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Denis Auguste Marie Raffet

299 works

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Black and white lithograph of a seated soldier embraced by a woman, with celebrating figures and marching troops behind them.

We Have Won!

1825-26

Lithograph of soldiers drinking outside a tavern on a city street, with a woman in a doorway and a caption below.

You Have Honor...

1825-26

Lithograph of soldiers and insurgents clashing at a barricade in a city street, with a crowd, flag and monumental arch behind

Fire on the Leaders and Cavalry...

1830-31

Lithograph of costumed figures at a banquet table, a woman in a feathered hat gesturing near a seated man with a jug and a do

He Behaves for a Savage

1830

Lithograph of soldiers ransacking a room, scattered papers on the floor, a seated man looking up in alarm.

The Archbishop Was Always a Rogue

1831

Hand-colored print of a tricolor French regimental flag inscribed Louis Napoleon, 33rd Infantry Line Regiment, with gilded ea

Standard: Louis Napoleon to the 33rd Infantry Line Regiment

May 10, 1852

Hand-colored print of a tricolor regimental standard with a gilded eagle finial and gold inscription for the 5th Dragoon Regi

Standard: Louis Napoleon to the 5th Dragoon Regiment

May 10, 1852

Lithograph of two foreground soldiers in 19th-century uniforms with rifles, with blurred marching ranks behind them.

Sheet of Sketches

1842

Pen-and-ink style print of four uniformed men in greatcoats and peaked caps standing against a plain background.

Russian Prisoners of Bomarsud

1854

Hand-colored print of soldiers in a camp, one in a white apron stirring a pot over a fire while an officer gestures beside hi

On lui Fait Toujours des Charges!!

1827

Lithograph of three soldiers in a stone prison cell with bread, a jug, straw bedding and a barred door.

Military Prison

1827

Lithograph of mounted soldiers confronting a kneeling crowd before a church portal, with onlookers at windows of a building.

Revolt of Pavia

1826

Lithograph of soldiers and cavalry gathered around a central officer, with robed figures kneeling on sand beside a rifle.

Desert March

1826

Lithograph of a mounted officer on a grey horse entering a walled city, surrounded by soldiers and robed onlookers.

Entering Cairo

1827

Lithograph of a uniformed leader granting pardon as turbaned men surrender swords and rifles before soldiers and a palm tree.

Pardon Granted to the Cairo Rebels

1827

Lithograph of a seated artist in a studio greeting a line of children, with a dog, easel, and framed prints around him.

You who have made portraits of our fathers... would you make them of their children?

1827

Lithograph of an elderly woman with a cane and umbrella scolding boys on stone steps, with a small dog on a leash.

Children these days are a bad lot!

1827

Satirical lithograph of devils and scattered albums tumbling from a banner reading 1828, with top-hatted onlookers and a swee

Gâres les Albums

1828

Lithograph of children tumbling on cobblestones near a carved stone wall, with scattered books and a man watching from the ri

The Slide

1827-28

Lithograph of three children playing with two puppies by a fireplace, with a marionette and toys on the floor.

The Least Strong is the Most Treacherous

1828

Lithograph of a painter at his easel in a studio with plaster casts on shelves, a stove, and a top-hatted visitor.

Ces Croûtes-là en Font Manger D'autres

1827-28

Lithograph of a cloaked man and an officer gesturing toward gallows with hanged figures on a rocky hillside.

He must see things favorably!

1828

Lithograph of a dim sickroom: a woman leans over a bed, a child clings to her skirt, medicine bottles on a table.

Goodbye

1827

Lithograph of soldiers in bearskin hats in a smoky street, one gesturing with a hand, with a rifle and fallen figure on the g

Je n'tire pas! Si la cause était bonne, y n'faudrait pas d'argent pour la défendre. 28 Juillet 1830

1831

Lithograph of a clergyman with a collection bag in a church interior, with kneeling worshippers and small dogs nearby.

For the Support of the Church Staff, if You Please...

