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Bartolomé Esteban Murillo

106 works

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Two standing religious figures in a landscape, one pointing toward the other who holds a staff, with Latin banners above.

Ecce Agnus Dei

c. 1655

Oil painting of the Virgin Mary seated on clouds holding the standing infant Christ against a golden sky.

Virgin and Child

c. 1670

Two men gesture in conversation before a tent while women, children, cattle and armed travelers populate a wooded mountain la

Laban Searching for His Stolen Household Gods

c. 1665-70

Painting of Christ crucified on a cross against a dark cloudy sky, with a distant city and hills in the lower right.

The Crucifixion

ca. 1675

Full-length portrait of a standing man in black clothing with a white dog beside him, before a stone pillar.

Don Andrés de Andrade y la Cal

ca. 1665-72

Full-length portrait of a standing man in a black cape and silver-patterned sleeves, holding a hat against a dark background.

A Knight of Alcántara or Calatrava

ca. 1650-55

Kneeling bearded monk in brown habit gazes up at angels and putti in clouds, with the word CHARITAS glowing above.

The Vision of Saint Francis of Paola

about 1670

Painting of a boy in a brown cloak biting a peach, with more peaches in his lap, against a dark background.

Boy Eating Peaches

1601

Painting of the Holy Family with a donkey, the infant Christ, and a winged angel offering fruit in a shadowy wooded landscape

Flight into Egypt

1650

Murillo painting of God the Father and a dove above, with a child holding hands between a woman in red and a bearded man.

The Heavenly and Earthly Trinities

1681

Painting of a smiling young woman leaning on a window sill beside an older woman in a white headscarf peeking from a shutter.

Two Women at a Window

1670

Oil painting of a bearded older man counting coins at a table while a young man in brown holds a purse nearby.

The Prodigal Son Receiving his Portion

1660

Kneeling young man gestures upward beside black pigs at a trough, with a ruined wall and bare tree under a cloudy sky.

The Prodigal Son Feeding Swine

1660

Virgin Mary presents an embroidered chasuble to a robed clergyman as angels and cherubs gather in clouds above.

Aparición de la Virgen a San Ildefonso

1655

Painting of the Virgin in white robe and blue mantle rising on clouds, surrounded by cherubs against an orange sky.

Walpole Immaculate Conception

1680

Oval portrait of a dark-haired man in dark clothing holding a human skull against a dark background.

Nicolás Omazur

1672

Painting of a levitating friar in prayer, two angels in a kitchen with cherubs, copper pots, bowls and produce.

The Angels Kitchen

1646

Two young boys in a landscape, one offering a shell to drink, with a white lamb and cherubs above.

The Holy Children with a Shell

1670

Kneeling monk in white habit looks up at the Virgin holding the Christ Child, surrounded by cherubs and clouds in a study.

Aparición de la Virgen a San Bernardo

1655

Virgin Mary kneels in prayer as an angel kneels before her, with a dove and cherubs in clouds above.

Annunciation

1660

Virgin and Child appear above two sleeping figures, a man and a woman, in a dim interior with a gilded arch frame.

Fundación de Santa María Maggiore de Roma. El sueño del patricio Juan

1664

Murillo painting of a seated pope listening to a kneeling patrician, with a vision of the Virgin and a procession at right.

Fundación de Santa María Maggiore de Roma. El patricio revela su sueño al papa Liberio

1664

Painting of a young woman in white robe and blue mantle standing on a globe amid clouds and cherubs.

The Immaculate Conception

1650

Painting of a ragged barefoot boy seated in a dark room beside a clay jug, a basket, fruit and shrimp.

The Young Beggar

1645

Kneeling bearded man in blue robe praying while an angel offers him a chalice against a dark night sky.

Le Christ au jardin des oliviers

1650

Painting of the Virgin Mary rising on clouds in blue and white robes, surrounded by cherubs holding a lily and palm.

The Immaculate Conception

c. 1680

Painting of an elderly man bound to an X-shaped cross, raised by workmen as soldiers, a crowd, and cherubs look on.

The Martyrdom of St. Andrew

1675

Painting of a curly-haired boy in animal skin holding a staff with a white ribbon, beside a white lamb under a tree.

John the Baptist as a child

1650

Painting of the Virgin Mary in white and blue rising on clouds amid cherubs under a golden sky.

The Immaculate Conception of Los Venerables

1678

Painting of a smiling young girl in a white headscarf and brown cloak, holding a coin against a dark background.

The Girl with a Coin

1645

Painting of the Virgin in white and blue robes rising above clouds with cherubs holding lilies and roses.

Immaculate Conception of El Escorial

1660

Painting of the Virgin holding the infant Christ, who wears a golden rosary, seated against a dark background.

