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Daniel Berger

108 works

Featured

Etching of armored knights dining with a bearded hermit under a leafy arbor, with a bell tower above and a German caption bel

Plate 12 for Ariosto's 'Orlando Furioso'

1772

Engraved plate of a clergyman extending his hand to a man in a light coat, with onlookers and a painted altarpiece behind.

Plate 12 for Oliver Goldsmith's 'The Vicar of Wakefield'

1776

Engraving of a couple embracing before rows of soldiers with muskets, with a domed building and onlookers behind.

Plate 12 from The Deserter by Sedaine

1775

Engraving of an armored knight on horseback fighting a crowd of falling and attacking soldiers, with a German caption below.

Plate 2 for Ariosto's 'Orlando Furioso'

1772

Engraving of a family on horseback riding past two men with raised whips, with a church tower in the distance.

Plate 2 for Oliver Goldsmith's 'The Vicar of Wakefield'

1776

Engraving of a young man in 18th-century dress gesturing beside a tree, with a cottage and hills behind him, German caption b

Plate 2 from The Deserter by Sedaine

1775

Engraving of a knight on a winged sea monster carrying a nude woman above rough waves and rocks.

Plate 3 for Ariosto's 'Orlando Furioso'

1772

Etching of a genteel group in an interior by a tiled stove, with a seated man at left and women in feathered headdresses.

Plate 3 for Oliver Goldsmith's 'The Vicar of Wakefield'

1776

Engraving of a woman in a gown and a man in a long coat gesturing beside a tree, with German caption below.

Plate 3 from The Deserter by Sedaine

1775

Engraving of a knight in a boat thrusting into a sea monster's open jaws, with a chained nude woman on the shore.

Plate 4 for Ariosto's 'Orlando Furioso'

1772

Engraving of a tense family interior: a man in a period coat faces an older man who points, with a woman and two children nea

Plate 4 for Oliver Goldsmith's 'The Vicar of Wakefield'

1776

Engraving of a man gesturing beside a tree as three musket-carrying soldiers look on, with a bundle on the path.

Plate 4 from The Deserter by Sedaine

1775

Engraved interior scene of a woman reclining on a sofa with a man beside her, two candles lighting the room.

[Lotta i Werter całujący się]

1774

Etching of a fashionably dressed woman by a window with two men in an interior room, titled Ressource ordinaire.

[Ressource ordinaire]

1779

Engraving of two armored men before a plumed monarch on a canopied throne in a candlelit hall with courtiers.

[Don Kichot i Sancho Pansa przed monarchą, ilustracja do "Don Kichota z Manchy" Miguela de Cervantesa]

1780

Engraving of a winged woman running across a landscape while an older woman follows, with a French caption below.

[L'Indigence et le Désespoir suites de la Légéreté]

1779

Engraved oval portrait of an older man in a wig and embroidered coat, with a name cartouche below.

Portret van Christian Friedrich Voß

1779

Faint reversed engraving of figures seated at a table in an interior, with a French caption below.

[Sage emploi des richesses]

1779

Hand-colored print of a Silesian landscape with a large tree, farm buildings, grazing cows, walkers on a road and distant mou

Aussicht von Fürstenstein in Schlesien

1796

Engraving of an elegant couple by a tree, with a gesturing man behind them, in 18th-century fashion.

[Preference donnée au mérite]

1779

Engraving of an armored speaker gesturing above a crowd with spears, a chest below and starry gothic window behind.

[Przemówienie Don Kichota, ilustracja do "Don Kichota z Manchy" Miguela de Cervantesa]

1780

Engraving of a seated British officer in a tent receiving robed envoys holding a document, with soldiers standing nearby.

[Der englische Oberst Clive...]

1786

Engraving of four figures in 18th-century dress in an interior, a seated woman and a gesturing man in conversation.

[Tendres précautions]

1779

Engraved allegory of peace with a draped woman offering laurel beside a pedestal of seven portrait medallions and a cherub.

Allegorie op de Vrede van Amiens, 1802

1802

Engraved 18th-century interior with a woman at a dressing table, attendants, a seated man, and a woman holding flowers.

[La bonne école]

1779

Engraved scene of several men attacking a central figure in a tiled room with a doorway, dated 1780.

[Don Kichot okładany razami przez pokojowców]

1780

Portret van Friedrich Heinrich Wilhelm Martini

1779

Engraving of a knight on a white horse, with a giant holding the horse's chain behind him, pyramids in the background.

Plate 5 for Ariosto's 'Orlando Furioso'

1772

Etching of a man raising his arms beside two children and a woman, with a curtain revealing a scene of soldiers and figures.

Plate 5 for Oliver Goldsmith's 'The Vicar of Wakefield'

1776

Engraving of a seated man at a table with a woman in a bonnet leaning over him in a shelved interior room.

Plate 5 from The Deserter by Sedaine

1775

Engraving of a grinning giant in a fleece hat reaching toward goats and sheep in a dark cave, with German caption below.

Plate 6 for Ariosto's 'Orlando Furioso'

1772

Etching of a standing man on a terrace before columns, with a seated audience and musicians in the foreground.

Plate 6 for Oliver Goldsmith's 'The Vicar of Wakefield'

1776