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Francisco Goya

1,220 works

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Etching of a turbaned rider on a white horse lancing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

1816

Etching of a bull goring a fallen bullfighter in an arena while another man with a cape approaches from the left.

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

1816

Etching of a hooded bogeyman looming over a mother and two frightened children seated on a bed.

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

1799

Etching of a man leaning toward a standing woman in a dark dress, with a seated woman fanning herself behind them.

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

1799

Sepia etching of two women seated in dark shawls, the older one leaning toward the younger, with the caption Bellos consejos.

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

1799

Etching of a young woman stretching cloth on a board while an elderly woman in a headscarf watches beside her.

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

1799

Etching of a seated woman having her hair brushed, while an elderly veiled woman with a rosary sits beside her foot.

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

1799

Sepia print of a woman seated on a floor near a chain, head bowed beneath a small window in a dim room.

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)

1799

Etching of a nude witch flying on a broomstick with a black cat on its back over a hilly landscape.

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

1799

Etching of sleeping figures in white bonnets in a dark room, with a seated woman beside a barred window.

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)

1799

Etching of a man in period dress embracing a limp woman before a brick wall, with a sword on the ground.

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

1799

Etching of a kneeling man at a wooden railing as two hooded figures, one holding a crucifix, look down from above.

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)

1810 (published 1863)

Etching of a nude man astride a horse as a soldier with a raised sword and fallen figures appear in a landscape behind.

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)

1810 (published 1863)

Etching of a cloaked man standing among three fallen bodies on a dark plain under a hazy sky.

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los s…

1811-12 (published 1863)

Etching of a winged creature perched over a prone figure, with bats flying in a dark sky above.

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)

1814-15 (published 1863)

Etching of huddled figures, a woman shielding a child, and kneeling men with rifles in a dark, grim scene.

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)

1810 (published 1863)

Etching of soldiers attacking a crowd, with a fallen woman at left and a woman raising her arms; caption reads Y son fieras.

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)

1810 (published 1863)

Etching of a bull charging a cape-wielding bullfighter in an arena, with a figure on the ground at right.

Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia

1816

Etching by Goya showing grotesque, laughing figures gathered around a seated woman and a dog against a dark background.

La lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee…

1816

Etching of a chaotic crowd of hooded figures pressing forward over fallen bodies, from Goya's Disasters of War.

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)

1863

Etching of a bull charging toward a man standing on a draped table in a bullring, with spectators watching nearby.

Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia

1815

Etching of a bull charging toward a matador seated backward on a chair in a bullring, with spectators at the barrier.

Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La t…

1816

Lithograph of two men dueling with swords in a wooded outdoor setting, with onlookers in the background.

Modern Duel

1825/26

Etching of a hunched prisoner bound by chains at the wrists and an ankle shackle, against a dark hatched background.

The Custody is as Barbarous as the Crime ("The Little Prisoner")

1810/20

Etching of sprawled bodies among broken timbers and wrecked furniture, with a tumbling figure above, from a bound book page.

Lichamen in een ruïne met verwoest meubilair

1810

Etching of a soldier drawing a sword beside a hanged man on a tree, with a kneeling woman at left.

Soldaat trekt zijn sabel bij een gehangene

1810

Etching of three soldiers subduing a struggling man, one pulling a rope around his neck, on open ground.

Drie soldaten pogen een man te doden door verstikking met een touw om zijn nek

1810

Etching of a row of hooded, seated men in cross-marked robes on a bench, with written papers on their backs.

Groep mannen zit gekneveld aan palen

1810

Etching of a seated bearded man in a dark robe and tall hat, with a crowd behind him, captioned in Spanish beneath.

Priester met kruis in de handen gekneveld aan een paal

1810

Etching of soldiers in tall hats mutilating a nude fallen body on the ground, with a tree behind them.

Soldaten verminken het naakte lijf van een gevallene

1810

Etching of a hanged man beside a reclining soldier on a stone block, with bare trees and rough ground behind them.

Soldaat rust uit naast een gehangene

1810

Etching of a nude mutilated figure impaled on a tree stump, with soldiers and fallen bodies in the background.

