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Francesco Bartolozzi

307 works

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Engraved bust portrait of Jane Shore, a woman with jewelled hair and a pearl necklace, with a Shakespeare quotation below.

Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1)

February 1, 1790

Engraved oval portrait of a man and woman as Romeo and Juliet, with a cherub and Capulet sign above them.

Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet

May 1, 1796

Hand-colored oval print of Jupiter and Juno embracing on a cloud, with an eagle and two cupids nearby.

Jupiter and Juno on Mount Ida

January 1, 1784

Engraving of men in period dress in a draped room, one with a monkey on his shoulder, two women watching by a mirror.

Frontispiece for Fanny Burney's "Evelina": Mr. Lovel Bitten in the Ear by Captain Mirvan's Monkey, vol. III

November 24, 1779

Engraved title page with a seated woman writing in a circular landscape vignette, above printed title and London imprint.

Title Page, "Sancho's Letters, with Memoirs of his Life," by Joseph Jekyll, Esq., M.P.

December 20, 1802

Sepia engraving of Romeo in pilgrim dress holding a staff, touching hands with Juliet, as an older woman gestures beside them

Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5)

June 15, 1785

Engraving of a winged nymph crowning a bust of Shakespeare as cherubs bring laurel garlands, with a waterfall behind.

The Nymph of Immortality, Attended by the Loves, Crowning the Bust of Shakespeare

September 1784

Oval stipple engraving of a young woman in a flower crown holding a basket of blossoms, inscribed Ophelia.

Ophelia (Shakespeare, Hamlet, Act 4)

1784

Sepia engraving of a woman on a white horse crossing a river with a bearded guide and spear-carrying soldiers.

The Flight of Mary Queen of Scots to England

August 2, 1794

Engraving of classical statues of draped figures in a garden under a tree, with two seated people at left.

Demosthenes, Cicero and William Pitt, Earl of Chatham

1750-1815

Sepia print of the Virgin holding the infant Christ, with shepherds, a seated man with a staff, and cherubs in clouds above.

The Adoration of the Shepherds

before 1764

Oval engraving of Coriolanus showing a pointing armored man, kneeling women, a child, and a helmet on a pedestal in a tent.

Coriolanus: "The God of Soldiers, to shame invulnerable..." (Shakespeare, Coriolanus, Act 5)

November 3, 1785

Engraved monument to Johann Christian Bach with a female figure crowning a medallion portrait, a cherub with lyre, and a sun

Monument to Johann Christian Bach

March 10, 1782

Print of Noah at a burning altar with kneeling family, a donkey and jars, and angels in clouds above.

The Sacrifice of Noah

1765

Etching of a kneeling bearded man praying as an angel offers him a chalice amid clouds, with cherubs above.

Christ Praying in the Garden

1754

Engraving of the weeping Madonna in an oval frame, with two angels holding a garland over a cross-shaped coat of arms below.

The Madonna Weeping

1769

Engraving of the Virgin and Child with an angel, a boy holding a fish, a bearded old man reading, and a lion.

The Virgin with the Fish

1775

Engraving of St. Francis of Assisi kneeling with an angel supporting him, beneath a flying angel and cherubs among clouds.

St. Francis of Assisi

1763

Engraving of a robed saint on a cloud surrounded by cherubs, with a dedicatory inscription in a cartouche below.

S. Pierre Regalda (S. Pietro d'Alcantara)

1746

Etching of Saint Roch with a staff among plague-stricken figures, angels in the clouds, and a distant city.

Saint Roch

1756

Oval stipple engraving of a curly-haired child with hands clasped in prayer, gazing upward against a shaded background.

The Angelic Child

July 1, 1790

Engraving of two winged infants on clouds, one playing a lyre and one a flute beside an open music book.

Apollo and Mercury as Infants

1797

Engraving of the Archangel Gabriel on a cloud, pointing upward and holding a lily branch, in a curved corner panel.

The Archangel Gabriel

1762

Engraving of a reclining nude nymph in a shell carried by dolphins over the sea, with cherubs and a torch.

Acis and Galathea

March 1, 1787

Engraving of robed figures sacrificing at a flaming altar before a circular colonnaded temple in a wooded landscape.

Sacrifice to Diana

1776

Sepia stipple engraving of Hebe, a woman with a flower crown holding a cup, in an oval vignette on a cream sheet.

Hebe

June 27, 1782

The Tragic Muse

February 1, 1784

Engraving of a seated nude woman by water with a standing draped companion and a head at the edge of the scene.

Three Nymphs Bathing

March 1, 1787

Oval colored engraving of three nude women bathing in a classical setting with a white cloth and a column behind them.

Psyche Going to Bathe

December 12, 1786

Engraving of a nude woman seated while two attendants prepare drapery and hair in a classical interior setting.

