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Francisco Goya

1,220 works

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Sepia tonal print of a large nude giant seated on a rock ledge, seen from behind, under a crescent moon.

Seated Giant

by 1818 (possibly 1814-18)

Etching of a bearded man seated against a post with an iron collar, bare feet, and a candle lit beside him.

The Garrotted Man

1778-80

Etching of Gaspar de Guzman on a rearing horse, holding a baton, with a tree and landscape behind him.

Gaspar de Guzman

1778

Grid of eighteen dark etched prints showing witches, flying figures, winged creatures and crowds in night scenes.

The Proverbs

1864

Etching of a seated woman in a white gown holding a fan, with men watching and a caricature on an easel beside her.

Until Death, Plate 55

1799

Etching of an elderly bearded man in a hood, looking upward with clasped hands, against dark hatched shading.

San Francisco de Paula (Caritas)

1780

Etching of a woman in a pale nightgown bending over a rumpled bed in a dark room, with a figure lying behind her.

A Bad Night, Plate 36

1799

Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)

published 1799

Etching of a man leaning toward a woman in a black mantilla, with a small dog at their feet and figures behind them.

Quien mas rendido? (Which of Them Is the More Overcome?)

published 1799

Brown etching of a woman and two frightened children on a sofa, staring at a tall shrouded figure in a hooded cloak.

Que viene el coco (Here Comes the Bogey-Man)

published 1799

Etching of a man embracing a limp woman against a brick wall, with a sword and hat on the ground below.

El amour y la muerte (Love and Death)

published 1799

Etching of a gaunt figure bending over a nude companion on a rock while a clawed creature rises beneath, under a dark sky.

Quien lo creyera! (Who Would Have Thought It!)

published 1799

Goya etching: a woman reaches toward a hanged man bound at the wrists on stone steps, under a dark sky.

A caza de dientes (Out Hunting for Teeth)

published 1799

Sepia etching of a donkey seated by an easel as a monkey paints on a small panel, with the caption Ni mas ni menos below.

Ni mas ni menos (Neither More nor Less)

published 1799

Etching of gaunt nude figures huddled under a starry night sky, one pointing upward; Goya, published 1799.

Si amanece; nos vamos (When Day Breaks We Will Be Off)

published 1799

Etching of three grotesque hooded goblin figures drinking, one standing and gesturing, beneath a barred window in a dim room.

Duendecitos (Hobgoblins)

published 1799

Etching of a mother clutching two frightened children as a tall hooded bogeyman figure looms in a dark room.

Here Comes the Bogeyman, plate three from Los Caprichos

1797/99

Sepia etching of a figure in a patterned cap and embroidered coat leaning on a cushioned chair, with a Spanish caption below.

Nanny's boy, plate four from Los Caprichos

1797/99

Etching of a fur-clad woman with a fan, a man in a tricorn hat, and a hooded older woman beside them.

Two of a Kind, plate five from Los Caprichos

1797/99

Sepia etching of masked figures at a masquerade, with an elderly man in a tricorn hat beside a woman in a gown.

Nobody knows himself, plate six from Los Caprichos

1797/99

Etching of a man leaning toward a woman in a dark dress, with a seated veiled woman with a fan behind them.

Even Thus he Cannot Make Her Out, plate seven from Los Caprichos

1797/99

Etching of a man carrying a struggling woman over his shoulder, her legs kicking in the air beside a tipped chair.

They Carried Her Off!, plate eight from Los Caprichos

1797/99

Sepia etching of a man clutching his head beside a limp reclining woman before a stone wall, titled Tantalo.

Tantalus, plate 9 from Los Caprichos

1797/99

Etching of a man embracing a woman beside a stone wall, with a skull and hammer on the ground below.

Love and Death, plate ten from Los Caprichos

1797/99

Sepia etching of three men near a tree trunk, one bending over a bundle with rope, plate 11 from Los Caprichos.

Lads Making Ready, plate eleven from Los Caprichos

1797/99

Sepia etching of a man reaching into a woman's open mouth while she leans back on a stone staircase.

Out Hunting for Teeth, plate twelve from Los Caprichos

1797/99

Sepia etching of an elderly man leaning over a table with a plate, two companions and a standing figure behind him.

They are Hot, plate 13 from Los Caprichos

1797/99

Etching of an old man leaning toward a young woman in a pale gown while others watch from behind, from Goya's Los Caprichos.

What a Sacrifice!, plate 14 from Los Caprichos

1797/99

Etching of two women seated on chairs, one older leaning toward a younger woman in a dark lace mantilla.

Pretty Teachings, plate 15 from Los Caprichos

1797/99

Etching of a young woman with a fan beside an older woman in a shawl, with a Spanish caption beneath.

For Heaven's Sake: and it was Her Mother, plate 16 from Los Caprichos

1797/99

Etching of a young woman bending over a board while an elderly woman in a headscarf watches beside her.

It is Nicely Stretched, plate 17 from Los Caprichos

1797/99

Sepia etching of a grinning old man beside a burning chair in a dim interior, with Spanish caption below.

And his house is on fire, plate 18 from Los Caprichos

1797/99