Verminkt lichaam van een gevallene aan een boom gespiest

1810

Etching of two men aiming rifles at a bound figure tied to a tree, with crouching figures in the foreground.

Twee mannen richten hun geweren op de rug van een aan een boom geknevelde persoon

1810

Etching of two mutilated bodies bound to a tree with a grotesque figure standing at right, by Francisco de Goya, 1810.

Verminkte lichamen van gevallenen aan een boom gebonden

1810

Etching of a figure lying on the ground while a large snarling dog looms over them, with hatched shadows.

Figuur op de grond omhelst een grote hond

1810

Etching of figures fleeing through flames and smoke, a man carrying a woman while others run from the fire.

Groep figuren bij een uitslaande brand

1810

Etching of hooded clerics with caricatured faces crowded together, with reclining figures in the background and a caption ben

Groep geestelijken

1810

Etching of robed monks and figures on a slope, one raising an arm, with a crowd and shrubs on a hill to the right.

Groep monniken

1810

Etching of a panicked crowd in a landscape, a man pointing and a woman shielding a child, with a hill and fortress behind.

Groep figuren in paniek

1810

Etching of two men in white robes and turbans using a cape to lure a charging bull in a bullring.

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous

1816

Etching of a plumed rider on a horse lancing a charging bull in an arena, with shaded sky behind.

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid

1816

Etching of a black bull surrounded by armed men with lances, with a fallen man on the ground in the foreground.

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

1816

Etching of a bullfighter in white gripping a charging bull by the horns in an arena, from Goya's La Tauromaquia.

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his…

1816

Etching of a man vaulting over a charging bull in a bullring with a pole, spectators watching from the stands.

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid

1816

Etching of a mounted bullfighter striking a bull in an arena while spectators watch from the stands behind a barrier.

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse

1816

Etching of a picador on horseback with a pike facing a bull in an arena, with other riders and figures in the background.

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike

1816

Blue paper cover with a central cartouche labeled Goya and Corridas de Toros, and a torn dark spine on the left.

Corridas de Toros

1814/16

Title page with ornate lettering reading Los Proverbios, a royal crest, and the text Madrid 1864.

Title Page from Los Proverbios

1864

Etching of a windswept tree beside a large rock, with a grazing horse and a distant building in a hazy landscape.

The Big Rock

before 1810

Etching of a nude man with a grotesque face pointing while embracing a woman, surrounded by caricatured onlookers in a dark s

She Who is Ill Wed Never Misses a Chance to Say So, plate seven from Los Proverbios

1815/24

Etching of gaunt figures straining to lift a heavy slab while others crouch beside it, against a pale sky.

Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)

1799

Etching of an aged woman in a ruffled bonnet before a mirror, watched by two men and a young woman in an interior.

Plate 55 from "Los Caprichos": Until death (Hasta la muerte)

1799

Etching of a woman in a dark gown flying with outstretched arms above grimacing figures tumbling below.

Plate 61 from "Los Caprichos": They have flown (Volaverunt)

1799

Etching of two men straining under a donkey standing on a man's back, with a second donkey behind them.

Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)

1799

Etching of an old man leaning toward a downcast young woman while onlookers watch behind them.

Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)

1799

Etching of a fashionably dressed woman in a black mantilla beside a man with a fan, as an old woman whispers at left.

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

1799

Etching of men attacking and killing others, one raising an axe above a tangle of fallen figures under an open sky.

Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)

1810 (published 1863)

Etching of a standing figure by a post above a fallen body, with figures in a dark background, from Goya's Disasters of War.

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)

1810 (published 1863)

Etching of a bull attacking a fallen picador and horse in a bullring while a bullfighter waves a cape.

Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull

1816

Etching of a man struggling against soldiers with bayonets, with bodies lying on the ground beside him.

Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)

1810 (published 1863)

Sepia etching of three grotesque hobgoblins drinking in a barred interior, one laughing and gesturing with a cup.

Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos)

1799

Sketch of a bull surrounded by attacking dogs, one dog tossed in the air, with faint figures in the background.

Bull Attacked by Dogs

1824-25

Etching of a bearded man bent over in a dark stone archway, lit strongly against hatched shadows.

