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Francisco Goya

1,220 works

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Etching of a woman with a ramrod beside a cannon, with fallen soldiers lying on the ground in the foreground.

Que valor! (Desastres de la Guerra 7)

1761

Etching of a seated woman clutching two frightened children as a tall white-hooded figure looms beside them in darkness.

Que viene el Coco. / Da kommt der Kinderschreck. (Caprichos 3)

1761

Etching of a seated man in lace collar and cloak, hands on knees, against a densely hatched dark background.

Un Enano (Sebastian de Morra)

1761

Sepia etching of a man and woman embracing against a dark wall, with a helmet and sword on the ground below.

Love and death

1799

Etching of a crowned figure lying in radiant light as two hooded mourners lean over her beside a wooden bier.

Will She Rise Again? (Si resucitará?) from the series Los desastres de la guerra

Etching of a donkey-headed teacher with magnifier instructing a donkey-headed pupil who writes letters, with other animals wa

Might not the pupil knows more?

1799

Dark etching of a seated man surrounded by cats and chaotic cloaked figures emerging from shadow.

General Folly (Disparate general), from the series Los Disparates

1816

Etching of masked, grotesque carnival dancers with a hooded figure standing on a raised platform at upper right.

Carnival Folly (Disparate de carnaval), from the series Los Disparates

1816

Etching of a startled man beside a pot, with a figure carrying a woman on his back in a dark interior.

Nanny's Boy

1799

Etching of a fallen figure surrounded by robed mourners gesturing in a dark, shadowy landscape.

Funeral Folly (Disparate fúnebre), from the series Los Disparates

1816

Etching of a donkey watching a monkey paint at an easel, with a donkey portrait on the canvas.

Neither more nor less

1799

Brown etching of men drinking around a barrel, one laughing with a raised glass, with a caption reading Nadie nos ha visto.

No one has seen us

1799

Etching of a woman in a striped cone hat riding a donkey, surrounded by a jeering crowd. Goya, 1799.

Nothing could be done about it

1799

Etching of figures tossed into the air by a large billowing cloth while a crowd below looks up and points.

Clear Folly (Disparate claro), from the series Los Disparates

1816

Etching of many bodies piled on the ground beside a diagonal wooden cross under a dark, hatched sky.

Harvest of the Dead (Muertos recogidos)

1892

Etching of soldiers restraining a screaming man outdoors, one raising a sabre, with shrubs in the background.

Miksi? (Por qué?)

Etching of distorted, dancing figures in period dress, with women in full skirts and a feathered hat, mid-motion.

Merry Folly (Disparate alegre), from the series Los Disparates

1816

Etching of a winged, bat-eared figure seated at a large open book, pointing with a quill, with small figures crouched at righ

Against the Common Good (Contra el bien general), from the series Los desastres de la guerra

1814

Brown etching of a bull goring a fallen bullfighter while another figure waves a cape in a bullring.

The Unlucky Death of Pepe Illo in the Ring at Madrid (La desgraciada muerte de Pepe Illo en la plaza de Madrid) from…

1815

Etching of a hunched grotesque man with floating heads and a cloaked figure at left, by Francisco de Goya, 1816.

Simpleton (Bobalicón), from the series Los Disparates

1816

Etching of an animal-headed figure in a lesson scene with a donkey-headed pupil and letters on a page, by Goya.

Might Not the Pupil Know More? (Si sabrá mas el discipulo?) from the series Los Caprichos

Etching of a woman standing by a cannon above fallen soldiers on a battlefield, by Francisco de Goya, 1810.

What Courage! (Que valor!) from the series Los desastres de la guerra

1810

Sepia etching of distorted figures in a dark landscape, a frightened woman in a shawl at center, a man pointing on the right.

The Exhortations (Las exhortaciones), from the series Los Disparates

1816

Etching of a man strapped to large bat-like wings flying in a dark sky, with other figures gliding nearby on similar devices.

A Way of Flying (Modo de Volar) from the series Los Disparates

1815

Etching of a black bull attacked by armed men with lances on a bare plain, with a fallen man on the ground.

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lanc…

1816

Etching of exaggerated dancing figures, women in full skirts and men in ruffled costumes, in a dark stage-like setting.

Si Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los…

1816

Etching of soldiers with bayonets confronting armed civilians, with fallen bodies on the ground beside them.

Rightly or Wrongly (Con razon ó sin ella), from the series Los desastres de la guerra

1814

Title page of Los Proverbios by Francisco de Goya, with a crowned academy crest, the word Madrid, and a purple library stamp.

Los Proverbios (Disparates), title page for the series, 18 etchings

Etching of grotesque figures in a crowd with a dog and basket against a dark background, by Goya.

Loyalty (La lealtad), from the series Los Disparates

1816

Etching of a dark-gowned woman with outstretched arms beside hooded elderly women at a doorway, with a floating figure.

Poor Folly (Disparate pobre), from the series Los Disparates

1816

Etching of hooded figures in sack-like garments standing and bending in a dark, nocturnal landscape.

