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Albert Christophle

146 works

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Engraving of an elegant couple passing columns and a sedan chair on a cobbled street beneath an arch, with a dome beyond.

Lés Précautions (P. A. Martini after J. M. Moreau le Jeune)

1923

Hand-colored print of a seated nude woman attended by a servant in a red striped dress, in an elegant interior with green dra

Le Bain (L. M. Bonnet after N. R. Jollain)

1923

Engraving of a reclining woman on a canopy bed and a seated man in a chair in a domed, draped interior.

Le Roman Dangereux (I. S. Helman)

1923

Engraving of a seated woman in a white dress on a draped bed, with a spaniel on a table beside a column.

S’il m’Étoit Aussi Fidèl (L. Dénnel)

1923

Engraved print of an 18th-century ballroom with dancing couples, crystal chandeliers, and seated onlookers beneath a decorate

Le Bal Paré (A. J. Duclos after A. de St. Aubin)

1923

Hand-colored print of a white-haired man in a red coat with a star insignia, in an oval laurel frame with allegorical reliefs

Le Duc d’Orléans (P. J. L. Debucourt)

1923

Colored print of an elderly man seated while a family in an interior room exchanges greetings, with a small dog and a wall cl

Le Compliment du Jourde l’an (P. J. L. Debucourt)

1923

Engraving of a mounted rider and a standing man gesturing toward spectators and horse racing in a rural landscape.

La Course des Chevaux (H. Guttenberg after J. M. Moreau le Jeune)

1923

Oval hand-coloured portrait print of a woman with powdered curled hair, white ruffled collar and red sash.

Frederica Sophia Wilhelmina of Prussia, Princess of Orange Nassau (C. M. Descourtis after J. F. A. Tischbein)

1923

Engraving of a young man seated in woods with a dog, sheep and basket, set in an oval ivy-framed cartouche.

Le Départ du Courrier (J. F. Beauvarlet after F. Boucher)

1923

Colour print of three nude women embracing in a landscape, two holding flowers, under a blue sky with clouds.

Les Trois Grâces (F. Janinet after G. A. Pellegrini)

1923

Engraving of a man reaching to slide a bolt as a woman embraces him, beside a draped bed in a dim room.

Le Verrou (M. Blot)

1923

Engraving of a man at a cottage door with a dog, a seated woman, and two children beside a thatched cottage.

Lison Dormait (P. Trière after S. Freudenberger)

1923

Hand-colored print of a crowded café interior with soldiers in bearskin hats, men in period dress, and tall windows.

Le Café des Patriotes (J. B. Morret after J. Swebach-Defontaine)

1923

Hand-colored print of a man in a red coat leaning over a seated woman in pink beneath blue drapery in an ornate room.

Le Retour a la Vertu (J. de Longueil)

1923

Engraved print of musicians and women in period dress playing guitar and flute in a wooded clearing.

Le Concert Agréable (C. N. Varin)

1923

Engraving of an 18th-century interior where a seated man is attended by a kneeling servant, a standing attendant and a woman

Le Lever (L.M. Halbou after J. M. Moreau le Jeune)

1923

Engraving of two elegant women, a gentleman, and a child in a garden with a parasol, a small dog, and trees.

Le Rendez-vous pour Marly (C. Guttenberg after J. M. Moreau le Jeune)

1923

Engraved interior scene of a seated couple, a maid, and a candelabra beside a canopy bed, set within an ornate frame.

La Nuit (J. B. Patas)

1923

Hand-colored print of fashionably dressed crowds strolling through an arcaded gallery with arched windows and shops.

La Promenade de la Gallerie du Palais Royal (P. J. L. Debucourt)

1923

Oval hand-colored print of a playful cherub holding a rose-wreathed scepter, with doves and red roses below, titled La Folie.

La Folie (F. Janinet after J. H. Fragonard)

1923

Engraving of an elegant couple in a theatre box, with a seated older man and an ornate auditorium visible beyond the curtain.

La Petite Loge (J. B. Patas after J. M. Moreau le Jeune)

1923

Engraved oval portrait of a woman in a frilled bonnet, finger to her lips, with a small cherub medallion below.

Au Moins Soyez Discret (A. de Saint-Aubin)

1923

Hand-coloured print of two women in 18th-century dress in a room, one seated writing and one standing by a window.

Ha! Le Joli Petit Chien (F. Janinet after N. Lavreince)

1923

Hand-coloured print of a village fair with tents, a crowd, a woman in blue, a man in red, and a dog.

La Noce de Village (C. M. Descourtis after N. A. Taunay)

1923

Hand-colored print of a woman and a young man beside a stone fountain, with a broken pitcher, a dog, and trees behind them.

Heur et Malheur (P. J. L. Debucourt)

1923

Engraving of two women in a draped canopy bed, one reclining, inside an oval frame with a cherub medallion below.

Nouvelles du Bien-Aimé (Queverdo and Romanet after F. M. I. Queverdo)

1923

Hand-colored print of a woman in a blue bodice holding a white cat in an interior with a cello and two small dogs.

Le Triomphe de Minette (G. Vidal after Marguerite Gérard)

1923

Engraved oval portrait of a young girl with flowers, beside a stone lion-head pedestal and a pitcher.

La Cruche Cassée (J. Massard after J. B. Greuze)

1923

Engraving of a couple seated on grass under a tree, with a flower basket, a hat, and wooden clogs nearby.

Les Sabots (J. Couché)

1923

Engraving of an elegant 18th-century salon concert with seated audience, musicians, columns and draped windows.

Le Concert (A. J. Duclos after A. de St. Aubin)

1923

Colour print of a family gathering in an interior, with a grandmother, children and adults holding blue flowers.

Les Bouquets (P. J. L. Debucourt)

1923