If he is guilty, let him die quickly (Si es deliquente qe, muera presto)

ca. 1815 (printed around 1859)

Brown wash drawing of hooded monks singing beside a cross, with a procession of robed figures and a church behind them.

Prozession der Mönche (Procesión de monjes)

Drawing of a picador on horseback facing a dark bull in an arena, with spectators on a rocky bank and a fallen man at left.

Der Picador und der Stier

Self-Portrait

1799

Etching of a young woman in white between elderly figures and a crowd, with a Spanish caption below.

Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen…

1799

Etching of two masked figures in carnival costume, a woman and a man, with onlookers behind them.

Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)

1799

Brown etching of a seated boy with hand to chin beside a cooking pot, with a nanny figure behind him in a dark room.

Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona)

1799

Etching of an old woman on a swing, with a cat perched on a branch above her and foliage behind.

Old woman on a swing

n.d.

Plate 1 from "Los Caprichos": Self-portrait

1799

Isabel of Bourbon, Queen of Spain on horseback, after Veláquez

1778

Etching of a young woman with a fan beside an older woman with a cane and shawl, with a Spanish caption below.

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

1799

Etching of a kneeling man embracing a woman beside a broken pitcher, with laundry hanging behind them and a basin on the floo

Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)

1799

Sepia etching of a woman in a striped conical hat riding a donkey amid a crowd of grotesque onlookers.

Plate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)

1799

Etching of a man in a cloak and two women, one bowed with head down, beside a dark wall; Goya's Caprichos plate 22.

Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)

1799

Etching of a woman in a black mantilla and a leaning man gazing at her, with a small dog at their feet.

Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)

1799

Sepia etching of a seated woman in a tall pointed cap before a crowd of dozing faces, with a man reading at a pulpit.

Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)

1799

Etching of two seated men in dark coats plucking a bird, with a shaded background and a stone ledge below.

Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)

1799

Etching of three men on rocky ground under a dark sky, one tying a bundle while another holds a knife.

Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)

1799

Etching of an old man gesturing at a table with a plate of food, two figures behind him in shadow.

Plate 13 from "Los Caprichos": They are hot (Estan calientes)

1799

Etching of a man pressing his hand to his face beside a limp reclining woman in a pale dress, titled Tantalo.

Plate 9 from "Los Caprichos": Tantalus (Tantalo)

1799

Sepia etching of a woman pulling a man's collar on stone steps at night, with caption A caza de dientes below.

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)

1799

Etching of a man carrying a struggling woman over his shoulder against a dark background, with a chair at left.

Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)

1799

Etching of a donkey-headed man tending a reclining woman in bed beneath a dark curtain, with caption De que mal morira.

Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)

1799

Etching of a donkey-headed pupil at a letter A sheet, watched by a horse-headed teacher with a magnifying glass.

Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)

1799

Etching of a standing man in an ornate coat and wig beside two slumped figures and a shelf of bottles.

Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)

1799

Etching of hooded, elderly figures crowding around a small doll-like figure, with a caption reading Obsequio á el maestro.

Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)

1799

Sepia etching of a winged demon swooping over a hunched figure covering their face, with leering faces in the shadows.

Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)

1799

Etching of hooded elderly figures under a dark shadow, with winged demons and cats flying overhead.

Plate 46 from "Los Caprichos": Correction (Correccion)

1799

Etching of a kneeling man with outstretched arms and anguished face against a dark, hatched landscape, by Goya.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War

1814/20, published 1863

Etching of two women with a sword and dagger beside a fallen man in a dark, barren battle scene.

The Women Give Courage, plate four from The Disasters of War

1810/15, published 1863

Title page of Los Desastres de la Guerra with ornate lettering, a crowned coat of arms, and the date Madrid 1863.

Title Page and biographical introduction for The Disasters of War

1863

Etching of a bullfighter with a cape and banderilla facing a bull in an arena, with spectators behind a wooden barrier.

Stierenvechter met banderilla

1876

Etching of a bull seizing a man in a bullring while two matadors with capes attempt to distract it.

Stier wordt gegrepen door stierenvechters

1876

Etching of a mounted rider and a figure in costume beside a fallen bull in an arena, printed in brown tones.

Spaanse ridder doodt een stier

1876