People in Sacks (Los ensacados), from the series Los Disparates

1816

Etching of armed men dragging a limp nude body across the ground, with a caption reading Qué hai que hacer mas? below.

Voiko tehdä pahempaa? (Qué hai que hacer mas?)

1892

Sepia etching of men carrying a limp body at night while a small weeping child stands apart on the right.

Äiti parka! (Madre infeliz!)

Etching of hooded and shawled figures gathered on a large tree branch, some with bird-like heads, dark cross-hatched shading.

Ridiculous Folly (Disparate ridiculo), from the series Los Disparates

1816

Lithograph of a bullfight: a rider on a bucking bull with a lance, spectators in the stands, and a second bull in the arena.

The Famous American, Mariano Ceballos, from The Bulls of Bordeaux

1825

Lithograph of a bull attacking a horse and picador in a bullring, with spectators in the stands behind.

Picador Caught by a Bull, from The Bulls of Bordeaux

1825

Lithograph of bulls in a bullring with a fallen figure, a caped man, and crowds of spectators in the stands.

Spanish Entertainment, from The Bulls of Bordeaux

1825

Lithograph of a bullfight in a divided ring, with bulls charging matadors and spectators crowding the stands.

Bullfight in a divided ring, from The Bulls of Bordeaux

1825

Brown etching of a bull charging beneath a man leaping on a pole in an arena, with spectators in the stands.

The Agility and Audacity of Juanito Apiñani in the Ring at Madrid

1815

Etching of two women, one holding a fan and one stooped with a shawl and walking stick, against a shaded background.

For Heaven’s Sake: And It Was Her Mother (Dios la perdone: y era su madre) from the series Los Caprichos

1797

Etching of a hanged man from a tree with a seated figure at right and bare trees behind, by Francisco de Goya.

Ei tässäkään (Tampoco)

1892

Etching of a soldier with a sword over a fallen robed man, two onlookers behind in shadow, Spanish caption below.

This Is Bad (Esto es malo)

1892

Etching of a mounted rider in a plumed hat lancing a charging bull in an arena, with diagonal light across the background.

Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"

1816

Etching of a bullfighter vaulting over a charging bull with a pole in a bullring, spectators watching from the stands.

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"

1816

Etching of a bull tossing a man in a bullring while a figure with a cape stands nearby and spectators watch from behind.

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"

1816

Etching of two women at night, one standing with flowing cloth and one crouching, with the caption Mala noche below.

A bad night (Mala noche), plate 36 from "Los Caprichos"

1799

Etching of a woman and a barefoot man on a stone ledge, the man reaching toward his mouth, against a dark background.

Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"

1799

Etching of a reclining woman and a man clutching his face before a rocky landscape, titled Tantalo.

Tantalus (Tantalo), plate 9 from "Los Caprichos"

1799

Etching of a woman stretching her leg beside a seated older woman in a dim bedroom, with a caption below.

It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"

1799

Etching of two women in black mantillas seated on wooden chairs, one leaning toward the other in conversation against a dark

A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"

1799

Etching of a man leaning toward a woman in a dark dress, with a seated woman fanning herself behind them.

Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"

1799

Etching of two old women in a dim room, one sweeping with a broom and one leaning over a table with a plate.

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)

1799

Etching of two gaunt old men seated, one washing his feet while a donkey stands upright above them, from Goya's Caprices.

The Caprices (Los Caprichos), plates 1-80

1799

Etching of a crouching, chained prisoner with shackled ankles and wrists against a dark hatched background.

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)

ca. 1815 (published after 1867)

Etching of a blind guitarist with a raised cape riding on the horns of a charging bull.

'Barbarous Entertainment', a blind guitarist on the horns of a bull

1800-1804 (published 1828-67)

Etching of a bound man bent forward, arms tied behind him, ankles shackled, against a dark hatched background.

'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)

ca. 1815 (published 1859)

Grey wash drawing of an old woman bent under two grotesque figures riding on her back, labeled 'Pesadilla'.

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)

ca. 1819-23

Etching of a woman riding a white horse balanced on a tightrope, with a crowd of spectators behind.

'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)

ca. 1815-19 (published before 1877)

Etching of a garroted man seated against a post, with a lit candle at left and hatched dark background.

Garroted Man

ca. 1775-78

Lithograph of a bull goring a picador's horse in an arena while spectators watch from the stands.

A picador caught by a bull, from the "Bulls of Bordeaux"

1825

Lithograph of bulls in a bullring with spectators in the stands and a fallen man beside a cape-waving figure.

Spanish Entertainment from the 'Bulls of Bordeaux'

1825

Lithograph of a bullfight in a divided ring, with a matador facing a charging bull and crowds watching from the barrier.

Bullfight in a divided ring, from the 'Bulls of Bordeaux'

1825

Etching of a grinning crouching giant with floating faces beside a small cloaked figure on a dark background.

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published between 1854-63)

Etching of a tall white shrouded ghost towering over fleeing men at night beside a bare tree.

'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published ca. 1848)