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Andrea Sacchi

27 works

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Painting of a young man crowned with laurel by a nude Apollo holding a lyre, with a bound satyr and harp nearby.

Marcantonio Pasqualini (1614-1691) Crowned by Apollo

1641

Painting of a newborn infant tended by women beside a basin, with a bearded man in red and blue gazing up at floating angels.

The Birth of Saint John the Baptist

1620

Woman in a gilded chariot drawn by three peacocks under a rainbow, with a flying cupid holding flowers.

Juno in the peacock chariot

1625

Painting of Christ in a crown of thorns and red robe carrying a cross against a dark background.

Christ Bearing the Cross

1640

Estudio de cabeza de Andrea Sacchi

Painting of Daedalus fastening a blue ribbon on Icarus, who raises an arm, against a dark background.

Daedalus and Icarus

1645

Painting of John the Baptist baptizing Christ in a river, with a dove descending in light and two angels at left.

The Baptism of Christ

1650

Painting of the Madonna and Child on clouds with saints, a kneeling figure, and putti in a cloudy sky.

The Madonna and Child with Saints Ignatius of Loyola, Francis Xavier, Cosmas and Damian

1629

Oval portrait of a seated cardinal in red robes and biretta, holding a letter, with lace cuffs and a dark background.

Kardinal Francesco Barberini Köln

1631

Red chalk drawing of Christ with a halo addressing a kneeling man, with a group of figures and clouds above.

Christ's Command to St. Peter, "Feed My Sheep!" ("Pasce Oves Mea")

about 1628

Red chalk drawing of the Virgin and Child with a kneeling friar holding a lily, surrounded by sketched figures on clouds.

The Virgin and Child with Saint Anthony of Padua Handing a Lily to the Child

n.d.

Red chalk sketch of a martyrdom scene with soldiers, a central figure, flying angels, and a distant city.

Martyrdom of a Saint

Brown wash drawing of the Last Supper with Christ at a table surrounded by apostles and angels holding a chalice above.

The Last Supper

Brown wash drawing of a swordsman stabbing a panther as armored warriors with spears and shields look on.

The Shipwrecked Alphone Rescues Lisamante from a Panther

1599-1661

Wash drawing of a haloed Carthusian saint among ill and kneeling figures beneath a curtained classical arch.

A Carthusian Saint Visiting the Plague Stricken

1599-1661

Brown wash drawing with white highlights of the Virgin and Christ Child with Saint Joseph and angels among clouds.

Holy Family

1599-1661

Red chalk drawing of a seated male nude seen from behind, twisting his torso, with draped cloth beneath him.

Back View of a Seated Male Nude

1599-1661

Red chalk portrait of a man with curly hair, mustache and white collar, inscribed A. Sacchi, on a blue-grey mount.

Portrait of Cardinal Antonio Barberini the Younger

1599-1661

Red chalk drawing of two male warriors, one standing with raised arms and one clinging to a tree, on toned paper.

Two Warriors, One Standing, The Other Clinging to a Tree

1599-1661

Red chalk drawing of a nude man reclining on rocks while draped figures gesture toward him beside a tree.

The Drunkenness of Noah

1599-1661

Pope Alexander VII

1655

Red chalk academic study of a seated nude male figure with bowed head, one arm braced on drapery.

Academic Nude Study of a Seated Male

Brown wash drawing of a pagan sacrifice with an altar, a goat, a bearded figure, and women and winged figures on a rocky slop

A Sacrifice to Pan

1630

Red chalk drawing of an elderly man gesturing to a kneeling woman beside a standing figure, with dark wash accents.

Abraham Dismissing Hagar

1599-1661

Red chalk drawing sheet with nude male figures and draped kneeling figures in studies by Andrea Sacchi, 1641.

Figure and Drapery studies (recto); Three Studies of a Male Torso for the "Coronation of Marcantonio Pasqualini" (verso)

1641

Pencil sketch of dancing satyrs and nymphs with draped figures and trees, with a faint squaring grid over the paper.

Dansende saters en nimfen

1609

Brown wash and red chalk sketch of an allegorical scene with a central enthroned figure surrounded by seated and reclining fi

Design for Allegory of Divine Wisdom, Reception Room, Palazzo Barberini, Rome, Italy

1630