Virgin and Child with a Rosary

1650

Painting of a smiling boy in a brown vest holding a woven basket, with a spotted dog at his side.

Boy with a dog

1655

Painting of the Virgin in white and blue rising on clouds above cherubs holding lilies and a palm frond.

The Aranjuez Immaculate Conception

1675

Angel kneeling to present a white lily to a kneeling woman in a dark green mantle, with cherubs and a dove above.

The Annunciation

1650

Painting of a half-nude bearded saint with a halo reading a large open book beside a crucifix in a dark cave.

The penitent Saint Jerome

1650

Kneeling bearded old man in prayer in a dark cave, with a skull, books, quill and red cardinal's hat in the foreground.

The Penintent Saint Jerome

1650

Painting of the Virgin Mary on a crescent moon, hands on chest, gazing upward among cherub heads against gold sky.

The Immaculate Conception

1665

Kneeling man raising his arm toward a stormy sky beside a ruined wall, with dark pigs feeding from a trough nearby.

The Prodigal Son among the Pigs

1660

Painting of a bearded man with a crown of thorns, head bowed, wearing a red cloak against a dark background.

Ecce Homo

1660

Painting of women at a stone well as a man in yellow robes leans in to drink, with a camel caravan in the distance.

Rebecca and Eliezer

1660

Painting of the Holy Family in a dim interior: a child holding up a bird, a man seated, a woman spinning, and a white dog.

The Holy Family with a Bird

1650

Painting of a fallen rider and white horse beneath a glowing Christ holding a cross, with startled soldiers in shadow.

Conversion of Saint Paul

1675

Painting of a curly-haired boy with a halo seated beside a white sheep, holding a shepherd's crook in a landscape.

The Good Shepherd

1660

Older woman in veil guides a young girl reading an open book, with two cherubs holding a flower wreath above.

Saint Anne teaching the Virgin to read

1655

Bearded bishop in embroidered vestments looks up between a crucified Christ and the Virgin, surrounded by cherubs.

Saint Augustine between Christ and the Virgin

1664

Painting of a bearded man with a walking staff, red cloak, scallop shell and open book against a dark background.

The Apostle James

1655

Painting of an old bearded man at a table receiving money from a young man, with two women watching in a dim interior.

The Prodigal Son receiving his Inheritance

1660

Painting of a young boy with a lamb and cross staff, gazing upward under a shaft of light in a rocky landscape.

The Infant Saint John the Baptist

1670

Painting of a young man in a plumed hat feasting at a draped table with two women, servants and a dog, garden view at right.

The Prodigal Son squandering his Inheritance

1660

Oil sketch of a horseman in a red cloak leaving a group of onlookers at a doorway, with pack animals in the distance.

The Prodigal Son taking leave of his Home

1660

Painting of a sorrowful woman in a dark veil and white headscarf, eyes lifted and tearful, against a dark background.

Mater Dolorosa

1660

Painting of the Virgin Mary in red and blue robes holding the infant Christ, who wears a halo, against a dark background.

The Virgin and Child

1655

Painting of a friar in brown robes embracing the nude figure of Christ on a cross, with a cherub holding a book.

Saint Francis embracing Christ on the cross

Painting of the angel Gabriel announcing to the Virgin Mary, with lilies, a dove and cherubs in a golden sky.

Annunciation to the Virgin

1660 - 1680

Painting of Christ on the cross against a dark sky, with a skull at the base and a white loincloth.

Christ crucified

1677

Painting of Saint John the Baptist pouring water on Christ in a river while a dove descends above in golden light.

The Baptism of Christ

1655

Self-portrait of a man in black with a lace collar, hand on an oval frame, with painter's palette and brushes beside him.

Self-portrait

1668

Christ gestures toward a reclining paralytic man as robed followers watch, with an angel above and sick people by a pool.

Christ healing the Paralytic at the Pool of Bethesda

1667

Painting of four figures on a step: a smiling youth in a hat, a veiled woman, an older woman in spectacles, and a sleeping ch

Four Figures on a Step

1655

Painting of a smiling girl in a white turban holding an orange shawl filled with pink and white flowers.

The Flower Girl

1665

Two ragged boys eat grapes and melon beside a basket of fruit in a dark interior.

Grape and Melon Eaters

1650

Two women at an open window: an older woman with a white cloth over her face and a younger woman smiling, chin on hand.

Two Women at a Window

c. 1655/1660

Painting of an elderly father embracing a kneeling young man on steps, with a servant carrying garments and onlookers nearby.

The Return of the Prodigal Son

1667/1670

Painting of a woman with clasped hands gazing upward beside an open book and a skull against a dark background.

