el bien general), from the series Los desastres de la guerra

1814

Brown etching of a bull goring a fallen bullfighter while another figure waves a cape in a bullring.

The Unlucky Death of Pepe Illo in the Ring at Madrid (La desgraciada muerte de Pepe Illo en la plaza de Madrid) from…

1815

Etching of a hunched grotesque man with floating heads and a cloaked figure at left, by Francisco de Goya, 1816.

Simpleton (Bobalicón), from the series Los Disparates

1816

Etching of a woman standing by a cannon above fallen soldiers on a battlefield, by Francisco de Goya, 1810.

What Courage! (Que valor!) from the series Los desastres de la guerra

1810

Sepia etching of distorted figures in a dark landscape, a frightened woman in a shawl at center, a man pointing on the right.

The Exhortations (Las exhortaciones), from the series Los Disparates

1816

Etching of a man strapped to large bat-like wings flying in a dark sky, with other figures gliding nearby on similar devices.

A Way of Flying (Modo de Volar) from the series Los Disparates

1815

Etching of a black bull attacked by armed men with lances on a bare plain, with a fallen man on the ground.

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lanc…

1816

Etching of exaggerated dancing figures, women in full skirts and men in ruffled costumes, in a dark stage-like setting.

Si Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los…

1816

Etching of soldiers with bayonets confronting armed civilians, with fallen bodies on the ground beside them.

Rightly or Wrongly (Con razon ó sin ella), from the series Los desastres de la guerra

1814

Title page of Los Proverbios by Francisco de Goya, with a crowned academy crest, the word Madrid, and a purple library stamp.

Los Proverbios (Disparates), title page for the series, 18 etchings

Etching of grotesque figures in a crowd with a dog and basket against a dark background, by Goya.

Loyalty (La lealtad), from the series Los Disparates

1816

Etching of a dark-gowned woman with outstretched arms beside hooded elderly women at a doorway, with a floating figure.

Poor Folly (Disparate pobre), from the series Los Disparates

1816

Etching of hooded figures in sack-like garments standing and bending in a dark, nocturnal landscape.

People in Sacks (Los ensacados), from the series Los Disparates

1816

Etching of armed men dragging a limp nude body across the ground, with a caption reading Qué hai que hacer mas? below.

Voiko tehdä pahempaa? (Qué hai que hacer mas?)

1892

Sepia etching of men carrying a limp body at night while a small weeping child stands apart on the right.

Äiti parka! (Madre infeliz!)

Etching of hooded and shawled figures gathered on a large tree branch, some with bird-like heads, dark cross-hatched shading.

Ridiculous Folly (Disparate ridiculo), from the series Los Disparates

1816