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Yale Center for British Art

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Full-length portrait of a man in a brown coat and grey wig standing in a garden before a country house.

Gentleman in the Grounds of his House

Samuel de Wilde, 1800

Full-length portrait of a young woman in a white satin gown beside a red chair, holding a fan against a dark background.

Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

George Clint, 1822

Full-length portrait of a seated man in a grey silk coat and powdered wig, holding a paper beside a column and books.

Thomas Osborne

James Cranke, 1747

Two men in period dress in a room with a fireplace and desk, one in embroidered blue coat and one in tricorn hat.

John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married

Samuel de Wilde, 1796

Oil portrait of a man in a powdered wig and brown coat holding a rolled sheet with a classical figure sketch.

James Thomson (1700-1748)

Stephen Slaughter, 1736

Oil portrait of a woman in a white satin dress and blue wrap against a dark background, painted around 1750.

Portrait of a Lady

James Cranke, 1750

Full-length painting of a man in a pink embroidered coat and white wig gesturing before a green garden backdrop.

Thomas King in "The Clandestine Marriage" by George Colman and David Garrick

Samuel de Wilde, 1792

Painting of a ruined round castle tower on a cliff, a bridge with two figures, a shepherd with sheep, and stormy clouds.

Conway Castle

Sir George Beaumont, 7th Baronet, 1809

Three men in riding dress with horses, one standing with a walking stick and two mounted, in a loose sketched landscape.

John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

Benjamin Marshall, 1804

Oil portrait of a seated man in turban and red robe beside ruined columns, holding a cane and dagger.

Charles Lenox Cumming-Bruce in Turkish Dress

Andrew Geddes, 1817

Oil painting of a young woman in yellow and green standing beside a bearded man in red holding keys at a doorway.

Shylock and Jessica from the 'Merchant of Venice,' II, ii

Gilbert Stuart Newton, 1830

Four men in period coats and top hats, with a jockey in red holding a saddle, preparing a horse blanket in a sketch-like scen

The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad

Benjamin Marshall, 1802

Oil self-portrait of a man in a grey wig and dark coat holding a palette and brushes beside an easel.

Self-portrait

Marcellus Laroon, 1720

Oval portrait of a man in a brown coat, white lace cravat and grey powdered wig, gesturing with one hand.

An Unknown Man

George Beare, 1746

Painting of a sportsman in a top hat with a rifle, two pointer dogs and a saddled horse in an open landscape.

Portrait of a Sportsman, Possibly Richard Prince

Benjamin Marshall, 1825

Full-length portrait of a sportsman in a tan coat and green waistcoat holding a gun, with a white dog by a rock.

A Sportsman

Edward Haytley, 1752

Half-length portrait of a woman in a pink gown, white lace bonnet and brown fur stole against a black background.

An Unknown Woman, Called Peg Woffington

George Beare, 1740

Oval half-length portrait of a man with brown hair in a dark blue coat, cream waistcoat and white cravat.

Josiah Rose of Liverpool

Benjamin Marshall, 1795

Oval-framed half-length portrait of a young man with curled dark hair, brown coat and gold-braided white shirt.

Self-Portrait

William Keeble, 1748

Oil portrait of an elderly woman in a lace cap and a young girl holding a pink rose against a dark background.

Portrait of an Elderly Lady and a Girl

George Beare, 1747

Family group portrait of a seated woman with an infant, a girl holding a pet, a man in red beside a cello and dogs.

Family Group

James Millar, 1774

Painting of a wooded landscape with large trees, a small figure on a dirt path, and a pink sky over distant hills.

Landscape with Trees and a Figure (recto)

Thomas Churchyard, 1840

Painted study of two red poppy flowers on slender stems with grey-green leaves against a warm brown background.

Study of Poppies

James Inskipp, 1832

Man in red hunting coat and top hat on a brown horse, seen from behind, holding a riding crop against a grey background.

Portrait of Thomas Cholmondeley, 1st Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park")

Henry Calvert, 1839

Oval portrait of a heavyset bald man with powdered hair in a grey coat, resting his hand on a ledge.

George Stubbs

William H. Craft, 1775

Oval portrait of a man in a navy coat with red collar, holding a folded letter, against a dark background.

William Wheatley

Francis Alleyne, 1786

Woman in plumed hat and riding coat holds a shotgun beside an oak tree with two dogs, in a landscape.

The Countess of Effingham with Gun and Shooting Dogs

George Haugh, 1787

Painting of a bearded man in antlers embracing a woman beneath an oak tree at night, with another woman watching nearby.

Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

James Stephanoff, 1832

Oval portrait of a seated woman in a white gown, lace cap and powdered hair, holding a pearl strand against a grey background

Margot Wheatley

Francis Alleyne, 1786

Head of a Grey Arabian Horse

Martin Ward, 1820