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Wien Museum

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Shaded drawing of a man with curly hair in an ornate uniform, cross medal and eagle-emblem sash, signed lower right.

Erzherzog Anton Viktor als Großmeister des deutschen Ritterordens

Franz d. Ä. Gaul, 1830

Pen drawing of ornate ceiling designs and wall elevations for an interior, with coffered and circular ceiling panels.

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Deckendekoration

Heinrich von Ferstel, 1865

Pencil elevation drawing of a palace facade with arched windows, columns, pediments and sculpted figures.

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Fassade

Heinrich von Ferstel, 1866

Pencil elevation drawing of a classical palace facade with pedimented windows, a hipped roof and an arcade on the right.

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Fassade gegen den Schwarzenbergplatz

Heinrich von Ferstel, 1866

Pen drawing of an ornate festival hall ceiling with coffered panels, medallions and a central allegorical figure group.

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Festsaal-Decke

Heinrich von Ferstel, 1865

Pencil floor plan of the Erzherzog-Ludwig-Viktor-Palais with rooms, corridors and a rounded corner, on cream paper.

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Grundriss

Heinrich von Ferstel, 1866

Ink and red wash floor plan of the first story of a palace, with labeled salons, a ballroom, staircases and a winter garden.

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Grundriss 1. Stock

Heinrich von Ferstel, 1866

Red and black architectural floor plan of a palace second storey with labelled salons, bedrooms and a circular staircase.

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Grundriss 2. Stock

Heinrich von Ferstel, 1866

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Profile der Kanalerdaushebung und des Gassenkanals

Heinrich von Ferstel, 1861

Pencil architectural drawing of a palace courtyard facade with arcaded galleries, rusticated stonework and tall arched window

Erzherzog-Ludwig-Viktor-Palais, 1., Schwarzenbergplatz 1, Querschnitt durch die Hausanlage, Fassade des Innenhofes

Heinrich von Ferstel, 1866

Pencil study of a donkey or mule with saddle and basket on squared grid paper, with a faint rider sketched above.

Esel oder Maultier mit Reiter (Studie zu: Kinder in Malcesine)

Josef Engelhart, 1910

Colour plan drawing of two long garden or hall layouts with colonnades, statues, pavilions, paths and planting.

Etablissement Apollosaal in der Zieglergasse, Grundriss der beiden Säle

Wenzel Deimel, 1819

Watercolor architectural section of a long hall with a painted garden mural and domed pavilion, drawn by Wenzel Deimel in 181

Etablissement Apollosaal in der Zieglergasse, Schnitt durch die beiden Säle

Wenzel Deimel, 1819

Watercolor botanical illustration of a green-flowered spurge plant with reddish stems and exposed roots on cream paper.

Euphorbia amygdaloides - Mandelblättrige Wolfsmilch

Alfred Franck, 1848

Black-and-white bookplate drawing with a cannon, spoked wheel, armored figure and the inscription Ex libris Max von Ditfurth.

Ex libris für Max von Ditfurth (Vorzeichnung)

Josef von Diveky, 1913

Pen drawing of an ex libris bookplate for Hans Müller with a seated figure and stylized lettering, monogram KW.

Ex Libris-Entwurf Hans Müller

Karl Wiener, 1920

Pencil drawing of a bookplate with a tall cypress, clouds and shrubs, labeled Ex Libris Lya Weinhandl.

Ex Libris-Entwurf Lya Weinhandl

Karl Wiener, 1920

Colored pencil ex libris design of a bare tree under a blue sky with clouds, with the words Ex Libris Otto Jeschek.

Ex Libris-Entwurf Otto Jeschek

Karl Wiener, 1920

Ink bookplate drawing of a draped woman holding flowers atop open books, with the inscription Ex Libris Ida Roessler.

Exlibris für Ida Roessler (Originalzeichnung)

Josef von Diveky, 1913

Pen drawing of a bookplate with a seated woman reading, an owl on stacked books, a bookshelf and the word Library.

Exlibris-Entwurf für Marie von Ebner-Eschenbach (1830-1916), Schriftstellerin

Julie Gräfin Hoyos, 1860

Watercolor of a torchlight procession crossing a bridge at night, with spectators on the riverbank and city buildings behind.

Fackelzug zur Schillerfeier am 8. November 1859

Emil Hütter, 1859

Design drawing of a Viennese citizens' banner with portrait medallion, coat of arms and inscription panels, 1908.

Fahne der Wiener Bürgervereinigung, Ansicht

Otto Wagner, 1908

Colored design drawing of a flag for the Viennese Bürgervereinigung with double-headed eagles and inscriptions, by Otto Wagne

Fahne der Wiener Bürgervereinigung, Ansichten

Otto Wagner, 1908

Design drawing for a banner with lettered names, stylized flowers and red-white-red bands, pencil and watercolor on paper.

Fahne der Wiener Bürgervereinigung, Fahnenband

Otto Wagner, 1908

Pencil sketch of a covered wagon and travelers on a dirt road beside a tree, with village houses and a fence at right.

Fahrendes Volk

Anton Heinrich Peschka, 1927

Watercolour of mounted officers, soldiers and carriages with spectators in a field, with a town and hills behind.

Fahrt der Alliierten zu einem Manöver (während des Wiener Kongresses 1814/15)

Josef Zeller von Zellenberg, 1814

Family portrait of four people with a man standing behind, two women in lace bonnets and a seated boy with a book, 1846.

Familienbildnis, vermutlich des Magistratsrats Josef Grabner in Wr. Neustadt

Johann Christian Schoeller, 1846

Drawing of a ballerina in a tutu beside a goat in a gothic stone arcade, with a hunched figure in the shadows.

Fanny Elssler als "Esmeralda" mit Ziege und Quasimodo in Notre Dame nach Victor Hugo

Paul Bürde, 1849

Hand-colored drawing of Fanny Elßler in a blue and red costume as Fenella before a column and mountains.

Fanny Elßler als Fenella in der Stummen von Portici (Vorlage für das Costümbild Nr. 3 zur Theaterzeitung)

Johann Christian Schoeller, 1832

Pencil elevation drawing of a three-storey monumental building facade with arcaded windows and columns, by Heinrich von Ferst

Fassade eines 3-geschoßigen monumentalen Gebäudes

Heinrich von Ferstel, 1860