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Anthony van Dyck

321 works

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Pen and brown ink study of a rearing horse with rider, a horse head, and additional horse legs on paper.

Studies of a Horseman and the Head of a Horse

c. 1617 - c. 1621

Watercolor landscape with a large spreading tree, wooded banks, distant blue hills and a small cottage at right.

Landscape

about 1640

Black chalk drawing of a bearded older man in a lace collar and dark doublet, turned three-quarters toward the viewer.

Portrait of Hendrick van Balen

about 1627-1632

Brown ink and wash drawing of men lowering a pale body wrapped in a shroud in a dark setting.

The Entombment (recto); Partial Study of the Entombment (verso)

1617-1618

Pen and brown ink sketch of a plumed-hat rider on a rearing horse, with a cloaked standing figure at left.

Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Stat…

ca. 1628-32

Black chalk drawing on grey paper of a bearded older man with eyes turned upward, white highlights on the face.

Head of an Apostle

early 17th century

Brown wash drawing with white highlights of a bearded armored rider on a rearing horse in a landscape.

Albert de Ligne, Count of Arenberg, Prince of Brabançon (1600-1674)

17th century

Sheet of Studies of Heads

1615-41

Pen and brown ink drawing with wash of a large spreading tree and shrubs on a sloping bank above a path.

A Group a Trees

early 17th century

Chalk drawing of Christ on the cross with arms raised, head bowed, and a draped cloth at the hips, on tan paper.

Christ on the Cross; verso: St. Jerome Reading by Candlelight, and Sketch of Male Torso (?)

n.d.

Chalk study on tan paper of a standing woman in a draped robe and headscarf, with studies of hands beside her.

Study for a Portrait of a Lady

early 17th century

Pen and ink drawing with wash of a curly-haired standing male figure, partly draped, with handwritten notes on the sheet.

Study of the Christ Child and the Hand of the Madonna. Verso; Profile of a Man

n.d.

Pen and ink sketch with wash of robed bearded men and a figure with raised arm, possibly Christ confronting Pharisees.

Christ and the Pharisees (recto); Christ and a Pharisee (verso)

early 17th century

Pen and ink landscape drawing with a gnarled tree in the foreground and a farmhouse on the right under open sky.

Landscape with a Gnarled Tree and a Farm

early 17th century

Brown ink and wash drawing of trees and shrubs at the edge of a wood, with a path in the foreground.

The Edge of a Wood

1630

Black and red chalk drawing of a standing man in a ruff collar and cloak, holding a hat at his side.

Portrait of a Man Standing

Pen and ink sketch of two seated male figures with loose, overlapping contour lines on grey-brown paper.

Two Seated Male Figures

Brown ink and wash drawing of the Madonna and Christ child with a kneeling saint and studies of bearded heads.

The Mystic Marriage of Saint Catherine

1618

Black chalk portrait of a bearded man in a ruff collar and cloak, hands clasped, labeled Adrianus Stalbent.

Portrait of Adrien van Stalbent, engraver (Lugt 29)

Brown ink and wash drawing of a seated cardinal in a red cape and hat, hands resting on a wooden chair.

Portrait of Cardinal Bentivoglio (Lugt 28)

1623

Brown ink and wash drawing of a seated nude figure being crowned with thorns by several men under an arched architectural set

The Crowning with Thorns (Lugt 27)

1620

Black chalk studies of a greyhound's legs, body and upturned head on a toned paper sheet.

Studies of a Greyhound

1633

Brown wash drawing of a bearded elderly man with an open book and bookshelves behind him, inscribed 'Puteanus'.

Portrait of Erycius Puteanus

1627

Red and black chalk drawing of a woman's head tilted upward, framed by a veil, study by Anthony van Dyck.

Head of the Virgin, study for a painting

1622

Black and red chalk study of a woman's head tilted to one side, with curly hair and upturned eyes, in an octagonal mount.

Portrait of Margaret Lemon

1650

Brown wash drawing of a bearded man in a ruff collar, shown in an oval frame with an inscription below.

Portrait of Nicholas Rockox

1621

Grey paper drawing in black chalk and white highlights of a reclining body held by a draped figure, with a head study at righ

Study for the Lamentation

1627

Pen and wash drawing of a standing woman in a dark satin cloak and pale gown beside a draped curtain and pedestal.

Portrait of an unknown lady

1627

Black chalk drawing of a seated nude man with a bearded head sketched above, on grey paper.

A nude male with wavy hair and a beard

1614

Brown ink and wash drawing of the crucifixion with Christ on a cross, mourners below and a mounted soldier at right.

Christ nailed to the Cross

1627

Pen and ink study of Christ on the cross with two mourning figures below, on blue-grey paper with white highlights.

Christ on the Cross, with the Virgin, St John and the Magdalene below, study for a painting

1627

Pen and ink sketch on blue paper of draped standing and kneeling figures with rapid studies of figures above.

Sketches of figures in drapery and a man on horseback

1627