Psyche Going to Dress

December 12, 1786

Sepia print of Venus embracing Adonis seated beneath a large tree, with a dove and stream in the foreground.

Venus and Adonis

August 21, 1778

Engraving of seated Britannia holding a laurel branch and spear, with a shield and globe beside her, on foliage ground.

Britannia

1775

Stipple engraving of a winged female figure holding a bird, with a cherub and peacock, in an oval frame.

Air, from "The Four Elements"

October 1, 1784

Hand-colored engraving of a reclining nude water nymph on a sea creature with two cherubs and spraying water.

Water Nymph (Nymph Vouguant Sur Les Eaux)

1799

Engraving of a winged-cloud female figure holding a flaming torch and a bird, with two cherubs in clouds around her.

Fire

October 1, 1784

Sepia engraving of reclining Venus on a draped bed surrounded by playful cupids, one holding a lit torch.

Venus Surrounded by Cupids

August 12, 1788

Oval brown engraving of a winged woman writing on a tablet with two putti beside her, titled History.

History

November 20, 1786

Vigilance

December 24, 1782

Sepia oval print of a seated woman in white near a stream as a man watches from a wooded background.

Damon and Musidora

February 2, 1782

Hand-colored print of nude Venus bathing by a waterfall in a forest, with two cherubs beside her.

Venus Bathing

March 1, 1800

Engraving of a crowned queen gesturing to a seated Roman commander, with captives, armed soldiers and a kneeling figure aroun

Caractacus Delivered to Ostorius

February 14, 1788

Red-toned oval print of Genius writing on a tablet beside reclining Beauty, with Cupid figures and a torch in a wooded settin

Genius and Beauty

September 15, 1782

Oval sepia print of a helmeted Prudence restraining Beauty as a winged cupid with a torch tugs at her drapery.

Prudence, Love and Beauty

September 15, 1782

Oval brown stipple engraving of a seated mother embracing a child, with a cherub on her shoulder and an infant holding flower

Maternal Love

1784

Engraved allegory of a seated painter with palette and easel, approached by two women and a cherub holding a book.

Poetry and History Presenting Painting with Subjects

1794

Stipple engraving of a man in a powdered wig and lace cravat, shown in three-quarter view within a rectangular border.

Francesco d' Ageno

1785-90

Dr. Arne

May 10, 1782

Hand-coloured oval engraving of a woman with a fruit basket reaching toward a child picking cherries from a tree.

Pomona

January 1787

Stipple engraving portrait of a man in a patterned gown and lace jabot holding rolled sheet music, after Reynolds.

Charles Burney

April 1, 1784

Pen and brown wash drawing of the Virgin ascending on clouds, supported by winged angels within an oval frame.

Assumption of the Virgin

n.d.

Engraved bust-length portrait of a man in embroidered military coat with white sash, holding a hat at his side.

Napoléon Bonaparte, First Counsel

published June 10, 1802

Engraved sepia portrait of Catherine II in a fur-trimmed gown and tiara, beside an imperial eagle chair and classical statue.

Catherine II, Empress of Russia

1785

Red-toned stipple engraving of Terpsichore playing a lyre beside a winged child holding a torch, in an oval frame.

Terpsichore

May 31, 1779

Red-brown stipple print of a classical woman holding a cornucopia of fruit, titled Erato, within an oval frame.

Erato

February 1, 1779

Engraved view of a colonnaded library hall with coffered ceiling, reading desks and small figures among the shelves.

Biblioteca Laurenziana

1750

Sepia print of a kneeling woman tending a wounded knight beside a tree, with an armored figure, horses and a distant town.

Tancred and Erminia

1784

Sir Thomas Lestrange

1793

Engraving of a seated woman resting her head on her hand, with a winged cupid beside her and a wreathed figure holding a cup

Ariadne, Cupid and Bacchus

1788

Engraving of nude bathing nymphs in a wooded landscape beside a rock and pool, with draped cloth and foliage.

Bathing Nymphs

March 1, 1787

Etching of the Madonna and Child with the infant St. John the Baptist holding a cross-staff, by Francesco Bartolozzi.

Madonna and Child with St. John the Baptist

1764-95

Engraving of Acis and Galatea in a shell boat pulled by dolphins, with cherubs and billowing drapery over the sea.

Acis and Galatea

1787

Sepia engraving of a bearded painter with palette and brushes, beside a cherub holding a dog's chain and a bow.

Guercino Self-Portrait

1790-99

Engraved portrait of a seated woman in white with two children, one wearing a plumed hat, before curtains and a landscape.

Portret van Jane Stanhope met haar twee kinderen

1789

Sepia stipple print of a woman in a feathered hat with three children gathered around her beneath a tree.

Portret van Lady Smith en haar drie kinderen

1738