1831

Lithograph of soldiers and officers toasting around a table in a crowded tavern, with dogs in the foreground.

To the Restoration of Poland!

1831

Lithograph of a mounted officer on a grey horse beside soldiers in shakos raising muskets under trees.

Sir, you can count on us as on the Old Guard

1831

Lithograph of a crowd cheering soldiers in a city street, with men in top hats shaking hands and children in the foreground.

Long Life to the Troops!

July 28, 1830

Black and white lithograph of men in period dress in a crowded club room, one seated reading in an ornate armchair beside a s

Little Aristocratic Club, July 28, 1830

1831

Lithograph of soldiers, horses and wagons on a country road beside a village house and a large tree.

Military Convoy

1831

Lithograph of armed men and boys on a Paris street near a cobblestone barricade, with a crowd and shop sign behind.

The Munitioners of July 28

1831

Lithograph of insurgents fighting behind a stone barricade, with a shouting rifleman and a flag before a city skyline.

To Death for Liberty!

1831

Black and white lithograph of soldiers, horsemen and a covered wagon marching across a hilly landscape under cloudy skies.

Division March

1831

Lithograph of soldiers and a charging cavalry rider in battle smoke, with fallen figures and a stone wall in the foreground.

The Pursuit

1832

Lithograph of girls in bonnets gathering on a city street near a seated man with a handkerchief and a kneeling boy.

The Good Little Girls

1832

Lithograph of French soldiers in plumed shakos advancing through smoke, with a fallen soldier in the foreground.

Close the Ranks

1832

Lithograph of a hussar officer gesturing in a crowded domestic interior with seated man, children, women, and a dog.

The Best Singer

1831

Lithograph of marching infantry passing fallen soldiers on a smoky battlefield, with mounted officers on a hill behind.

Attention! The Emperor has his eye on you

1832

Lithograph of villagers dancing in a ring outdoors beside a cottage, with onlookers and a dog in the foreground.

Circle Round! Gently Little One, I'm More than Fifteen Years Old

1832

Lithograph of a battle near a windmill, with cavalry charging, smoke rising, and fallen soldiers and horses in the foreground

Provins 1814

1833

Lithograph of a family kitchen scene: a man holds a baby by a hearth, a woman cooks, a boy stands with a black goat.

Kiss papa with pinches

1833

Lithograph of a hussar soldier raising a cup amid roosters, hens, ducks and chicks beside a barrel and garden steps.

Temptation

1833

Lithograph of a uniformed officer with hands behind his back facing a long line of soldiers holding upright muskets.

The Inspection

1833

Lithograph of a French soldier with raised bayonetted rifle beside a fallen enemy soldier on a smoky battlefield.

Morale is Affected by the Austrians!

1833

Lithograph of a uniformed officer conversing with a woman in a bonnet in a crowded salon interior, with onlookers and a table

Faithful as a Polish Man!

1833

Lithograph of a woman and a boy standing in a church interior beside overturned chairs, with a seated congregation behind.

The Ingrate

1832

Lithograph of republican hussars charging a battlefield past fallen soldiers and horses, with infantry and smoke at right.

Charge of the Republican Hussards

1832-33

Lithograph of an officer with raised sword beside a marsh, where a crouching man and startled ducks flee among the reeds.

Every Man for Himself!

1833

Lithograph of soldiers and a priest drinking at a crowded tavern table, with children, a dog, and stacked muskets nearby.

The Belgian Curate: I have served under the great man!

1832-33

Lithograph of French soldiers in tall reeds and water with muskets raised, smoke rising over a hill behind them.

Il est défendu de fumer, mais vous pouvez vous asseoir

1834

Lithograph of a hooded woman with baskets standing over a fallen soldier on a battlefield, with mountains behind.

Poor Children!! May God take pity on their souls!

1834

Lithograph of a wooden prisoner cart on a city street, with mounted soldiers charging a crowd and bodies on the cobblestones.