Mary Magdalene penitent

1650

Painting of the Madonna in red and blue robes holding a nude infant Christ child with a halo against a dark background.

Madonna and Child

1655

Painting of the risen Christ rising above a tomb holding a red banner, with sleeping soldiers below in darkness.

Resurrección del Señor

1650

Painting of a saint holding a sword, with a cherub offering a rose crown, a spiked wheel and clouds behind her.

Saint Catherine of Alexandria

1650

Seated bishop with mitre and crozier reading an open book beside lettered volumes, painted by Murillo.

Saint Isidor of Sevilla

1655

Painting of the Virgin Mary rising on a crescent moon with cherubs holding lilies and a palm, against golden clouds.

The Immaculate Conception

1670

Painting of a bishop giving alms to poor people under an arch, with the Virgin and Child in clouds above.

Saint Thomas of Villanueva Giving Alms to the Poor

1678

Black and white image of a kneeling friar holding the infant Christ, with angels, a lily and an open book.

Saint Anthony of Padua with Christ as a child

1670

Grayscale painting of the Nativity with Mary and the infant Christ in a manger, surrounded by kneeling shepherds, a cow and a

Adoration of the Sheperds

1650

Painting of a young woman looking upward, holding a palm frond, a terracotta jug and a bowl, in a yellow dress.

Santa Justa

1665

Painting of a smiling peasant boy with bare shoulder leaning his arms on a stone sill against a dark background.

A Peasant Boy leaning on a Sill

1670

Painting of the angel Raphael in a yellow tunic holding a staff and a fish, with white wings, against a cloudy sky.

Angel Raphael with a fish

1680

Painting of the Virgin in white and blue robes with hands clasped, rising above a crescent moon and surrounded by cherubs and

Inmaculada Concepción

1670

Oil portrait of a bearded older man with clasped hands and two keys hanging at his wrist against a dark background.

St. Peter

1650

Painting of a nun in a white habit holding roses and a rosary while a child in a basket reaches toward her.

Santa Rosa de Lima

1670

Painting of the Adoration of the Magi: a kneeling king in gold robe offers gifts to the infant Christ held by Mary.

Adoration of the Magi

1655

Painting of a veiled young woman in a pink dress and blue mantle, hands clasped at her chest, gazing down against a dark back

The Virgin of the Annunciation

Painting of ragged street boys gathered in a shadowed archway, one boy in a white shirt reaching toward them, with a town squ

St. Thomas of Villanueva dividing his clothes among beggar boys

1667

Full-length portrait of a man in a black cloak with a red cross emblem, holding a hat beside a carved wooden chair.

Portrait of Don Diego Felix de Esquivel y Aldama

1655

Elderly bearded man in teal robe and yellow cloak, hands clasped, gazing upward beside a red book and iron key.

Saint Peter in Tears

1650

Painting of Christ on the cross under a dark stormy sky, with a crown of thorns and a skull at the base.

Christ on the Cross

1660

Painting of the Virgin holding the Christ Child in glowing light, surrounded by cherubs and angels on clouds.

Virgin and Child in Glory

1673

Virgin Mary holds the sleeping infant on a donkey while Joseph leads it along a rocky path under a cloudy sky.

The Flight into Egypt

1645

Full-length portrait of a man in black embroidered dress with lace cuffs, standing before a red curtain and marble column.

Portrait of a gentleman, aged 34, presumably a member of the Ostigliani family

1677

Bishop with crozier giving coins to a kneeling beggar, surrounded by poor people in a columned hall.

Saint Thomas of Villanueva giving alms to the poor

1668

Two children with a basket of grapes and melons before a ruined wall and cloudy sky in a painting by Murillo.

The Little Fruit Seller

1670

Painting of an elderly man in a red cloak embracing a returning young man, with a servant holding a robe and a white dog near

The Return of the Prodigal Son

1667

Murillo's Annunciation: kneeling Virgin in red and blue, an angel with lilies, a dove and cherubs in golden clouds.

De verkondiging aan Maria

1660

Pen and brown ink drawing with wash of the Madonna nursing the Christ Child, seated with drapery and red chalk accents.

Madonna Nursing the Christ Child

c. 1670-72

Pen and brown ink sketch of a draped female figure with flowing hair and wisps of cloud, a study for The Immaculate Conceptio

The Immaculate Conception

about 1675-1680

Pen and brown ink sketch of a curly-haired child holding a lamb, with a shepherd's staff behind him.

The Christ Child as the Good Shepherd

about 1675-1680

Pen and brown ink drawing of a young saint seated on rocks with a cross-topped staff beside a lamb.

The Youthful Saint John the Baptist Seated in a Landscape (recto); Unidentified Figure Composition (Dido and Aeneas?)…

about 1655