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Diego Velázquez

90 works

Featured

Oil painting of an elderly bearded man with a bald head, lit from the left against a dark background.

Cabeza de apóstol

1619

Painting of a man in armour on a rearing grey horse, with a red sash and plumed black hat, against a blue cloudy sky.

Equestrian Portrait of Philip III

1635

Full-length portrait of a woman in a dark embroidered gown and white ruff, holding a fan beside a red curtain.

Isabella af Bourbon, kong Philip IV's første dronning

1614-1660

Half-length portrait of a young man in a dark cloak and white collar against a brown background.

Young Spanish Nobleman

1620

Seated haloed man with open book and quill gazes up at a glowing vision among clouds in a dark landscape.

Hl. Evangelist Johannes auf Patmos'

1619

Painting of bearded elder on red carpet with men in a tiled room, one holding a white garment, and a spotted dog nearby.

La túnica de José

1630

Painting of a young woman with a red headscarf and white shawl, eyes lowered, absorbed in sewing against a gray background.

Nähende Frau

1650

Painting of a young man with a halo seated by a tree beside a white lamb, holding a staff in a wild landscape.

Saint John the Baptist in the Wilderness

c. 1622

Painting of a young woman with a red headband bending over needlework, wearing a dark bodice and white shawl.

The Needlewoman

c. 1640/1650

Half-length portrait of a man in black costume with white collar, holding a glove and sword hilt against a brown background.

Self-portrait atribuido a Velázquez, rechazado por la mayor parte de la crítica

1645

Oil portrait of a young girl in a silver gown with gold trim and an elaborate curled hairstyle, against a dark background.

Portrait of the Infanta Maria Teresa (1638-1683)

1654

Half-length portrait of a young woman with curled hair, white feathers and a pale gown against a dark background.

Portrait of Mariana of Austria, Queen of Spain

1655

Wide landscape of a 17th-century royal hunting party with riders, dogs, carriages and spectators in an open wooded clearing.

Philip IV hunting Wild Boar (La Tela Real)

1635

Oil painting of an older woman pointing at an open book held by a young girl, with a bearded man and a dog nearby.

The Education of the Virgin

1618

Oil portrait of a man with mustache and shoulder-length hair in black costume, white collar and gold chain, against a dark ba

Philip IV of Spain

1656

Oil portrait of an elderly bearded man in a black biretta and dark robe against a red curtain.

Portrait of Archbishop Fernando de Valdés

1640

Oil portrait of an elderly man with gray hair and white goatee, wearing a black garment and gold chain against a dark backgro

Porträt eines alten Herrn mit goldener Kette und Ordenskreuz (Francisco de Andrade Leitão?), Detail

1645

Half-length portrait of an elderly cardinal in red robes and biretta against a dark background, gazing at the viewer.

Portrait of Cardinal Gaspar de Borja y Velasco

1643

Half-length portrait of an older bearded man in a red cap and red cape with white collar against a dark background.

Pope Innocent X

1650

Full-length portrait of a standing man in black costume with white ruff, holding a paper beside a red table and top hat.

Felip IV dret

1624

Half-length portrait of a bearded man with a moustache in a dark cloak and white collar against a brown background.

Portrait of a Man (possibly José Nieto)

1635

Full-length portrait of a bearded man in black costume with white ruff, gold chain, and red velvet drape.

Portrait of the Count-Duke of Olivares

1624

Seated bound man with halo beside a column, a winged angel pointing and a kneeling child in blue, whips on the floor.

Christ contemplated by the Christian Soul

1625

Black chalk drawing of a standing boy in a loose jacket and wide breeches, gesturing with one hand, on pale paper.

Portrait of a Boy

n.d.

Black chalk drawing of a young woman's head in three-quarter view, with long loose hair, on aged paper.

Head of a Young Woman

1620

Pencil sketch of a standing man seen from behind with a raised arm, beside a faint second figure, on toned paper.

Studies for the Surrender of Breda: recto, Figure Seen from Behind and Spinola Turned Three- Quarters

1634