The Last Cart

1835

Lithograph of a plumed officer facing ragged soldiers with muskets on the ground, horses in the background.

Of what do you have to complain?

1836

Lithograph of a man in a bicorne hat and greatcoat drinking on a wooden footbridge, with bare trees and a rider behind.

Man of the People

1836

Lithograph of a dinner party with seated guests, a boy pointing from a doorway, and a dog on the floor.

The Dessert: My eldest is full of spirit!...he is very advanced for his age...I intend to make a lawyer of him

1837

Lithograph of a military camp with thatched huts, soldiers tending muskets and a campfire, and troops marching across the pla

The Camp

1836-37

Lithograph of a cavalry charge through smoke, with fallen soldiers and horses in the foreground and infantry firing at right.

With that Play One Catches Only Blows

1836

Lithograph of a cloaked officer and a guide walking on wet ground, followed by soldiers with rifles and horsemen under a gray

The Guide

1836-37

Lithograph of a mounted officer in a shako watching a misty field of marching soldiers at dusk.

The Nocturnal Review

1837

Lithograph of a light infantry standard-bearer in a shako holding a flag, with soldiers and a windmill behind him.

Light Infantry, Standard-Bearer

1830-33

Lithograph of a naval officer in dark uniform and white trousers standing beside a cannon on a ship's deck with rigging.

Royal Navy, Line Crew, Ship's Ensign

1830-33

Lithograph of soldiers on a riverbank watching troops cross a stone arched bridge toward a tower.

Capture of the Molle Bridge

1854

Lithograph of Hungarian infantry soldiers in shakos standing in formation on a field, with officers in long coats in the fore

Hungarian Infantry, Presbourg, July 2, 1837

1837

Lithograph of a stilt-raised wooden guard post on the Danube with armed soldiers on its balcony and a man poling a boat.

Hungarian Military Colony Post, Left Bank of the Danube River

1838

Lithograph of soldiers at a Danube riverside guard post with a thatched hut, reeds, storks and a watchtower.

Guard Post for the Hungarian Military Colonies, Left Bank of the Danube, July 7, 1837

1838

Lithograph of a shepherd in a fur hat with a staff, two dogs and a flock of goats and sheep on a mountain slope.

Bannat Shepherd, Left Bank of the Danube

1838

Lithograph of Hungarian schoolchildren in white dress walking past a shepherd, dog, and sheep on a rural path.

Hungarian Children Going to School

1838

Lithograph of a tall clock tower above wooden buildings, with two horsemen on a path beside a riverbank.

Turn by the Belltower, Framework Pending the Turkish Occupation

1839

Lithograph of a crowded fair with dancers in traditional dress, tents, and a flag on a dusty open square.

St. Pierre fair, Giourjevo, Wallachia, July 11, 1837

1839

Lithograph of a columned church facade with pedestrians, a horse cart and barrels in a cobbled square.

Church of St. George, Bucharest, Wallachia, July 13, 1837

1839

Lithograph of a formal assembly of men in uniforms and coats seated at long tables in a vaulted hall, with an official at the

General Assembly of the Boyards, Bucharest, Wallachia, July 15, 1837

1839

Lithograph of a Greek church with an ornate entrance, horses and a cart in the street, and a tree beside grave markers.

Greek Church, Bucharest, Wallachia, July 15, 1837

1839

Lithograph of Roma violinists playing while uniformed men dance a round in a wooded clearing, with onlookers at right.

Wallachian Round, Performed by the Tsiganes and Danced by the Second Regiment Musicians at the Home of Prince Ghika,…

1839

Lithograph of a carriage and mounted riders struggling along a muddy embankment across a stormy plain with a distant wagon tr

Bouzeo Passage

1839

Lithograph of a family in an ox cart with mounted riders on a dirt road across an open plain.

Family of Traveling Hungarian Gypsies, Moldavia, July 19, 1837

1839

Lithograph of Yassy seen from a balcony, with tiled rooftops, church towers, horses, a cart and soldiers in the foreground.

