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Bernard Baron

26 works

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Engraving of a bearded man in a roundel on a pedestal, unveiled by winged Fame beside helmeted Minerva and a carving putto.

A portrait of Peter Paul Rubens, in a roundel, on a pedestal, being unveiled by Fame at the command of Minerva, as a…

Engraving of a crowded 18th-century street at evening with an inn sign, women, a child, a dog and a cow.

Evening, Plate Three from The Four Times of Day

1738

Red chalk study of a muscular right hand and forearm on yellowed paper, with hatched shading on the fingers and tendons.

Right Hand of Jupiter

n.d.

Red chalk drawing of a dog's head with hatched fur strokes on yellowed paper, with sketched lines at upper left.

Head of a Dog

n.d.

Engraving of an elegant interior with a seated man, a woman at a tea table, and a standing man holding papers.

Plate Two, from Marriage à la Mode

1745

Engraved interior scene with four figures in 18th-century dress, a skeleton, a skull, and scientific instruments.

Plate Three, from Marriage à la Mode

1746

Engraving of an evening village scene with a couple, a child, a dog, a wooden bridge and an inn sign.

[Evening, z cyklu "Four times of the day"]

1738

Engraved interior with a seated man, a woman at a tea table, a dog, and a standing man holding papers near columns.

Marriage a la Mode: pl. 2

1745

Engraving of an 18th-century interior with a seated man, standing woman, older man in a wig, skull and scientific instruments

Marriage a la Mode: pl. 3

1745

Engraved portrait of a bishop in ceremonial robes and gold chain, seated before a stained glass window, dated 1743.

Bishop Hoadly

1743

Engraved garden scene with a seated woman, a man leaning toward her, a standing woman in a long gown, and statues by a pond.

Landschap met twee vrouwen en een man

1706

Engraved print of elegantly dressed people making music in a wooded garden, one man playing flute, a woman reading sheet musi

Musicerend gezelschap

1706

Engraved portrait of Sir Thomas Reeve in judicial robes and wig, seated in a chair, with inscription and coat of arms below.

Portret van Thomas Reeve

1736

Engraving of Italian comedy actors in costume on a stage with a central Pierrot figure, women, men and children, after Wattea

Italiaanse toneelspelers

1706

Engraved village scene at evening with a crowd, a hanging inn sign, children, a dog, and a Sadler's Wells sign.

Evening, plate three from The Four Times of the Day

May 1738

Red chalk study of a muscular left arm with hatched shading on aged yellowed paper.

Left Arm of a Hunter

n.d.

Head of a Hunter

n.d.

Portret van Anna Sophia van Carnarvon

1740

Engraved portrait of Benjamin Hoadly, Bishop of Winchester, seated in robes with a wig, chain and book before a stained glass

Portret van Benjamin Hoadly, bisschop van Winchester

1743

Engraved oval portrait of a man in a powdered wig inside an ornate Rococo frame, with the inscription Jacobus Gibbs Architect

Jacobus Gibbs, Architectus

1747

Engraved family portrait of a nobleman, a seated noblewoman, children and dogs before a draped curtain and columns.

Familieportret van Johan VIII, graaf van Nassau-Siegen, Ernestine Yolande de Ligne en hun kinderen

1761

Engraved portrait of Benjamin Hoadly, Bishop of Winchester, seated in robes with a chain of office, 1743.

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of…

1743

Engraved portrait of Archbishop Thomas Herring seated in clerical robes and wig, holding a book, with inscription and coat of

The Most Reverend Thomas Herring, Archbishop of Canterbury

1750

Engraving of a village street at evening with a woman with a fan, a man holding a child, a boy with a cane, and a dog.

Evening: The Four Times of Day

March 25, 1738

Engraving of an elegant 18th-century drawing room with a seated man, a woman at a tea table, and a surprised standing man.

Marriage A-la-Mode, Plate II

April 1, 1745

Engraving of a cluttered interior with a seated man, a girl, a standing woman, an older man in a wig, and a skull.

Marriage A-la-Mode, Plate III

April 1745