View of Yassy Taken from the Balcony of the St. Petersburg Hotel, Moldavia, July 19, 1837

1840

Lithograph of the Church and Tower of Three Saints in Iași with a crowd, a fence, a large tree and figures in the foreground.

Church and Tower of Three Saints, Yassy, Modavia, July 19, 1837

1840

Print of men in coats standing in a dirt courtyard beside thatched buildings and wooden fences under an overcast sky.

Courtyard of the Quarantine General, Skoulani, Bessarabia

1839

Lithograph of a Moldavian caravan halted on open plains, with wicker carts, oxen, seated men and dogs.

Halting Place of a Moldavian Caravan Transporting Coal, Bessarabia, August 5, 1837

1840

Lithograph of a Crimean château on a hillside with trees, rocks, and four figures resting on a path near the sea.

The Château of Count Woronzoff, Aloupka, Crimea, August 12, 1837

1840

Lithograph of Yalta bay with men gathering timber, an ox cart, overturned boats on a pebble beach, and mountains behind.

View of the Village and Bay of Yalta, Crimea, August 15, 1837

1840

Lithograph of a Tatar family on horseback on a rocky forest path, with veiled women holding children and a boy walking ahead.

Traveling Tartar Family, Near Yalta, Crimea, August 15, 1837

1840

Lithograph of a Tartar bath resting room with a central fountain, seated men, stone platforms and folded textiles.

Tartar Bath, Resting Room

1840

Lithograph of a young Karaim woman with two boys in traditional dress and a veiled attendant on a patterned carpet.

Young Karaïme Woman, Tchioufout-Galech Near Baghtcheh-Saraï, Crimea

1840

Lithograph of a bearded man in a cap carving an inscription on a white tombstone in a shaded cemetery, with a parasol.

Portrait of Juguda Kazaz, Misiz, at Work as a Tomb Sculptor in the Josaphat Valley, Near Tchioufout-Galeh, Crimea

1837

Lithograph of figures gathered in a mountain cave dwelling, with a drummer, seated women, a standing woman and a child.

Tsiganes Mountain Dwelling

1841

Black and white lithograph of a town street with an ox cart, seated men, tiled houses and poplar trees.

The Main Street of Baghtcheh-Saraï, Crimea, August 19, 1837

1841

Lithograph of a market butcher stall with hanging meat, seated men smoking pipes, and dogs waiting in the street.

The Butcher and Other Tartar Merchants

1841

Lithograph of a domed tomb with pointed arches, a shepherd and goats in the foreground, and a cypress tree at left.

Mariah Tomb, Bachtcheh-Seraï, Crimea, August 21, 1837

1838

Lithograph of veiled women, a child and two girls in traditional dress standing in a courtyard by a wooden wall.

Tartar Women at the Baïdar, Crimea, August 26, 1837

1842

Lithograph of a group of bearded Russian peasants in belted tunics and tall hats standing outside a tiled-roof house.

Russian Peasants

1841

Lithograph of young girls in traditional dress standing outdoors in a row beside a teacher with a book under a rustic wooden

School for Young Tartar Girls

1841

Black-and-white lithograph of Tatar peasant houses in a village with a man on a rooftop, women, children, laundry, and mounta

Tartar Peasants' Homes in the Village of Déré-Koui, near Yalta, Crimea, August 31, 1837

1841

Lithograph of Nicolas I in dark military uniform and plumed hat, with officers and a town landscape behind him.

His Majesty Nicolas I, Emperor of all Russia, Camp Vosnessensk, October 6, 1837

1842-45

Lithograph of two uniformed soldiers with tall shakos and muskets standing before a military camp with tents.

Non-Commissioned Officer and Soldiers of the Volhynie Regiment (Imperial Guard), Camp Vosnessensk

1842-44

Lithograph of five men in fur hats and long robes standing before a stone wall, with a windmill behind them.

Karaimes, Théodosie, Kaffa, 1 Octobre 1837

1844